Showing posts with label 1967. Show all posts
Showing posts with label 1967. Show all posts

Saturday, April 21, 2012

Cream: Stockholm 1967 (G+/VG- Aud) FLAC

Cream - steppin-razor-F
Steppin' Razor
Stockholm, Sweden
November 14, 1967
Mid Valley 383

01 Introduction
02 Tales Of Brave Ulysses
03 Sunshine Of Your Love
04 Sleepy Time Time
05 Stepping Out
06 Train Time
07 Toad
08 I'm So Glad

Eric Clapton guitar and vocals
Jack Bruce bass and vocals
Ginger Baker drums

AUD>?>CDR>EAC>FLAC LEVEL 6

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Thursday, February 23, 2012

Thelonious Monk: Mainz 1967 (FM) FLAC

folder
Liederhalle, Mainz, Germany - November 8, 1967

Solid sound here, given the age of the recording. Definitely in the A- range.
lineage: FM recording > ? > flac on DVD in trade
OU NOTE: I'm always a bit wary when seeding older jazz, because it can be tough
to tell what has been officially released. I have checked as thoroughly as I know how. However, if you do find that this or any other shows that I've seeded has been officially released, please PM me.

01 intro [2:31]
02 Ruby My Dear (quartet) [7:07]
03 Don't Blame Me (solo piano) [5:03]
04 Rhythm-a-ning (C.Terry - trumpet) [4:46]
xx I Mean You / Theme (nonet) [officially released*]
05 Straight, No Chaser [9:11]
06 Evidence [18:08]
07 Oska.T [18:13]

*Released in a 4:16 version on "Straight No Chaser" (the movie soundtrack
album - Columbia CK 45358). Sheriden notes that "this was spliced from several sources, including an on-tour rehearsal, being drawn from the Charlotte Zwerin/Bruce Ricker film documentary, "Straight No Chaser." The version I have is 24:27 and the real gem of this show, as all members of the nonet take solos. I have no means of splicing out the officially released portions, and I am thus unable to upload them. This seems pretty rare, since the 4:16 version of I Mean You is the only portion of this concert catalogued by Sheridan.

Lineup:
Thelonius Monk - Piano
Charlie Rouse - Tenor Sax
Ray Copeland - Trumpet
Johnny Griffin - Tenor Sax
Jimmy Cleveland - Trombone
Phil Woods - Alto Sax
Clark Terry - Trumpet
Larry Gales - Bass
Ben Riley - Drums

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Sunday, November 27, 2011

Simon and Garfunkel: Monterrey 1967 (Soundboard) .ape

front
Monterrey Pop (Live at Monterrey Pop Festival, California, USA, 1967 / 1980)
EAC Rip
Image (Cue&Log)
Scans Included
Label: Grapefruit - # GRA-042-C

Monterey Pop Festival:
1. Intro by John Philips (The Mamas and The Papas)
2. Homeward Bound
3. At The Zoo
4. Intro
5. The 59th Street Bridge Song (Feelin' Groovy)
6. For Emily Whenever I May Find Her
7. The Sound Of Silence
8. Benedictus
9. Intro
10. Punky's Dilemma
Tower Theater - 7 October 1980:
11. Me & Julio Down By The Schoolyard
12. Ace In The Hole
13. Something So Right
14. One Trick Pony
15. Jonah
16. 50 Ways To Leave Your Lover
17. Late In The Evening
18. American Tune
19. Love Me Like A Rock
20. The Boxer
- Total Time: 01:05:26

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Saturday, November 19, 2011

Traffic: Various BBC Broadcasts 1967-1968 (FLAC)

Traffic 2 - Inside 2
Traffic -Various BBC broadcasts 1967 & 1968
[dates noted when known] London, England (BBC studios)
Sound quality varies but mostly fairly good and very listenable.
Remastered from various reel & bootleg CD sources.
Transferred to Macintosh with DigiDesign Audio Media III card.
Edits, speed adjustments, normalization, etc. with Pro Tools > AIFF > Toast Titanium > CD.
Sector boundaries verified & FLAC files created with xACT.

01 The Heaven Is In Your Mind 3:56
02 A House For Everyone [12-24-67 "Top Gear"] 1:50
03 No Face No Name No Number [12-24-67 "Top Gear"] 3:46
04 No Face No Name No Number 3-31
05 Dear Mr. Fantasy [cuts into 1st notes] [4-7-68 "Top Gear"?] 4:21
06 Dear Mr. Fantasy 7:30
07 Coloured Rain 3:13
08 Hope They Never Find Me Here 2:18
09 Paper Sun 3:04
10 interview segment [9-26-67] 0:54
11 Hole In My Shoe [9-26-67] 2:36
12 Smiling Phases 2:39
13 Here We Go 'Round The Mulberry Bush 2:29
14 You Can All Join In [1st 10 seconds from alt. source] [6-30-68 "Top Gear"] 3:24
15 Pearly Queen [6-30-68 "Top Gear"] 5:02
16 Who Knows What Tomorrow May Bring [6-30-68 "Top Gear"] 3:48
17 Feelin' Alright 3:47
18 40,000 Headmen 3:57
Total time 62:16

