Saturday, March 31, 2012

Larry Goldings Trio: Paris 2012 (FM) FLAC

dsc07529
2012-03-14 Paris FM
Source : TSF Jazzlive / Marantz FM Tuner / RH-09R / Audacity / Xact

Line-up
Larry GOLDINGS (Organ)
Peter BERNSTEIN (Guitar)
Bill STEWART (Drums)

Duc des Lombards, early set, Paris
01- UT
02- UT
03- My old flame
04- UT
05- Milestone
06- Ge baby ain't I good to you
07- Jive cofee
08- April in Paris
72 minutes

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Leon Redbone: Bremen 1977 (FM) FLAC

leon-redbone-a76a9ea39fd447e7
Bremen, Germany
Postaula
1977-10-03

01 Champagne Charlie
02 Ain't Misbehavin' (I'm Savin' My Love For)
03 Polly Wolly Doodle
04 Please Don't Talk About Me When I'm Gone
min 15:14

FM (analog cable) - Audacity - xACT
Nordwestradio Globale Dorfmusik Live - 2012-03-19

+++
Bremen, Germany
Glocke
1977-01-12

01 Champagne Charlie
02
03 I Ain't Got Nobody
04 Ain't Misbehavin' (I'm Savin' My Love For)
05 Has Anybody Seen My Gal?
06 Big Time Woman
07 Walking Stick
08 Diddy Wah Diddy
09 Polly Wolly Doodle
min 33:32

FM (analog cable) - Audacity - xACT
Nordwestradio Globale Dorfmusik Live - 2012-03-19
Support the artists by buying their records.

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Jimi Hendrix: Bob Terry Studio Tape 20 (FLAC)

Jimi-Hendrix-classic-rock-17511814-1024-768
Bob Terry Studio Tape 20
BT tape #20 Denon HD6 90 - Denon DN770R - Soundblaster X-FI HD - Adobe Audition 3 - TLH Flac level 5

01 Izabella
02 Three Little Bears
03 Stepping Stone
04 Tax Free
05 Stars That Play With Laughing Sams Dice
06 Jam
07 Voodoo Chile Blues

This is the rest of tape # 20 the other 3 tracks didn't seem to fit with these tracks, so they were not used here. This tape originated from Bob Terry. Thanks to Charlie (zombywoof57) for the tape. Transfer by Pat (hawkfan369)

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Taste (Rory Gallagher): Frankfurt 1970 (VG Aud) FLAC

taste_frankfurt f
Taste (Rory Gallagher) .... January 11, 1970
Kongreshalle, Frankfurt, Germany (with 1970-09-20 Durlach fill)

Rory Gallagher - guitar & vocals
Richard McCracken - bass
John Wilson - drums

Source: AUD trade cassettes(?unknown gen?)> CDR> (wav) EAC (secure mode)> (flac) Flac Frontend level 8 (verify & align on secture boundaries)
Artwork: included, by JCobb (U.S.A.). Thank you!!
Transfers: JCobb (U.S.A.) of JAJ's (roryglzep) cassette tapes. Thank you!!
OU NOTE: I have not altered or remastered these recordings in any way. These are exactly how I received them years ago, on analog tapes.
January 11, 1970 Kongreshalle, Frankfurt, Germany
Quality: vg aud; from unknown gen cassette
Length: 9 tracks = 60:50 minutes

01 I'll Remember
02 Sugar Mama
03 Message With A Fortune (aka Gasoline)
04 Walkin' Blues
05 Eat My Words
06 Blister On The Moon
07 Railway & Gun
08 Catfish
09 Baby Please Don't Go

+++
September 20, 1970 Durlach, Germany
Quality: vg aud; from unknown gen cassette
Length: 2 tracks = 13:27 minutes

01 At The Bottom
02 Got My Ticket

OU: support the artists: Purchase releases & swag, go to shows, etc. Keep this lossess, do not convert to lossy (mp3, etc.) Prepared by Jeff James

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The Rolling Stones: Paris 1985 (Studio) FLAC

Rehearsals for Dirty Work + Bob Dylan
high temperature front
HIGH TEMPERATURE
A Vinyl Gang Product [VGP 285] , 2 CD
Lossless FLAC
Artwork is included.

April 8-June 17, 1985: Rehearsals For 'Dirty Work'
Pathé Marconi Studio, Boulogne-Billancourt, Paris

CD 1:
1. What You Gonna Tell Your Boyfriend [05:13]
2. Some Of Us Are On Our Knees [05:35]
3. She Never Listens To Me [07:32]
4. Baby You’re Too Much [05:05]
5. Fight [04:57]
6. High Temperature [05:23]
7. Loving You Is Sweeter Than Ever [06:20]
8. Breakin’ [02:54]
9. Don’t Get Mad [00:58]
10. Who’s Shagging Who [02:04]
11. If I Don't Have You [07:07]
12. If I Don't Have You [07:23]
13. Treat Me Like A Fool [03:10]
14. Treat Me Like A Fool [01:51]

CD 2:
1. Cut Your Throat [05:58]
2. You Got It [02:56]
3. My Baby Left Me [03:18]

July 12, 1985: Rehearsals For 'Live Aid' Basement Of Ron Wood House, New York
(Bob Dylan with Keith & Ron)
04. Blowin' In The Wind [09:19]
05. Baby Better Talk To Me [04:04]
06. Ballad Of Hollis Brown [06:13]
07. Careless Ethiopians [07:13]
08. Blowin' In The Wind [03:01]
09. Ballad Of Hollis Brown [16:40]
10. When The Ship Comes In [04:14]
11. Dark Eyes [07:03]
12. Ballad Of Hollis Brown [03:04]

Bootleg comments: Released 2001. Rehearsals for Dirty Work, Very good - exc. stereo soundboard.

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Pink Floyd: Animal Instincts Rev. B 1977 FLAC (Must Have!)

another "Top 10" - reposted by request
21ef51
OU: It was my discussions with Ron concerning the clicks, pops, and other glitches in AI (rev0) that led to my joining the team.
One of my earliest contributions was to deglitch AI and the first rev A edition was released.
As the years went by, a much lower generation source for this show emerged. My first knowledge of its existance was the RoIO Mr Pig. Although the SQ on Mr Pig was better than AI (you can hear many subtleties not detectable on AI revA), Mr Pig had other problems,like clipping, gaps during the tape flips, unbalanced, etc. So the thoughts of doing a rev B began.
That was two years ago...
About six months ago, we decided to do it. We got another source, a better source than Mr Pig. One that didn't have the clipping problem. Then Marc-Olivier
went to work.
Marc-Oliver spent quite sometime remastering this new source and expertly patching the tape flips. Then it was my turn.
So here it is! Animal Instincts rev B (HRV-CDR-014)
Pink Floyd recorded live at the Oakland Coliseum
May 9, 1977.
photo from the audience:
Coliseum.

