Jethro Tull: Providence 1984 (PRRP Aud Remaster) FLAC

fixed - link to missing song in comments

2 CD’s
Flac Separate Files
No CUE no LOG
ffp and Md5 Checksum included
Artwork Included

Title: Here We Go…Let’s Wrap This Up
Date: October 27th 1984
Venue: Civic Centre, Providence, Rhode Island, USA

I do not have a lineage on this but yesterday I did convert my original wv files to wav via Audio Transcoder 1.8 and then to FLAC level 8 via TLH -dave

Disc One
01. Under Wraps (intro) 02:18
02. Locomotive Breath (inst. intro) 01:43
03. Hunting Girl 05:48
04. Under Wraps 04:55
05. Later That Same Evening 04:48
06. Nobody’s Car 04:23
07. Fly By Night 04:13
08. Thick As A Brick (medley) 08:37
09. Skating Away On The Thin Ice Of A New Day 02:06
10. Clasp 04:09
11. Living In The Past (w/instrumental variation) 03:35
12. Serenade To A Cuckoo 04:54

Disc Two
01. Band Introductions 02:13
02. Fat Man (w/extended instrumental) 06:35
03. Instrumental w/Drum Solo 09:12
04. Black Sunday 06:42
05. Songs From The Wood 01:57
06. Minstrel In The Gallery 01:48
07. My Sunday Feeling 02:59
08. Aqualung 07:32
09. Locomotive Breath 08:23
10. Too Old To Rock ‘n’ Roll: Too Young To Die 05:38
11. Thick As A Brick (reprise) 03:22

Personnel
Ian Anderson Flute, Vocals & Guitar
Martin Barre Lead Guitar & Mandolin
Dave Pegg Bass Guitar
Doane Perry Drums & Percussion
Peter-John Vettese Keyboards

Liner Notes: Another Decade for Tull….
Jethro Tull has always been thought of as a quintessential 1970’s English progressive rock band. After the successes of the late 1970’s albums “Songs from the Wood” and “Heavy Horses” Tull ended the decade with “Stormwatch” going Gold in the US. But the 1980’s would see a new direction for Ian Anderson and the rest of the gang. For the next album, “A”, released in 1980, previous band members Barrie Barlow, John Glascock, John Evans and David Palmer were replaced by Dave Pegg and Mark Craney. Eddie Jobson, having just left the band U.K. was also brought in to provide both keyboard and violin. Sadly, despite the new look and sound, the “A” album spent just 5 weeks on the charts reaching only #25 in the rankings. “Broadsword and the Beast” was next and was received well by fans. Sold out venues during the tour for that album provided encouragement but did not translate into the expected commercial success. Sales in Europe were strong but the Americans did not take to the new offering as much as previous albums. Still, Ian Anderson was pleased with the work describing “Broadsword” as one of his favorite albums. This was the first Tull album for yet another new keyboard player Peter-John Vettese who replaced Jobson after just one album. Vettese actually contributed much to the new Tull sound and helped with many of the instrumental sections of the new album.
In 1983 Ian Anderson decided to produce a solo album called “Walk into the Light”. For this album, Anderson decided to include Peter-John Vettese as the only other musician. Though not a great commercial success, the album was an opportunity for Vettese and Anderson to gain more experience working together to produce a unified sound. By 1984, Ian and Peter-John were ready to re-join Martin Barre and the rest of Tull for the next Jethro Tull album, “Under Wraps”. When asked about these two albums and the new Jethro Tull sound, Anderson had this to say, “I wanted to take the opportunity to experiment with something outside the Jethro Tull music of the time….I wanted to get away from doing what I was known for, and do something more electronic. It was the beginning of the techno age, of sequencers and samplers, and it all seemed very exciting….I was interested in the idea of combining the songs that could have been Tull songs, with a more mechanical and disciplined arrangement that would come from computer driven music. It (Walk into the Light) was in a way a direct precursor of the Tull album “Under Wraps”….It is interesting that both albums were resoundingly unsuccessful commercially…as that marked a rather more experimental period with technology…” They even used a drum machine instead of a live drummer for this new Tull album.

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