Chris Wood: electric piano, sax & flute
Jim Capaldi: drums & vocals
Steve Winwood: guitar, organ & vocals
Dave Mason: guitar & vocals

OU: It should be noted that some of these tracks were originally broadcast off speed, so on one or 2 tracks the BBC announcer sounds too slow but the song itself has been speed corrected to the proper pitch (track 4 is the most noticeable).
Also, it is likely that people out there might have improvements to this compilation, so if anyone has better quality, more songs or more specific info please upload them as an upgrade...
Finally, there is not much time between the tracks, so you may want to add pauses if you prefer to listen to it that way (since it fades between most tracks).
To my knowledge these are all unique versions that have never been officially released. When I compiled this I checked carefully to make sure than no songs were just the record being introduced by BBC announcers or just alternate mixes.
This is not the same as any of the BBC bootlegs, which have had studio outtakes mixed together with the BBC tracks. Also, all of this has been carefully remastered, so if you compare them I think you will hear the differences.
ENJOY! grner1

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Thursday, November 10, 2011

Pink Floyd: Stockholm 1967 (VG+ Aud) FLAC

BRAND NEW SHOW JUST RELEASED!
5755161515_edb8ca41b6_o
Stockholm , 10 september 1967 , "off" audience master
gyllene circelen
10.september.1967 (replay on may 7th, 2011)

SOURCE: sonic studio dsm 6 (w/ pre-amp & bass roll off) > tascam tascam dr-07 (44khz/24bit)
TRANSFER: adobe audition 3.0 > flac level 8
LOCATION: next to the soundboard, approx. 6 meters off the speakers, center
TOTAL: 43:02

01 announcement
02 mathilda mother
03 pow r toc h
04 scream thy last scream
05 set the controls for the heart of the sun
06 see emily play
07 interstellar overdrive

Forty-three years after their first and last performance there, a restaurant in Sweden will once again hear the music of Pink Floyd. Fans of the band have unearthed one of the earliest bootlegs of the group, recorded at Stockholm's Golden Circle, and have announced plans to relive the gig at the same site.
On 10 September 1967, David Gilmour wasn't yet a member of Pink Floyd, Syd Barrett was still their singer and the band had just released their first album, The Piper at the Gates of Dawn. The English quartet were touring Europe, where they played the Golden Circle, a Stockholm restaurant and jazz club that did not even own a PA system. "No one will like what we play," complained a band member, according to the fansite Brain Damage (via Spinner). But not only did the group reportedly play a great gig, someone at the Golden Circle recorded the whole thing. This bootleg, apparently of "the highest quality", is the only known recording of a complete 1967 Pink Floyd concert.
So far, the bootleg has been kept under wraps. But next spring, Stockholm promoters plan to showcase the tape on the same equipment that recorded it and in the same venue, where the decor apparently hasn't changed since 1967. Guests will enjoy dinner, an opening set by Pink Floyd tribute band Lost in Rick Wright's Wardrobe, and then the 43-year-old recording, fronted by "specially designed" mannequins. Even the menu is a tribute, with items such as "Gastronomy Domine" and "Careful with that [Gravlax], Eugene".
Tickets are on sale now , for 450 SEK (£41), but those who can't make it to Stockholm may be in luck: promoters claim representatives from EMI will be in the house, evaluating whether the Golden Circle recording deserves a wider release.

NOTES:
- this is a 44 khz/24 bit version. you either need to downsample it to 44/16 to put it to cd or download a 44/16 version from dimeadozen.
- 1st and biggest thank you to mr. lind who originally and perfectly recorded the show
- thanx to peooohh for getting me tix, a place to stay, swedish beer etc etc
- thanx to mods moonwall and tj for ... you know it.
- thanx to creamcheese for "treating" (only very, very little normalising and editing was done with extreme caution)
- "last time i took drugs, i tried to eat an airport"

even more info here:
http://www.sydbarrettpinkfloyd.com/2010/12/pink-floyd-copenhagen-1967-recording.html

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Thursday, October 27, 2011

The Jimi Hendrix Experience: Offenbach 1967 (2011 Rebroadcast!) DVD

actual capture
vlcsnap-2010-09-20-13h16m20s30
Beat Beat Beat
Stadthalle, Offenbach, Germany
18 May 1967
Sky Arts 1 Brodcast xx July 2011

Sky Arts 1 DVB-C>Philips stand alone DVD rec>Menu, chapters & burned using MMEP.