Disc One:
Sheep
Pigs On The Wing (part 1)
Dogs
Pigs On The Wing (part 2)
Pigs (Three Different Ones)
Shine On You Crazy Diamond (parts 1-5)
Welcome To The Machine

Disc Two:
Have A Cigar
Wish You Were Here
Shine On You Crazy Diamond (parts 6-9)
Money
Us And Them
Careful With That Axe, Eugene

For me, the highlight of this show is SoYCD6-9. It's the best version of this song ever.

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Sugarland: Rockford 2011 (VG+ Aud) FLAC

Sugarland2
August 12, 2011 - Metrocentre, Rockford IL
Source: SP-TFB-2 > SP-SPSB-10 > Tascam DR-07
Taper: John Bottorff

01. All We Are
02. Stuck Like Glue
03. It Happens
04. Settlin'
05. Tonight
06. JN talking
07. All I Want To Do
08. Incredible Machine
09. JN talking
10. Every Girl
11. Little Miss
12. JN talking
13. Baby Girl
14. guitar giveaway
15. Everyday America
16. Stay
17. Find The Beat / Sweet Caroline
18. Who Says You Can't Go Home
19. JN talking
20. Something More
21. encore break
22. Flag
23. Stand Up
24. Come On Eileen

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Friday, March 30, 2012

Freddie King: 2 Shows from 1975 (Pre-FM) FLAC

repost of sorts*
fk66
Freddie King Sextett
Onkel Pös Carnegie Hall, Hamburg, Germany
1975-10-19
CDR (preFM) - xACT

01 Introduction (Freddie King)
02 Big Leg Woman (Freddie King)
03 The Moon Is Rising (Jimmy Reed)
04 Woman Across The River (Leon Russell)
05 Boogie Funk (Freddie King)
06 56th And Wichita (Freddie King)
07 Feelin« Alright (Dave Mason)
08 Mojo Boogie (trad.)

09 Have You Ever Loved A Woman (trad.)
10 Rock Me Baby (B.B. King)
11 Something You Got (Alvin Robinson)
12 Messin« With The Kid (Melvin London)
13 Sweet Home Chicago (Roosevelt Sykes)
14 You«re The One (Champion Jack Dupree)
15 Woke Up This Morning (B.B. King)
16 Ain«t Nobody«s Business (Jimmy Witherpoon)
17 Kings Thing (Freddie King)
18 Going Down (Leon Russell)

19 The Things That I Used To Do (Eddie Jones)
20 Let The Good Times Roll (Sam Theard)
21 Stormy Monday (T-Bone Walker)

Freddie King (g,voc)
Ed Lively (Rhythm g)
Alvin Hemphill (org)
Louis Stephens (p)
Benny Turner (b)
Caleb Emphrey (dr)

+++
Festival Nancy, France
received from French trader off pre-broadcast reels
cd90 1/1 (83:09)

01 intro jam >
02 messin' with the kid
03 that's all right
04 going down
05 stormy monday blues
06 sen-sa-shun >
07 looking good >
08 boogie chillun
09 sweet little angel
10 got my mojo working
11 sweet home chicago
12 wee baby blues
13 the danger zone
14 feeling alright
15 you're the one

Freddie King (guitar, vocals)
Lewis Stephens (guitar, vocals)
Alvin Hemphill (organ)
Mark Pollack (guitar)
Benny Turner (bass)
Calep Emphrey, Jr. (Drums)
raised levels +1.95 dB tracks 10-14, +1.2 dB track 15 (to match tracks 1-9) via audacity
possibly Nancy Jazz Pulsations festival - not really sure - anybody know!?
on 1xCDR90

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*I originally posted a 1970 sbd along with the 1975 Hamburg Pre-FM. Since that time I ran across another 1975 Pre-FM and decided to pair them up for this post.
I will post the 1970 soundboard within a few days. Enjoy!

Band of Heathens: Austin 2011 (Soundboard/Aud Matrix) FLAC

2011-03-17 by ken baker 01
very nice listening experience!
2011-03-17
Official SXSW Showcase, Americana Music Showcase
Thu, March 17, 2011--8:00 pm
Antone's, Austin, TX -USA-

schedule
8:00pm The Band of Heathens
9:00pm Abigail Washburn,
10:00pm Kelly Willis &, Bruce Robison,
11:00pm Emmylou Harris
midnight: Old 97's

source: matrix
Audience(FOB) [Rode NT4 Stereo MIC]>Tascam DR-680 [44.1kHz, 16bitWAV]
SBD>Tascam DR-680 [44.1kHz, 16bitWAV]
taped by joshua cain - a hanwaker mix, edit and track-splitting 2011-04
a joshuaCain recoding a hanwaker mix and upload to dime 2012-03

01 Intro
02 Polaroid
03 Enough
04 -Colin Banter-
05 The Other Broadway
06 I Ain't Running
07 Medicine Man
08 -Ed Banter-
09 Gravity
10 -Gordy Banter-
11 Should Have Known
12 Outro

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Pink Floyd: Dortmond 1977 (PRRP Aud Remaster) FLAC

repost by request
pf-1977-01-23 prrp011front
PRRP011 - IF PIGS COULD FLY
Jan 23, 1977 (Westfalenhalle - Dortmond, Germany)

CD1
1-1. Sheep 12:02
1-2. Pigs On The Wing (Part 1) 1:32
1-3. Dogs 18:22
1-4. Pigs On The Wing (Part 2) 2:06
1-5. Pigs (Three Different Ones) 17:42

CD2
2-1. Shine On You Crazy Diamond (1-5) 13:35
2-2. Welcome To The Machine 7:50
2-3. Have A Cigar 5:25
2-4. Wish You Were Here 6:30
2-5. Shine On You Crazy Diamond (6-9) 15:41
2-6. Money 9:31
2-7. Us And Them 7:41