Setlist:
01 - Titles
02 - Stone Free (incomplete)
03 - Hey Joe
03 - Purple Haze
Run time: 00:10:33

Note: The Sky Arts 1 programme only included "Hey Joe & Purple Haze". "Stone Free" which is incomplete (fades out after the guitar solo) is from another source (BP. April 2006)
I did put that version up at Crosstown Torrents quite a while ago. This represents the best version I have seen of this set.
ps. on BP's original notes state the venue as "Stadthalle, Offenbach, Germany - 1967-05-18". The end credits on the Sky Arts version state "HR-Studios, Frankfurt - 1969-05-29.
According to "Electric Gypsy" the Stadthalle, Offenbach on the 18th May is the correct venue & date. On the 29th May 1967 the Experience were playing "Baroque '67" at the Tulip Bulb Auction Hall, Spalding, Lincolnshire, England.

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Sunday, October 2, 2011

Roland Kirk Quartet: Prague 1967 (FM) FLAC

Copy of kirk prague 67
Rahsaan Roland Kirk Quartet
Prague (CSSR) October 19, 1967
Sound: A/A-
Prob. FM source
Lineage: FM > ? > CDR > EAC > GoldWave > WAV > FLAC (asb) > CDR > EAC (see log) > FLAC (8,verify)

Rahsaan Roland Kirk - tenor sax, flute, manzello, stritch, clarinet
Ron Burton - piano; Steve Novosel - bass; Jimmy Hopps - drums

1. Announcement (4:05)
2. Ode to Billie Joe (11:35)
3. My Ship (6:44)
4. Creole Love Song (10:04)
5. The Inflated Tear (4:45)
6. Lovellevelliloqui (7:03)
7. Making Love After Hours (4:43)
8. Free Interlude & Applause (5:24)
9. Bessie's Blues/Afro Blue (9:13)
TT: 63:40

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Friday, September 16, 2011

Grateful Dead: Monterey Pop Festival 1967 (Soundboard) FLAC

new source!
Monterey_Pop_Festival_[front]
Monterey Pop Festival Fairgrounds 06/18/67
Monterey, CA
Lineage: SBD Master Reels > DAT (Panasonic 3700) > Delta DiO 2496 >
PC hard drive > CDR > CDWAV > Cool Edit > Traders Little Helper

1. Viola Lee Blues 14:12
2. "The Beatles aren't here"* 0:51
3. Tuning > 1:29
4. Cold Rain and Snow 3:49
5. Alligator > 8:27
6. Caution (Do Not Stop on Tracks) 11:38
7. Bill Graham outro** 0:44

Thanks to anonymous for the discs
OU Notes: This is a previously uncirculated source for this show and in comparison to the prior most recently circulated source (etree.org - http://db.etree.org/shninfo_detail.php?shnid=19586)
offers us the following:
- a known lineage without a stated cassette generation (or the uncertainty of one)
- a couple of additional minutes of between tunes banter and stage announcements and most importantly,
- an improved fidelity. Noteworthy, are a more complete Bill Graham outro following Caution and the right and left channels remaining intact from the transfer as they appear to be reversed on the prior circulating source. Also, tracks are now all at the correct pitch vs. being a semitone flat on earlier circulating sources.
Track editing, pitch correction, minor edits and sector boundary correction and verification done by Seth Kaplan via CDWAV, Cool Edit 2k and Traders Little Helper, respectively. Entire show was pitch corrected up one half step via Cool Edit 2k and Apple GarageBand.

* Emcee on "The Beatles aren't here" is apparently NOT Tommy Smothers as previously indicated in notes to the prior most recently circulating source of the Dead's set at Monterey Pop. The emcee is currently stated to have actually been Peter Tork of The Monkees who MC'd at the festival and whose voice on audio was compared to that of Tork introducing Buffalo Springfield on the outtakes disc of "The Complete Monterey Pop Festival" DVD and determined to be a match. (Source: Billy K. at etree.org - http://db.etree.org/shninfo_detail.php?shnid=19586)
** With regards to the Alligator > Caution potentially non-Monterey source issue noted on Deadlists and quoted below, it appears that the additional Bill Graham outro segment in addition to comparative listening across multiple selections serves to support the notion that this part of the tape is indeed from Monterey due to both its stated content and from consistency with the other material in terms of general ambience, audience sound and unique sonic characteristics appearing throughout all of the material. First off, on the earlier source(s) Bill Graham's voice trails off half way through his opening remark after Caution, loosely interpreted by Deadlists below. The new source doesn't trail off and he can basically be heard to say, "Let's go just one more time, let's hear it again, The Grateful Dead", perhaps indicating this as a possible ending to an encore. Furthermore, he continues on with a few more lines, the most informative of which is:
"When they talk about those peace talks this week, they should come out here first for a couple of days." Preceding this statement he specifically names the following individuals who were in fact, then recent and upcoming peace talk participants:
President Lyndon B. Johnson/Israeli Prime Minister Levi Eshkol/Russian Premier Alexei Kosygin. According to Deadlists, 6/18/67 Monterey Pop was the last show played prior to 7/13/67. Graham's statement referencing "those peace talks this week" likely refers to the well publicized upcoming Glassboro Summit Conference featuring Johnson and Kosygin scheduled later that week for 23-25 June 1967, just five days after Monterey. A week before Monterey, the 1967 Arab-Israeli War, fought between June 5 and June 10, 1967 had featured Eshkol as a key player in the peace negotiations and was an inspiration for the Glassboro Summit talks between the U.S. and Russia. This, along with general consistencies amongst several sound factors, appear to support Alligator > Caution as being from the same performance as the rest of the material featured within the tape.