"Here Come the Pigs!"
Pink Floyd were ready with their new album “Animals”. The album was recorded during the summer and fall of 1976 in a new studio built in Islington, North London and contained both old and new material. Ever since the end of 1974, and all the way through the many legs of the 1975 tour, the band frequently performed ‘Raving and Drooling’ and ‘You’ve Gotta Be Crazy’, two brand new songs that failed to make the final cut of “Wish You Were Here”. Reluctant to throw away such good material, the band re-structured the two unreleased songs around the concept of the new album, respectively re-naming them ‘Sheep’ and ‘Dogs’. New material written to accompany those two older number included “Pigs (Three Different Ones)” and a two-part song called ‘Pigs on a Wing’. Roger describes this as a love song to his wife Carolyne. Other motivations for the album, according to Waters, included moralist Mary Whitehouse and the rising conservative politician Margaret Thatcher. Both received the brunt of his scathing sarcasm.
As always, the band wanted the world to take notice of their new work. They adopted the new floating pig mascot for both symbolic and practical reasons. The cover of the new album shows the pig floating over the London Battersea power station. To get this picture, the graphic artist wanted to superimpose the pig into a standard picture. The band had other plans and insisted that a 40 foot helium filled Zeppelin of a pig be made, inflated, and launched over the site.This spectacle was arranged with a film crew, tethering crew and even a sharp shooter in case the giant pig broke loose and needed to be shot down. Unfortunately, the first day’s attempt was unsuccessful due to weather. The next day the photographs were taken but before they would return the zeppelin to the ground, the wind broke the tethering lines and the huge inflatable pig was loose. This problem was further complicated by the fact that no one remembered to ask the sharp shooter to come back for the second day. The pig floated around London for quite a while before landing in a field near Canterbury. Though it was obviously unplanned, the band could not have asked for a better publicity event.
This brings us to the present PRRP release. Dortmund, Germany, January 23rd 1977 was to witness the very first show of the 1977 Animals Tour. The new album was to be released the day of this performance, therefore no one in the audience was very familiar with the new material.
Saxaphonist Dick Perry joined the band again on this tour, while Terrance “Snowy” White was asked to provide back-up rhythm guitar. Pink Floyd once more split the show into two sets. The first set consists of the whole “Animals” album while the second presented –for the first time- the complete “Wish You Were Here” album. Two encores were also provided, both taken from the “Dark Side of the Moon” album. The combination provided an excellent chronicle of the Pink Floyd approach to music at the time and received a warm reception for this very enthusiastic German crowd.

Notes from the Re-Master
The source for this audience recording is generally good but a number of problems needed to be fixed. For some reason, many of the songs were spliced together, making an abrupt cut during the audience applause. We presume this was done to shorten the recording but none the less we had to smooth these transitions in order to maintain the flow of the concert. The hiss level was quite high so it was localized and reduced. The sound quality was good with music signal clearly present up to 11,000 Hz but the tonality needed adjustment. The low treble range was particularly harsh and piercing during Gilmour’s guitar solos and the saxophone leads.
Selective attenuation of those frequencies reduced this audible annoyance. At rare times the bass overwhelmed the other instruments and needed to be reduced as well.
During a five minute segment on disc 2 the left channel lost significant treble. This was restored as well as possible. At the end of “shine on you crazy diamond” the recorder probably had battery failure since the pitch and tempo fall noticeably. This was adjusted to be consistent with the rest of the show but brief variations remain. Conversely, during a section of disc 1 the tempo and pitch are unusually increased. This section was slowed back to the tempo and pitch of the rest of the show. Many brief dropouts occurred. Some were removed while others were pasted over to be less noticeable.

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Genesis: Boston 1974 (Hogweed Remaster) FLAC

repost by request
Copy of HW10_cover
HW10 Music Hall, Boston. 24th April 1974

Disc 1:
1. Watcher of the Skies
2. Britannia story
3. Dancing with the Moonlit Knight
4. Romeo and Juliet story
5. The Cinema Show
6. I Know What I Like
7. 5 rivers story
8. Firth of Fifth

Disc 2:
1. Henry story
2. The Musical Box
3. More Fool Me
4. Old Michael story
5. Supper's Ready
WBCN studios, afternoon of 24th April 1974
6. More Fool Me (conclusion)
7. Interview with Mike & Phil

The Show This evening's performance in the middle of the 2nd American Selling England tour was frustrating and brilliant at the same time. The equipment problems that plagued this tour were particularly bad this night, and at times you can hear Gabriel and Collins losing some of their usual tolerance in the face of continual microphone problems. Gabriel comments at one point that "we'll go professional next week", and Collins; "I bet you wish you'd gone to the pictures". The intro to 'I Know What I Like' is aborted at one point. Never-the-less, this is a great musical performance, and one of the better recordings of a show from this tour. Firth of Fifth is given a particularly emotive performance, and Phil varies some of his vocal lines in More Fool Me nicely.
There is also an interview with Mike and Phil, including the end of their performance in the studio of 'More Fool Me', which was broadcast on Boston's WBCN radio, and which seems to be previously unknown.
The Recording
This recording has been remastered from Steve Hopkins' transcription of his master tape, which he generously sent me. The recording was made on a Sony TC-55 with built in condenser microphone. The tape was transferred using a Nakamichi DR-2 cassette deck to Sony TCD-60ES DAT recorder at 44.1KHz with Super Bit Mapping (which really improves the clarity of the sound), before being transferred to CD. The recording is mono, but clear and with significant detail. The only limitation with this tape is that it does not represent the entire show, as The Battle of Epping Forest, and possibly Horizons (if they performed it this evening) are missing. There are also a few minor edits in the recording, and one of these may have omitted Phil's one-handed drum solo, which one is tempted to think they must have performed given the amount of technical difficulties. This recording has been widely in circulation, most commonly through the Highland disc 'More Fool Me'. I don't have a copy of this, but my impression is that while it is a complete transcription sourced from a low generation tape, it is very bright in the upper midrange, and lacking in richness in the bass. The master tape by contrast, is more balanced overall, and with a rich bass presence. The afternoon before the show, Phil and Mike came into Boston's WCBN studios, performed 'More Fool Me' and gave a short interview. This interview has not been previously in circulation, but Steve had a recording of it, unfortunately missing all but the last 50 secs or so of 'More Fool Me'. But at least it exists and is included in this release.
The Remaster
I took only one channel of Steve's transcription, so as to optimize for mono. I denoised the recording minimally, mostly just to sharpen up the treble a little. EQ balance was pretty good, although I attenuated the lower midrange a little around 200Hz to compensate for a slight boxiness in the microphone. I have made a few small crossfade edits at points where the tape was turned on and off during some of the technical hold ups in the show to provide a little more continuity. I cannot pick the point at which Epping Forest is missing from the recording, I assume it must have been played, especially as Phil and Mike comment in the interview about the show running nearly two hours - this recording comes in at just over 90 mins. There are also a few squeaky noises on the master recording, which may come from the cassette recorder, or even the seating at the venue. These sounds were quite distracting, so I have removed them. There was a very noticeable one at the beginning of Tony's piano intro to Firth of Fifth, and others in the opening section of Musical Box.

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Genesis: New York 1976 (G+/VG- Aud) FLAC

The Lostbrook Tape Series Volume 124
Copy of Genesis 1976-04-09 Early Show NYC, NY-fr
OU: I was sitting in the second row directly in front of Steve Hackett, pleased that I didn't know anyone around me. This had been the case the previous night, and that tape benefited greatly from the situation. Moments before the show began, my friend Scott appeared in the aisle and made a difficult request of me. He asked me to trade seats with
his friend, a guitarist who wanted to study Steve Hackett's technique. I wanted to observe Hackett closely myself, so I protested. I also didn't want to move since my recorder and camera were concealed and ready for action. Then Scott played his ace - "I'm the one who got
you this ticket," he reminded me. This wasn't entirely true (see Vol 3 story) but I didn't want to prolong the argument with the clock ticking. As I gathered my gear, Scott consoled me and said, "Come on, you're sitting with me and Brad in the second row in front of Phil. We'll have a great time." That we did, but I went from a quiet taping situation to one marred by singing, clapping, and other over-enthusiastic nonsense. There are other problems with this tape: a small section of "Supper's Ready" was eaten by my deck and was so garbled that CQ needed to patch it with my April 8 tape.
There's still some brief garbling and a small section missing from "Los Endos," but we left it as is for now. There are a few other cuts between songs since I edited some of the moments that make me cringe. There's a tape change near the end of "Supper's Ready," and the second tape, the Scotch Highlander, is a real piece of garbage. There's also a slight chance I might have copied this tape for a friend a long time ago, so I can't say for sure if it's uncirculated. For all these reasons, my original intent was to leave this recording unreleased. I eventually decided that the performance is simply too outstanding to be consigned to rot on my shelf.

April 9, 1976 (Early Show)
Beacon Theater, New York, NY, USA

Recording Equipment: Internal Mic>Sanyo M2533 Tape Deck>(1) TDK SD C90 and (1) Scotch C90 Highlander>Alesis TapeLinkUSB> Audacity>WAV
Taper: Lostbrook
Mastering: CQ
Artwork: ethiessen1

01 Dance On A Volcano (7:09)
02 The Lamb Lies Down On Broadway (4:28)
03 Fly On A Windshield (2:57)
04 The Carpet Crawlers (6:26)
05 The Cinema Show (11:49)
06 Robbery, Assault, And Battery (6:31)
07 White Mountain (7:27)
08 Firth Of Fifth (9:15)
09 Entangled (6:39)
10 Squonk (7:49)
11 Supper's Ready (22:49) (patched)
12 I Know What I Like (5:09)
13 Los Endos>It>Watcher Of The Skies (12:30)

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The Moody Blues: Los Angeles 1983 (FM) FLAC

Fcover
December, 1983, Live at the LA Forum
FM Broadcast to Revox A77, 7.5 ips, Maxell tape.
Archived @ 96 Khz/24 bit via Edirol HD recorder.
Edited, down-sampled tp 44.1 khz/16 bit, FLAC'd via Audacity.

1 Sittin' at the Wheel
2 Gemini Dream
3 Tuesday Afternoon
4 The Voice
5 Going Nowhere
6 Steppin 'in a Slide Zone
7 The Story in Your Eyes
8 Hole in the World, Under My Feet
9 Painted Smile, Reflective Smile
10 Veteran Cosmic Rocker
11 Driftwood
12 Talking Out of Turn
13 Running Water
14 Gypsy
15 Isn't Life Strange?
16 Blue World
17 I'm Just a Singer
18 Nights in White Satin

Unfortunately, the 3 song encore was not present on the tape. I found a stack of reels at a garage sale and I just started going through them. FYI, good quality FM, some channel imbalances on a few tracks, and some very minor tape issues. Otherwise, a great listen.

Justin Hayward: guitar, vocals
John Lodge: bass, vocals
Ray Thomas: flute, vocals
Graeme Edge: drums
Patrick Moraz: keyboards

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Elvis Presley: Memphis 1976 (Studio) FLAC

Copy of booklet01
Welcome To The Jungle - Way Down Silver CD - EAC secure mode test & copy - flac front end
Label: Venus Productions
Label Number: 2010-09
Release Date: 2011
Recording Type: Studio Recordings
Location: Graceland, Jungle Room
Date: 29-31 October 1976
Sound: Studio
EAC log and 300dpi scans included
A RamesesII/Ozark Rip March 2012
The last of five excellent volumes concentrating on Elvis's final recording sessions at Graceland.

01 America (beginning)/Blue Eyes Crying In The Rain (take 1)
02 Blue Eyes Crying In The Rain (take 2)
03 Blue Eyes Crying In The Rain (master)
04 America
05 It's Easy For You (take 1)
06 It's Easy For You (take 1 different mix)
07 It's Easy For You (master)
08 Way Down (take 1)
09 Way Down (take 2a)
10 Way Down (take 2b)
11 Way Down (undubbed master)
12 Way Down (master unedited rough mix)
13 Way Down (different mix)
14 Way Down (master)
15 Pledging My Love (take 2)
16 Pledging My Love (take 3)
17 Pledging My Love (unedited undubbed master)
18 Pledging My Love (master)
19 He'll Have To Go (rough mix master)
20 He'll Have To Go (master)
21 Little Sister
22 Teddy Bear/Don't Be Cruel
23 Help Me
24 Let Me Be There

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Thursday, March 29, 2012

Pink Floyd: Sapporo 1972 (VG+ Aud) shn

guaranteed lossless
00_the_great_gig_on_the_moon_a copy
The Great Gig On The Moon - 1972, Sapporo,Japan (FLAC)

Ripped from the original "silver" recorded CD, using EAC (log attached), and encoded to .shn files.
OU: It is an audience recording and is therefore not as good quality as (say) the BBC Session recordings. However, it is one of the best audience recordings I have heard.
I only have the cover artwork (attached), but I am sure there is plenty more to be found on the Web. A quick search revealed a very comprehensive site review of this production. Please visit the following: http://www.pf-roio.de/roio/roio-cd/great_gig_moon.cd.html

Dark Side Of The Moon:
01 - Speak To Me
02 - Breathe
03 - On The Run
04 - Time
05 - The Great Gig In The Sky
06 - Money
07 - Us And Them I
08 - Us And Them II
09 - Any Colour You Like
10 - Brain Damage, Eclipse

11 - One Of These Days
12 - Careful With That Axe,Eugene

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We're back up to 7 or more posts a day!