From Deadlists (as of 07/10/2011): Comments: Alligator > Caution may not be from Monterey. What makes me suspicious is that at the conclusion of Caution, Bill Graham is heard to say something like "let's hear it for the Grateful Dead." Bill Graham was not the emcee at the Monterey Pop Festival, so it's doubtful he would introduce the band from the stage. However, some folks have speculated that since Graham was in attendance and a friend of the Dead, he might have done the intro and or the outro as a "guest emcee." The Alligator is a curiosity; it's a very primordial version without vocals

Recordings: (50) SB. Cold Rain And Snow And Viola Lee Blues from master reel > 1 cassette generation > DAT > circulation; also Alligator (without vocals) > Caution from master reels > DAT > circulation. Master recording source(s): 14inch Master Reel

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Sunday, September 4, 2011

Thelonious Monk Quartet: 2 FM Shows from 1966-1967 (FLAC)

25880
Newport Jazz Festival
Newport, RI - July 2, 1966

lineage: FM? > ? > flac on DVD in trade > Easy DC-DA Extractor
The sound on this one is in the A- range, generally very clear, but a bit hissy in the quieter parts.

01. Evidence (11:32)
02. Light Blue (10:49)
03. Japanese Folk Song [Kojo No Tsuki] (10:08)

NOTE: The Monk discography at www.jazzdisco.org lists this date (with a somewhat different track listing) as "Blue Monk" (Black Lion (J) 32JDB 137). However, extensive research has not shown any evidence that such an album was released. The "London Sessions" (all from 1971) appear to be the only Monk releases on Black Lion. In addition, Mosaic's "The Complete Black Lion and Vogue Recordings of Thelonious Monk" does not include this set.

Lineup:
Thelonius Monk - Piano
Charlie Rouse - Tenor Sax
Larry Gales - Bass
Ben Riley - Drums


+++
Liederhalle
Mainz, Germany
November 8, 1967

lineage: FM recording > ? > flac on DVD in trade
Solid sound here, given the age of the recording. Definitely in the A- range.

01 intro
[2:31]
02 Ruby My Dear (quartet) [7:07]
03 Don't Blame Me (solo piano) [5:03]
04 Rhythm-a-ning (C.Terry - trumpet) [4:46]
xx I Mean You / Theme (nonet) [officially released*]
05 Straight, No Chaser
[9:11]
06 Evidence
[18:08]
07 Oska.T [18:13]

*Released in a 4:16 version on "Straight No Chaser" (the movie soundtrack album - Columbia CK 45358). Sheriden notes that "this was spliced from several sources, including an on-tour rehearsal, being drawn from the Charlotte Zwerin/Bruce Ricker film documentary, "Straight No Chaser."
The version I have is 24:27 and the real gem of this show, as all members of the nonet take solos. I have no means of splicing out the officially released portions, and I am thus unable to upload them. This seems pretty rare, since the 4:16 version of I Mean You is the only portion of this concert catalogued by Sheridan.

Lineup:
Thelonius Monk - Piano
Charlie Rouse - Tenor Sax
Ray Copeland - Trumpet
Johnny Griffin - Tenor Sax
Jimmy Cleveland - Trombone
Phil Woods - Alto Sax
Clark Terry - Trumpet
Larry Gales - Bass
Ben Riley - Drums

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Monday, August 29, 2011

The Doors: Danbury 1967 (Soundboard) FLAC

by request
1285990841
The Doors: Danbury High School, Danbury CT. 1967
17 Oct 67 (there is some debate about the exact date)
3rd gen. P.A. recording by faculty member.good stereo separation....maybe done with mics hanging over the stage?
not sure but it sounds great for the vintage! The End from this show is one of the best you will ever hear!

this is another Greg Shaw source tape. sent to me as 3rd gen. on metal cass. from the master.

1. announcements
2. moonlight drive (incl. Horse latitudes)
3. Money
4. Break on through
5. Backdoor man
6. People are strange
7. Crystal ship
8. wake up! >
9. Light My Fire
10. The End*
*I am quite sure that this track is in the download but if it is incomplete then use these links:
http://hotfile.com/dl/128341731/3839da2/Desktp.rar.html
http://www.fileserve.com/file/uB6AUFy/Desktp.rar


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Tuesday, August 2, 2011

Grass Roots: San Francisco 1967 (FM) FLAC

Grass Roots 1967-10-05 fr
1967-10-05
Fillmore Auditorium
San Francisco, CA
SBD/FM?>?>CDR>EAC>WAV>FLAC

1. //Where Were You When I Needed You
2. Got My Mojo Working
3. Beatin' Round The Bush
4. Let's Live For Today
5. //This Precious Time
6. Get Outta My Life Woman
7. Things I Should Have Said
8. The Night Time Is The Right Time
9. House Of Stone

10. Look Out Girl
11. Untitled Instrumental Jam?
12. Have Love, Will Travel
13. Let's Live For Today

ljs_54 notes: Received in a trade a while back as an audio cdr. Source is unknown but the sound is very good for a 38 year old recording.
Barri & Sloan are the team who wrote "You Baby" for the Turtles and "Eve of Destruction", which became an anthem for Barry McGuire, plus a few other popular songs.
Track 9 appears to be the end of the set so i don't know if it's complete. The 2nd set obviously is not.
Some of it could also be from another day as they also played the Fillmore on 10-06 and 10-07. Playing order all 3 days would have been Mad River => Grass Roots => Quicksilver Messenger Service.
Artwork is what I got with the trade. Track 09 is definitely "House of Stone" so the artwork is incorrect. The untitled instrumental jam is "Grass Roots Jam" on the artwork.I would go with the names and spellings on this setlist.
Tracks 01 and 05 are slightly cut at the beginning and you'll find a couple of other very minor glitches, but this is in good shape for its age.

AMG Biography by Bruce Eder:
The Grass Roots had a series of major hits — most notably "Let's Live for Today," "Midnight Confessions," "Temptation Eyes," and "Two Divided by Love" — that help define the essence of the era's best AM radio. Although the group's members weren't even close to being recognizable, and their in-house songwriting was next to irrelevant, the Grass Roots managed to chart 14 Top 40 hits, including seven gold singles and one platinum single, and two had hits collections that effortlessly went gold. The group's history is also fairly complicated, because there were at least three different groups involved in the making of the songs identified as being by "the Grass Roots."
The Grass Roots was originated by the writer/producer team of P.F. Sloan and Steve Barri as a pseudonym under which they would release a body of Byrds/Beau Brummels-style folk-rock. Sloan and Barri were contracted songwriters for Trousdale Music, the publishing arm of Dunhill Records, which wanted to cash in on the folk-rock boom of 1965. Dunhill asked Sloan and Barri to come up with this material, and a group alias under which they would release it. The resulting "Grass Roots" debut song, "Where Were You When I Needed You," sung by Sloan, was sent to a Los Angeles radio station, which began playing it.
The problem was, there was no "Grass Roots." The next step was to recruit a band that could become the Grass Roots. Sloan found a San Francisco group called the Bedouins that seemed promising on the basis of their lead singer, Bill Fulton. Fulton recorded a new vocal over the backing tracks laid down for the P.F. Sloan version of the song. The Bedouins were, at first, content to put their future in the hands of Sloan and Barri as producers, despite the fact that the group was more blues-oriented than folk-rock. However, the rest of the group was offended when Fulton was told to record their debut single, a cover of Bob Dylan's "The Ballad of a Thin Man," backed by studio musicians.
When that single, released in October of 1965, became only a modest hit, the Bedouins — except for their drummer, Joel Larson — departed for San Francisco, to re-form as the Unquenchable Thirst. Sloan and Barri continued to record. "Where Were You When I Needed You" was released in mid-'66 and peaked at number 28, but the album of the same name never charted.
Amid the machinations behind Where Were You When I Needed You, no "real" Grass Roots band existed in 1966. A possible solution came along when a Los Angeles band called the 13th Floor submitted a demo tape to Dunhill. This group, consisting of Warren Entner (vocals, guitar, keyboards), Creed Bratton (lead guitar), Rob Grill (vocals, bass), and Rick Coonce (drums), was recruited and offered the choice of recording under their own name, or to take over the name the Grass Roots, put themselves in the hands of Sloan and Barri, and take advantage of the Grass Roots' track record. They chose the latter, with Rob Grill as primary lead vocalist.
The first track cut by the new Grass Roots in the spring of 1967 was "Let's Live for Today," a new version of a song that had been an Italian hit, in a lighter, more up-tempo version, for a band called the Rokes. "Let's Live for Today" was an achingly beautiful, dramatic, and serious single and it shot into the Top Ten upon its release in the summer of 1967. An accompanying album, Let's Live for Today, only reached number 75.
The group began spreading its wings in the studio with their next album, Feelings, recorded late in 1967, which emphasized the band's material over Sloan and Barri's. This was intended as their own statement of who they were, but it lacked the commercial appeal of anything on Let's Live for Today, sold poorly, and never yielded any hit singles.
Eleven months went by before the group had another chart entry, and during that period, Sloan and Barri's partnership broke up, with Sloan departing for New York and an attempt at a performing career of his own. The band even considered splitting up as all of this was happening. The Grass Roots' return to the charts (with Barri producing), however, was a triumphant one — in the late fall of 1968, "Midnight Confessions" reached number five on the charts and earned a gold record. "Midnight Confessions" showed the strong influence of Motown, and the R&B flavor of the song stuck with Barri and the band.
In April of 1969, Creed Bratton left the band, to be replaced by Denny Provisor on keyboards and Terry Furlong on lead guitar. Now a quintet, the Grass Roots went on cutting records without breaking stride, enjoying a string of Top 40 hits that ran into the early '70s, peaking with "Temptation Eyes" at number 15 in the summer of 1971. Coonce and Provisor left at the end of 1971, to be replaced by Reed Kailing on lead guitar, Virgil Webber on keyboards, and Joel Larson — of the original Bedouins/Grass Roots outfit — on drums. They arrived just in time to take advantage of the number 16 success of "Two Divided by Love," which was the last of the Grass Roots' big hits.
The Grass Roots soldiered on for a few more years, reaching the Top 40 a couple of times in 1972, but their commercial success slowly slipped away during 1973. They kept working for a few more years, but called it quits in 1975.
Rob Grill remained in the music business on the organizing side, and by 1980 was persuaded by his friend John McVie to cut a solo album, Uprooted, which featured contributions by Mick Fleetwood and Lindsay Buckingham. By 1982, amid the burgeoning oldies concert circuit and the respect beginning to be accorded the Grass Roots, Grill formed a new Grass Roots — sometimes billed as Rob Grill and the Grass Roots — and began performing as many as 100 shows a year. Their presence on various oldies package tours have seen to it that the Grass Roots' name remains visible in the '90s.