Pink Floyd: Wembley 1974 (PRRP Aud Remaster) FLAC

corrected as promised
PRRP 050 - Pink Floyd Wembley 1974 Cover
A Work in Progress (PRRP050)
Wembley Empire Pool
15th November 1974

Disc One
01. Shine On You Crazy Diamond 26:53
02. Raving And Drooling 17:21
03. You Gotta Be Crazy 17:38
Total Time 61:52

Disc Two
01. Speak To Me - Breathe 5:25
02. On The Run 5:03
03. Time 6:26
04. Great Gig In The Sky 7:11
05. Money 9:03
06. Us And Them 7:48
07. Any Colour You Like 8:01
08. Brain Damage 3:39
09. Eclipse 3:36
10. Echoes 23:32
Total Time 79:44

A Work In Progress….
Music collectors might expect that all recordings from 1970's Pink Floyd have been found, traded and distributed but here we are in the 21st century and new little treasures are still popping up. Take for example this recording. The source for this remaster project has been dubbed source number 4 for the Pink Floyd November 15th, 1974 concert. It was released by Rover Records under the title How Time Flies. Once torrented on the Dimeadozen website, a spirited discussion occurred regarding its characteristics and quality, compared to other sources. We agree that it is the best quality source of that night's event but felt that work needed to be done to improve the listening experience. Below, with permission, we present the lengthy and well thought out description of this recording….
I think it's best to address the issue of How Time Flies originally being announced as the November 14th, 1974 concert at Wembley - this is also the date printed on the cover. What we have here is in fact the concert from the following evening, November 15th, 1974. It's pretty clear that this was nothing more than an honest, albeit tragic mistake and not an attempt to rip anyone off. That being said, some enthusiasts feel that the performance of the 15th is actually superior to that of its infamous successor. Previously, there have been versions of this show that have circulated both incomplete and intact. The first source was used for the majority of past releases including the incomplete Money on Flashback (FB0133), the often copied (and complete) Black Holes In The Sky first from Great Dane (GDR CD 9101) and later speed corrected by Harvested (HRV CDR 022), as well as the surprisingly good We Are From Planet Earth (STTP 184/185) from the often spotty Shout To The Top label. A second, inferior source was used for Akashic's Electric Magic (AKA-26) with slightly better versions of this source circulating via trader circles afterwards, and then in 2004 a mysterious, incomplete soundboard recording surfaced of this show offering a third, albeit odd perspective of this show (being that it was primarily drum and bass tracks) represented on silver via disc 2 of Siréne's Absolutely Years (Siréne-119).
The tape begins midway through Roger Waters' introduction of 'Shine On You Crazy Diamond' indicating that it is a new song. (PRRP: we have repaired this introduction, in this release). What follows is a lengthy solo synthesizer introduction from Richard Wright that foreshadows his work on the Wish You Were Here and Animals albums, coming across as celestial, in an almost Kitaro-esque way. This introduction is unique to the shows from this year as it evolved into the shorter, more familiar chord sequence and clear melody by the time of the first shows in April of 1975. There's a small amount of microphone noise as the taper gets settled (PRRP: much of which is now minimized), but it is brief and doesn't affect the enjoyment of this developing epic whatsoever. There's also a really strange bit at 1:42 that sounds like some acoustic guitars being strummed and “Pictish” ranting - an anomaly present on ALL sources, so apparently this came from the stage. The introduction continues at length until the vocals finally enter at the 8:27 mark, and things start sounding more familiar. Although the song was still relatively new, it is probably the most developed of the newer songs, and despite being played as a complete suite (instead of in halves as it would be from 1975 onward), it is the closest to its final form of the new material. After 1974, the band would never play 'Shine On' as a complete piece again, so that contributes to the value of tapes such as this.
Floyd surely recognised the benefits of developing new material in a live setting after the tremendous success of Dark Side Of The Moon. Any musician can understand the value of gauging both audience reaction and the overall flow of new songs onstage, but the band clearly jumped the gun on 'Raving And Drooling' and 'You Gotta Be Crazy' during the French tour earlier in 1974. These songs started to gel more throughout the winter tour, but are still somewhat embryonic during this performance and at times bearing only a passing resemblance to the final versions heard in 1977.
'Raving And Drooling I Fell On His Neck With A Scream' (as introduced by Waters) begins with a truly bizarre taped recording that actually is some chap (Jimmy Young) raving and drooling nonsensically! Apart from that, the song itself has evolved to be fairly close to the much later version everyone knows from Animals. The bridge section about 10 minutes into the song features some interesting volume swells/feedback unique to this era, and there's no 23rd Psalm recitation.
The audience is apparently a bit impatient as the band tunes up before 'You Gotta Be Crazy' and Roger responds by saying “We're going as fast as we can”. While one person in the audience tells Roger, “We're from planet Earth”, another shouts “1967” to which Waters retorts, “1967 no, you're wrong this is 1974! And this is another new tune especially for YOU. And it's called You Gotta Be Crazy”. Which of these two people he was addressing with this last comment, we will never know. The song itself is more “together” than it was during the French tour earlier in the year, but is still the least complete in relation to its finalised version from the Animals era. Vocally it comes across more melodically than on other nights, but the lyrics are delivered in a rapid-fire fashion making it difficult to discern what Gilmour is singing. Fortunately, the lyrics were printed in the tour programs for the audience. There are some interesting passages after the 2nd verse with Gilmour vocalizing in the style of 'Atom Heart Mother' prior to the 3rd verse, and a rather lengthy instrumental section after it.
The sound quality seems to improve slightly for the Dark Side Of The Moon set and it is a fairly standard post-album release performance. The band sounds more confident and enthusiastic and the audience erupts with rapturous applause from start to finish. Gilmour delivers fantastic solos in 'Money' and 'Time,' while 'On The Run' has something of a Bladerunner vibe this evening. It should also be noted that backing vocals sound absolutely fantastic throughout the suite - especially on 'The Great Gig In The Sky.' The critics may have bashed the Wembley gigs, but the crowd responds with absolutely thunderous approval at the conclusion of 'Eclipse'. They knew that Dark Side Of The Moon was well on its way to becoming an epic masterpiece. But in 1974, the audience had no way of knowing of the greatness that was to come from the material presented in the first set and that it was still ….. a work in progress.

Notes from the Re-Master
As noted above, we began with the How Time Flies source recording for this remaster project. This recording had great clarity suggesting that the taper was in a good position within the venue. Unfortunately, numerous microphone bumps and other recording noises were found but most were repaired or minimized. Both the sub-bass and treble were excessive in sections and so both were attenuated to balance the tonality. Many segmental channel volume drops were found which lead to imbalances. These may have been produced by microphone movement or obscuring the mics from time to time. These were also corrected. A distinct speed error was found, particularly during the first set material suggesting that the tapes themselves rather than the recorder were to blame. Only a minor degree of speed correction was needed for the Dark Side Of The Moon material. Dynamics were adjusted to make volumes more consistent throughout the show. Re-tracking was necessary to conform to standard references. We chose to keep Shine On You Crazy Diamond as a single track because, at this stage in development, this song is one full song, not the two parts that it later becomes on the subsequent album. As a result of remastering, we can now hear the audience member who yells, “We are from planet Earth”. This is an important moment since it causes Roger Waters to respond humorously before beginning the next song.
PRRP Staff

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Just for the record, the post of a couple of days ago was the source recording used for this PRRP remaster.