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Friday, July 15, 2011

Syd Barrett and Pink Floyd: Earliest Interview CBC Radio 1967

PFloydBroadhurstGardens67-797394
This is a rebroadcast from sometime prior to 1985, of perhaps the first interview Syd and the group did. It was originally recorded for the CBC in Canada. Portions of this interview pre-date the Floyd's recording contract!
Following are reminisces of group members and various early people connected with the band.
Run time is about 20 minutes.
Lineage: Trade cassette ->SoundForge 6.0 -> Light NR ->Flac via Flac Frontend level 6, sectors aligned and verified

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Friday, May 6, 2011

The Grass Roots: San Francisco 1967 (VG/VG+ Aud) FLAC

the grass roots - feelings 1968 front large
Fillmore West(auditorium)
October 5, 1967
cdr(?)>abobe aud>flac>you
A Panda remaster: Upper end restored, dropouts fixed, gaps repaired, channels equalized, no nr

1. Where Were You When I needed You (cuts in, has skip)
2. Got My Mojo Working
3. Beatin' Around The Bush
4. Let's Live For Today
5. This Precious Time
6. Get Out of My Life
7. Things I Should Have Said
8. Night Time is the Right Time
9. Feelings
10. You Might as Well Go My Way
11. Instrumental
12. Have Love Will Travel
13. Let's Live For Today

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Saturday, March 26, 2011

Van Morrriss' son: Deventer 1967 (VG+ Aud) FLAC

with The Blizzards
VM 1967-03-09 Front
Buiten Societeit
Deventer, Netherlands
March 09, 1967 (Thursday)
Audience Recording > ? > flac (additional notes below)

01. Intro > One More Time
02. If You And I Could Be As Two
03. Gloria *
04. Hey Girl **
05. My Lonely Sad Eyes
06. Mystic Eyes ^
* - Van on organ
** - Van on piano. Also at end of song you here Van say "It's Too Late To Stop Now"
^ - Van on harmonica

Band Members
Van - guitar, piano and organ, harmonica & vocals

The Blizzards
Herman Brood - vocals
Eelco Gelling - guitar
Willy Middel - bass
Hans Waterman - drums

OU Notes: Van was in the Netherlands for 3 days from March 9 thru March 11
March 9 (Thursday) - 1 show
March 10 (Friday) - 2 shows and 1 TV appearance
March 11 (Saturday) - 4 shows and 1 cancellation
This is the only show that has surfaced from the Netherlands
Reworked flac > audacity (exported as wave) > flac level 6 (by tlh)
removed pops, cleaned up tracks and improved transition between tracks
added notes by happy jack
received in 2005? with no info. just artwork
researched and added info. text
added flac fingerprints
SBEs Fixed checked and passed
Artwork included; Give Thanks to the taper; Do NOT Sell; Enjoy- Happy Jack

rar files packed with a (winrar) recovery record -
links require copy and paste to browser
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One Van a day for the entire next week.

Thursday, March 24, 2011

Soft Machine: London 1967 (G+ Aud) shn

971
1967-11-10 Middle Earth Covent Garden - London, England (T-668)

Mics and Recorder unknown> Cassette generation unknown> Playback Deck: Tascam 130 >
Nikko 32 Band EQ > Akai DR16 Digital Hard Disk Recorder > HHB CDR-800 Compact Disc Recorder > CDR > WAV >CD Wave Editor > SHN

OU: I removed all gaps which were a result of tape flip and change, and put broken songs back together. I also made a slight speed correction.
The recording of this show is hardly ever seen on tape trading lists. And traders usually have only the first set if they do happen to have it. I found one trader in England who had both sets and that's where I got it. The first set is better quality so that may be the reason the second set is hard to find. It's not an audience recording. The audience can be heard between songs but very faint and distant. I believe the recording was made on a reel-to-reel recorder from the stage. I doubt that they used a soundboard.
Daevid Allen had left the band shortly before, so they played as a trio. It's also the first show with a new roadie, Hugh Hopper.
Pretty rough quality,but a very historic recording!