Sugarland: Hartford 2010 (VG+ Aud) FLAC

by request
img_5779
2010-05-23 - Comcast Music Theatre, Hartford, CT.
LINEAGE:ECM719/D8/TASCAM CDRW700/EAC/FLAC
LOC: SEC 600,ROW KK(2ND ROW IN BACK OF SBR)
Fits On 1 CD

Wide Open
It Happens
Settlin
All I Want To Do
Want To
Already Gone
Babby Girl
Funkyness Jam
Everyday America
Remix Medley
Everyday America
Stay
? (Sorry Has 2 Track Numbers)
Cant Go Home

Encore Gotta Be Something More
? Springsteen Tune With Christain Singing
Life In A Northern Town

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One more Sugarland on the docket!

Kansas: Tulsa 1976 (Soundboard) FLAC

KansasLogo
Tulsa, Oklahoma 1976
Soundboard Recording

OU: All the information I have is as follows.. Way back many years ago I received this on a cassette tape from a friend of Kerry Livgren. I was told it was from the master tape. After a few years of having it, cds were being created and since I knew nothing of burning them at that time, I sent the tape back out to Topeka, KS. where a fellow KANSAS collector transferred the tape to CDR. I have no idea what program he used.
I listened to the cds today, and felt the hiss was a bit too much, so I used the EQ in SOUNDFORGE to get rid of a bit of hiss. NOT ALL OF IT, as I didn't want to loose
any highs. It sounds much better to my ears than the un-fixed version. As far as speed goes, I didn't get out a guitar and check the pitch. I also found that the songs on the 2 cd version I have will fit on one 80 minute cd, so it is presented here that way. (Back when this was done, there were mostly 74 minute cds)
Anyway, I used FLAC 8 to encode it. I hope I have all the details I know listed. I am sure if I have anything wrong I will hear about it!! It is a great show. ONE THING -- this version does not have Kerry's cool pre-recorded keyboard concert intro included. I have never heard a version of Tulsa 76 with it, so I assume it was not recorded.. This starts a bit into COWS..
Enjoy and share.. I will seed lots more KANSAS if the crowd here likes!!
This was when I liked KANSAS best --- "but the picture's faded, and time has stolen youth away".... (from LAMPLIGHT SYMPHONY)

The Band:
Steve Walsh
Richard Williams
Phil Ehart
Dave Hope
Kerry Livgren
Robby Steinhardt

1 - Cows
2 - Icarus - Borne On Wings Of Steel
3 - Down The Road
4 - Mysteries And Mayhem - Lamplight Segment
5 - The Wall
6 - Lonely Wind
7 - Miracles Out Of Nowhere
8 - Kerry & Rich Guitar Jam
9 - Child Of Innocense
10 - Magnum Opus
11 - Song For America
12 - Robby Steinhardt Violin Solo
13 - Gypsy Song
14 - Cheyenne Anthem

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Pink Floyd: New York 1977 (VG+ Aud) shn

repost by request
newpork_front
Name: New Pork
Format: shn
Discs: 2
Recorder: audience / recorder 1
Label: BWHI
Length: 122:51 Mins

1977-07-01
Madison Square Garden
New York,USA
Artwork Included
PC > EAC > Wav > SHN

Cd1
01 Announcement 1:37
02 Sheep 10:38
03 Pigs On The Wing (part 1) 1:55
04 Dogs 18:50
05 Pigs On The Wing (part 2) 2:24
06 Pigs (Three Different Ones) 19:18

Cd2
01 Shine On You Crazy Diamond (parts I - V) 13:38
02 Welcome To The Machine 8:16
03 Have A Cigar 7:04
04 Wish You Were Here 6:20
05 Shine On You Crazy Diamond (parts VI - IX) 21:21
06 Money 11:30

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The Beetles: Liverpool 1963 (Soundboard) FLAC

Front Double

Notes from inner cover:
It's The Beatles was originally videotaped at The Empire Theatre, Liverpool, on December 7th 1963. It was shown the same evening on BBC TV, but was not considered to be a technical success. Lack of rehearsal time and communication breakdowns among the crew meant that the camerawork was poor and the presentation rough. With insufficient time to edit the tape before broadcast, it went out in prime time with such glaring flaws as Ringo singing into a dead microphone the whole way through Boys.
The book Love Me Do captured The Beatles' reaction to the tv show in their dressing room, with John saying, "Someone at the BBC must really hate The Beatles" and Paul worrying what people who had not been to their shows would think of them now. But in any case the lads turned in a terrific performance, and despite the problems much of their charm did indeed still come through.
The tape would have become a prized relic of early Beatlemania had it not suffered the fate that so many early British tv programmes did. With no film copies requested for overseas sale, the tape was considered expendable and used for training purposes to teach BBC engineers how to
physically splice videotape. Eventually all but the last four songs where whittled away, and even those had substantial sections missing.
Fifteen years later, the audio of the broadcast finally surfaced on a bootleg LP titled Youngblood.
But it had been recorded with a microphone some distance from the tv, and the sound was among the worst of any live Beatleg available. For the next thirty years no other source was available, until another off-air recording turned up in 2007. It offered an improvement in clarity, but
unfortunately the owner decided to share it via Youtube rather than uploading it to a file sharing site. But worse than the Youtube encoding were other flaws affecting the tape, include loud clicks,phasing artefacts and serious speed instabilities. It was an improvement on the old version, but still far from perfect.
Finally, in 2009, a high quality copy of this legendary broadcast was located by murrays15.
Recorded from the tv broadcast via direct injection, it features all but three of the songs performed that day (From Me To You, This Boy and the closing instrumental). The audio has been carefully restored to remove as much of the mains hum as practical and iron out any sudden level
fluctuations. The track Boys was particularly messy, as the original balance engineer struggled to locate Ringo's vocal feed, randomly turning up microphones in a vain attempt to find the correct one. The equalisation has also been adjusted to compensate for the rather tinny sound of the original.
For From Me To You and This Boy the Youtube versions (via the Purple Chick cd) have been used, despite the speed fluctuations, because they are substantially clearer than the earlier tape. The Youtube source also provided most of the between-song announcements and the opening
seconds to several tracks. Another 'official' tape also proved useful, containing high quality extracts from several songs as well as some missing beginnings and endings. The surviving video also provided some useful segments, although I chose to use the off-air recordings for most of the actual songs (with the exception of the closing instrumental which, as I said, is missing from the offair tape). All the sections have been edited back into an uninterrupted reconstruction of the show which is, for the most part, comparable in quality to the the original broadcast.
Also included are some other tv spots from the period, including the edition of Juke Box Jury recorded that same day at the Empire Theatre. Although a high quality copy of this show was returned to the BBC during their 'Treasure Hunt' a few years ago, they have thus far only condescended to share a single extract with us. This section (dealing with Billy Fury's Do You Love Me Too?) has been pasted back into the more common tape of the show, with speed correction as required.
A complete version of the lads' appearance on The Royal Variety Performance is also included, along with some of the surrounding continuity. This is taken from the film transfer of the original videotape (long since erased), via the centre channel of the Anthology dvd (sans reverb) and some other unbooted sources. Another exciting find by murrays15 has been an off-air recording of this same show. Since this originated from the original videotape broadcast, the sound quality is much higher than what can be found on the optical film soundtrack, with greatly improved
dynamics and frequency response. Sadly the first two songs are heavily compromised by tape damage, but at least we now have a high quality copy of John's legendary Royal performance of Twist And Shout.
Since there was some room left over, I've also thrown in John and George's solo appearances on Juke Box Jury, with speed correction as required. John's cynical comments caused a lot of offence at the time, particularly to Elvis fans who were horrified to hear their idol being compared to Bing Crosby. George for his part shared the panel with a couple of bizarre guests, including ageing music hall star Reg Varney (best remembered as Stan in the low-brow comedy series On The Buses) and Carole Anne Ford, whose sole claim to fame was having played schoolgirl companion Susan in Doctor Who.

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'Til Tuesday: Boston 1985 (FM) FLAC

tilcoming1
The Metro
Boston, Mass.
March 15, 1985
WBCN's 17th birthday free lunch concert (it started around 12:00 noontime Boston time)
FM broadcast

Aimee Mann: vocals and bass
Robert Holmes: guitar and vocals
Joey Pesce: keyboards
Michael Hausman: drums

1: Radio Announcer Introduction 1:21
2: Love In A Vacuum 3:36
3: Are You Serious? 3:20
4: Always 4:20
5: Enough To Save You 5:09
6: Learning You By Heart -> 3:32
7: Don't Watch Me Bleed 3:39
8: You Know The Rest 3:48
9: Just Like Me 3:34
10: Winning The War 3:48
11: Looking Over My Shoulder 4:06
12: No More Crying 4:33
13: Maybe Monday 4:14
14: What About Love? 3:50
15: Voices Carry 4:39
16: Encore Break #1 1:28
17: Sleep 3:30
18: Encore Break #2 1:18
19: I Could Get Used To This 3:31
20: Announcer Wrap Up 1:15
Runtime: 68:39

Lineage: WBCN 104.1 FM radio live broadcast (not pre recorded) > Sansui 8 receiver with wire FM antenna > unknown reel recorder (it wasn't the crummy one, probably a Teac) > Maxell UD 7' reel to reel master tape > played on Teac 3300 into soundforge (WAV) with realtek soundcard > FLAC 6
reseeded in 2012 with a tracking and lineage correction and a flac > wav > flac (sb's aligned) reconversion to remove the sbe's. do not sell this recording. (even on a Tuesday.)
Share freely, losslessly and gaplessly.
OU comments: a year after playing in Spit (and broadcast on WFNX radio), they moved into the room Spit used to be a corner of, for a free concert, and broadcast it on WBCN. there was a big birthday cake for everyone to indulge in along with a nice concert, when voices carry and love in a vacuum had become local artist favorite songs. the crowd really liked it. And why not? It's 'Til Tuesday! they may be a pop group, and I don't listen to much pop music but this is nice pop music. Aimee went on to have a fairly successful album without TT which is also good, but this is where most of us in Boston first heard her (not necessarily this concert). How many bands do two encores at a free concert?
they obviously enjoyed playing this show, and everyone who heard it enjoyed it too. now a few more can hear it too.

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Tyrannosaurus Rex: Brondby 1969 (VG++ Aud) FLAC

Front
Date: 25th January 1969
Venue: Brondby Hallen
Location: Brondby - Denmark
Source: Aud
Lineage: CDR From trade > EAC (Secure Mode) > WAV > Trader's Little Helper > FLAC (level 8)
Bootleg Title: Brondby 1969
Artwork: Full
Quality: Excellent

PLAYERS: Marc Bolan – Guitar/Vocals – Steve Peregrine Took – Percussion/Backing Vocals

NOTES: For an audience recording from 1969, the recording quality of this show is great. A nice clear, complete concert from the original duo of Marc Bolan & Steve Peregrine Took. There are not many complete Tyrannosaurus Rex shows around, this is one of the best. I’ve made some reasonably nice artwork to go with this, hope you like it. Enjoy

1. Lion & Unicorn-Hot Rod mama
2. Debora
3. One Inch rock
4. Mustang Ford
5. One Inch rock
6. Eastern spell
7. Wind Quartets
8. Conesuala
9. Strange Orchestras
10. Salamanda Palaganda
11. The Wizard

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Led Zeppelin: Berkeley 1971 (VG Aud) FLAC

scan0001
1971-09-13 audience
Community Theater, Berkeley, California
Godfatherecords "Berkeley Daze 1st Night"
art,ffp,md5,eac logs included
lineage - master audience tape > silvers > EAC wav > TLH flac 8

Disc 1
Intro
Immigrant Song
Heartbreaker
Since I've Been Loving You
Black Dog
Dazed And Confused
Stairway To Heaven
Celebration Day

Disc 2
That's The Way
Going To California
What Is And What Should Never Be
Moby Dick
Whole Lotta Love
Communication Breakdown

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Wednesday, March 28, 2012

Pink Floyd: The Great Gig On The Moon 1972 (Ex Aud) FLAC

Repost by request!
ggotm_front
1972-03-13
Nakanoshima Sports Center
Sapporo, Japan
CD > WAV > FLAC > WAV > COOL EDIT PRO 2.1 > WAV > FLAC
Originally Released by Eelhouse [2004-08-xx]
Edited and Remastered by Spectre [2006-07-07]

01. Speak To Me
02. Breathe
03. On The Run
04. Time
05. Breathe (Reprise)
06. The Great Gig In The Sky
07. Money
08. Us And Them
09. Any Colour You Like
10. Brain Damage
11. Eclipse
12. One Of These Days
13. Careful With That Axe,Eugene

ORIGINAL COMMENTS: It is one of the best audience recordings I have heard. Artwork included. No MD5 files available.
A pretty nice show with a few problems. Sound is very nice for the era, but too hissy. There were also a few digiclicks and pops here and there and the tracks werent cut very well (some tracks were cut 20-30 secs into the song). I merged the files, recut the tracks, removed a few pops and clicks here and there, smoothed out some of the track transitions, lightly applied hiss reduction, FLAC'd the files correcting for sector boundary errors, and generated new fingerprints. Note the date is wrong on the art. This show was actually performed on 1972-03-13, not 1972-03-12.
Hope you enjoy the show!

NOTE: This "remastered version" has been found to be lossy. See my comment before downloading. -dave

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The Waterboys: Köln 2012 (VG+ Aud) FLAC

waterboys köln 2012 front
Köln, Germany
Gloria, Apostelnstrasse 11, 50667 Köln 2012-03-15
minimax master-series #216
C'mon, give me some comments on this one. Comments, comments, comments!!
Master - Audience recording
Taped with Zoom H4N and its included mikrophones.