Set 1
01.Clarence In Wonderland
02.We Know What You Mean
03.(instrumental) (Soon, Soon, Soon)
04.Hope For Happiness
05.That's How Much I Need You Now
06.I Should Have Known
07.(instrumental) (Facelift)
08.We Did It Again
09.Why Are We Sleeping ?
10.Save Yourself
11.Lullaby Letter

Set 2
01.Clarence In Wonderland
02.Hope For Happiness
03.That's How Much I Need You Now
04.I Should Have Known
05.A Certain Kind
06.Save Yourself
07.Lullaby Letter

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Monday, February 28, 2011

Pink Floyd: Vegetable Man / Scream Thy Last Scream 1967 (Peter Jenner's 1974 Stereo Remix) FLAC

56053
Vegetable Man / Scream Thy Last Scream

1 Vegetable Man
Recorded at De Lane Lea on 9-11 October 1967*.
2 Scream Thy Last Scream
Recorded at Abbey Road on 7 August 1967*.
*But these tracks are taken from stereo mixes done by Peter Jenner in 1974.

Lineage speculation:
Maybe the DOTPrevA version goes something like:
studio mixes (stereo) -> unknown gen cassette -> transfer to digital (likely 16/44.1, not higher and I think this person likes NR) -> HRV team -> Dawn of the Piper Rev A HRV-CDR-018
Maybe the fake acetate version goes something like:
studio mixes (stereo) -> unknown gen (but lower than DOTP) cassette -> transfer to digital (likely 16/44.1, not higher) -> fold down to mono (this is a different person now)-> transfer to vinyl -> transfer to digital (likely 16/44.1, not higher) -> mp3 -> wav

Then I put them both together and did a bunch of stuff. Enjoy. Trade freely. This is unreleased material that a lot of fans would really like to pay for if it were released but is isn't. I bet the guy who made the fake acetate has a nice sounding stereo copy of this. He didn't trade freely. He's hoarding and selling bs. Don't be like him. 2011 JFE

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Thursday, January 20, 2011

Jefferson Airplane: Monterey? 1967 (Soundboard) FLAC

cover

01 High Flyin' Bird
02 Today
03 She Has Funny Cars
04 Don't Slip Away
05 Plastic Fantastic Lover
06 3,5 Of A Mile In Ten Seconds
07 Ride
08 Get Together
09 It's No Secret
10 Somebody To Love
11 Other Side Of Life
12 White Rabbit
13 My Best Friend

Year: 1967, June 17 White Rabbit (Monterey +?)
Label: Imtrat
Number: IMM 40 95004
Country: G
Data-Medium: CD

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Thursday, January 13, 2011

Frank Zappa and The Mothers Of Invention: Ann Arbor 1967 and Framingham 1969 (Soundboard) FLAC

zappa
3 Dec 1967, Fifth Dimension, Ann Arbor, MI (Grp.Eq.Jff.archive-Musigny23)

This is an alternate source to: 1967 12 03 Ann Arbor 44.10 SBD (WIU2B-LudzNL-fl) speed corrected
After careful examination of source material and the recordings themselves it's been determined that is is the complete version of what is available of this performance. Big Leg Emma amd King Kong widely booted and traded as the first two songs are thought to be from 1969 08 08. They are not from this date and place.
At this time it is believed that this is most likely the correct date and place of this recording there remains a possibility that it's not.

01 - (in progress)Improv > 01:13.24
02 - America Drinks And Goes Home > 02:06.03
03 - Hungry Freaks Daddy > 03:40.08
04 - King Kong > 15:23.30
05 - Status Back Baby (cuts) 00:52.07
23:14.73 minutes sdbd

The Mothers Of Invention(the presumed lineup on this):
FZ--guitar and vocals
Ray Collins--vocals and tambourine
Don Preston--keyboards
Ian Underwood--keyboards and woodwinds
Bunk Gardner--woodwinds
Motorhead--baritone sax
Roy Estrada--bass and vocals
Jimmy Carl Black--drums
Art Tripp--drums

In the late fall Billy Mundi leaves the band and his place is taken by Art Tripp, who is thought to be playing on this.

Original master reputed to be a Don Preston "stage" recording
Unknown Gen.(low) This reel recorded circa '74 -'76
Reel sourced from the Grape-EQ-Jeff tape archive
Transferred and prepared by Musigny23 Jan. 2009
Maxell UD 35-7 reel (no. 845) 3.75 ips 1/4 track stereo/Revox B77 > A-D TC Electronics Konnect8(firewire) > Intel Mac(Peak 6) > Xact

+++
Mothers of Invention/Frank Zappa 1969 08 08 - Carousel Theatre, Framingham, MA (Grp.Eq.Jff.archive-Musigny23)

This recording is believed to be the correct complete circulating recording of this date and place. It's possible that tracks 3 and 4 are from a different date and place.
90 second patch from Drew 51 at the beginning(60hz hum reduced, +22 cent speed adjustment on the patch), -25 cent speed adjustment, local volume adjustments, a few tape transport pops removed.

01. A Pound For A Brown On The Bus (Sleeping In A Jar, 2 Guitar solos) >
02. Bacon Fat
03. Big Leg Emma
04. (in progress)King Kong(cuts)
45:33.20 minutes

The Mothers Of Invention:
FZ--guitar, vocals
Don Preston--keyboards, electronics
Ian Underwood--keyboards, alto sax
Motorhead--baritone sax
Bunk Gardner--tenor sax
Buzz Gardner--trumpet
Roy Estrada--bass, vocals
Jimmy Carl Black--drums
Art Tripp--drums, percussion
It is possible that Lowell George rejoined the band for this short US tour.

Original master reputed to be a Don Preston "stage" recording
Unknown Gen.(low) This reel recorded circa '74 -'76
Reel sourced from the Grape-EQ-Jeff tape archive
Transferred and prepared by Musigny23 Jan. 2009
Maxell UD 35-7 reel (no. 845) 3.75 ips 1/4 track stereo/Revox B77 > A-D TC Electronics Konnect8(firewire) > Intel Mac(Peak 6) > Xact

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Tuesday, January 11, 2011

Miles Davis: 4 Broadcast Offerings (FLAC)

by request 1964, 1967, 1971, 1985
wallpaper_17393
Miles Davis Quintet
Tivoli Konsertsal, Copenhagen Denmark
November 2, 1967 Danish Radio Broadcast > ?? > wave> ?? > flac

Miles Davis (tpt); Wayne Shorter (ts); Herbie Hancock (p); Ron Carter (b); Tony Williams (d)

01 Agitation
02 Footprints
03 Round Midnight
04 No Blues
05 Masqualero

+++
Miles Davis Quintet
Stadthalle, Sindelfingen Germany
Süddeutscher Rundfunk (SDR) Radio Broadcast
October 8, 1964

Süddeutscher Rundfunk SDR Radio Broadcast Station Reel > ? > DAT > .wav via S/PDIF and Midiman Dio 2448 digital soundcard at 48 kHz > CoolEdit Pro 2.0 > CD Wave > MKW > SHN > .wav checksums verified before decoding > CoolEdit Pro 2.0 tracks re-sequenced > CD Wave > Trader's Little Helper > FLAC Level 6, ASB

Miles Davis (tpt); Wayne Shorter (ts); Herbie Hancock (p); Ron Carter (b); Tony Williams (d)

Second Concert
01 Milestones
02 No Blues
03 All of You
04 Joshua
05 The Theme

+++
Sun City Session
September 1985
Unknown Studio
New York, NY

This curio includes Miles rapping and playing over music heard through his headphones that we cannot hear during a recording session for the cut "The Struggle Continues," included in the Sun City Artists Against Apartheid project headed by Little Steven (Steve Van Zant, AKA Silvio Dante).

Total time = 8:50

Source: Studio recording
Lineage: Studio reel >? >DAT >.wav via S/PDIF and Midiman Dio 2448 >CoolEdit Pro 2.0 >Trader's Little Helper >FLAC (level 6)

+++
Miles Davis
Théâtre Nationale Populaire, Paris (France)
Lineage: October 27, 1971 ORTF Radio Broadcast > Unknown

Miles Davis (tpt); Gary Bartz (ss, as); Keith Jarrett (el-p, org); Michael Henderson (el-b); Ndugu Leon Chancler (d); Charles Don Alias (cga, perc); James Mtume Forman (cga, perc)

First Concert
01 Stage introduction / Directions / Honky Tonk
02 Sanctuary / What I Say / Sanctuary / It's About That Time / Yesternow / Funky Tonk / Sanctuary

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Monday, January 10, 2011

Buffalo Springfield: San Francisco 1967 (Soundboard) FLAC

bs1967-12-23-front
Fillmore Auditorium, SF CA
December (21-)23, 1967
Source: unknown low gen soundboard feed (?) > CDR > flac

1 On The Way Home 2:14
2 Good Time Boy 3:18
3 Nowadays Clancy Can't Even Sing 4:15
4 Mr Soul 4:05
5 A Child's Claim To Fame 2:53
6 For What It's Worth 3:37
7 Bluebird 9:08
Total time: 29:33

Stephen Stills - lead guitar, vocals
Neil Young - lead guitar, vocals
Richie Furay - rhythm guitar, vocals
Bruce Palmer - bass
Dewey Martin - drums, vocals

Speed corrected (+ 6.5%) and track transitions smoothed out with Adobe Audition 3.0.1
Tracked with CD Wave, encoded to flac 8 with Flac Frontend, tagged and verified.

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