Location: on the booomboom-position-memorial-point; exact 10,27 meters from the stage on step 2 in the middle of the Gloria.
The Gloria is an old and beautiful cinema in the heart of the famous Domstadt Köln, located opposite the old-eingesessen Tanz-Studio, a few meters distance from the other old-eingesessen Wild+Geflügel-shop Gustav Brock and of course the old-eingessen Filz Gnoss-shop.
(Don't miss to visit them on your next concert-trip over to Köln!)

Parking-location: about 23 meters left from the Gloria, in the parking-house Meixner at the Apostelnstrasse 1-3.
Parking-costs: 10,00 Euros (!!!!Horror!!!)(Secret number for getting into the parking-house after the show: ****)

Sound-quality: excellent -
Sound in the hall during the concert: excellent
Show: The Waterboys played a very powerfull set. The first part of the show saw them playing some their back-catalogue. After a short 25 minutes break they came back to play parts of the album "An appointment with Mr Yeats" and then they came back for two more fantastic encore-sets.
Audience: fanatic, very quiet on some quiet parts of the show. Only a few orgasm.., ah, orgiasti.., ah, you know what I mean, women behind me screaming and behaving like teens.
Catering: one Pretzel and a Snic**** (I'm not getting sponsored by them, so: no name for this product up here)
Tapers-critic of this concert: Köln saw a great and powerfull return of The Waterboys, an audience who gave them stunning applause on various songs. It seemed that the audience wasn't much into the "new" record but liked it very much as Mr Scott and Band played it well.
This torrent includes some self-baked, strange artwork, hope you like it. Do not sell. For trading only!!..and for fun!! Go to their concerts. Buy their records. Support the artists.

line -up :
Mike Scott (vocals, guitars, piano)
Steve Wickham (fiddle)
James Hallawell (keyboards)
Marc Arciero (bass)
Ralph Salmins (drums)
Melvin Duffy (guitars, pedal steel, banjo)

CD 1:
1st set
01. Rags
02. All The Things She Gave Me
03. The Thrill Is Gone
04. A Girl Called Johnny
05. The Girl In The Swing
06. How Long Will I Love You
07. Glastonbury Song
08. The Pan Within
09. Lonesome Old Wind

CD 2:
2nd set:
10. The Hosting Of The Shee / News For The Delphic Oracle
11. Song Of Wandering Aengus
12. White Birds
13. Mad As The Mist And Snow
14. An Iris Airman Forsees His Death
15. September 1913
16. Band introduction
17. Politics
18. --encore break--
19. Don't Bang The Drum
20. --encore break--
21. A Man Is In Love
22. Fisherman's Blues
23. --encore break--
24. The Whole Of The Moon

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Roger Daltrey performs Tommy 2012 (FM) FLAC

Roger-Daltrey-@-auditorium-conciliazione21-marzo-2012-98-1
Live and Direct FM radio broadcast by "Radio2 Live", Radio2 RAI [second channel of italian national radio], from Auditorium della Conciliazione, Roma (Italy), on friday 23 March 2012, 21:15 hours [CET] - the SECOND of two roman dates as this is not on livedownloads, there shouldn't be a problem for having it running here, also confirmed by http://www.thetradersden.org/forums/showthread.php?t=93442

NOTICE: in italian radio customes the DJ speaks a lot in-between songs. And I mean a lot.. His/Her purpose is to introduce songs with bits of bio and translate what the artists say, or to describe to radio listeners what's happening on stage. It may gets VERY annoying, and trust me it does, thus we might consider this recording ONLY FOR COMPLETISTS. But the songs, the actual music, are (usually) not spoken over in the middle of them. It has to be noted that italian djs are on the whole adviced to talk that much by the same record companies to prevent bootlegging.

tracklist > running time 125'30"
01-Overture
02-It's A Boy
03-1921
04-Amazing Journey
05-Sparks
06-Eyesight To The Blind
07-Christmas
08-Cousin Kevin
09-The Acid Queen
10-Do You Think It's Alright?
11-Fiddle About
12-Pinball Wizard
13-There's A Doctor
14-Go To The Mirror
15-Tommy Can You Hear Me?
16-Smash The Mirror
17-Sensation
18-I'm Free
19-Miracle Cure
20-Sally Simpson
21-Welcome
22-Tommy's Holiday Camp
23-We're Not Gonna Take It
24-set break and radio banters 2.04
25-I Can See For Miles
26-The Kids Are All Right
27-Behind Blue Eyes
28-The Way It Is [by Simon Townshend]
29-Pictures Of Lily
30-Who Are You?
31-My Generation
32-Young Man Blues
33-Baba O'Riley
34-band's intro and announcements 2.51
35-Without Your Love
36-banters and announcements 2.38
37-Red Blue And Grey
38-outros and end credits 1.06

roger daltrey with Frank Simes and Simon Townshend (guitars), Jon Button (basso), Scott Deavours (drums), Loren Gold (keyboards)

Lineage (FM > Hard Disc > web): ITT HiFi4060 Tuner > Audacity 1.3.13 Beta via C-Media CMI8738/C3DX soundcard > 44100hz/16bit flac's (level 8) > TTD.org

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Evanescence: Little Rock 2012 (MPEG-2) DVD

by request
Copy of 63602vw
recorded at Verizon Arena in North Little Rock [Arkansas-USA] on saturday 21 January 2012
Non perderti il live degli Evanescence nella loro città d'origine, Little Rock in Arkansas.
Oltre ai vecchi successi, la band di Amy Lee ha proposto anche il nuovo materiale tratto dall'ultimo album "What you want"!

00.00 tv intros
00.42 What You Want
04.18 Going Under
08.05 The Other Side
12.08 Made of Stone
16.25 Lost in Paradise
21.10 My Heart Is Broken
25.45 My Immortal
30.25 Call Me When You're Sober
34.13 Your Star
38.50 Bring Me To Life
ends 43.08


TV broadcast by MTV World Stage, MTV Music Italy [DVBT channel], on sunday 18 March 2012, 24:02 hours [CET].

lineage: DVB-T > AKAI AKTV1901 PVR receiver > mpg file on Verbatim USB pen > edited with Free Video Dub 1.8.9.99 (commercials removed) > mpg > web torrenting

Technical info:
Video : 720x576, Variable Bit Rate MPEG-2 (average 2.70 Mbit/s) - PAL
Audio : 48000Hz joint stereo, 192k MP2
size : 902 MB --- running time 43'08"

OU: originally upped by survivor69 on zombtracker, 20-march-2012 [zomb upload #50]
note that due to disk space limitations, I will not be able to keep seeding this torrent for a long time - I will abandon the seed in a few days, maybe remove from HD these wav/flac files, and keep only my own CDR. Too many things to upload. In case of seeders going missing, enlist yourself as a leecher and some seeder will come back, and you are anyhow welcome to try and ask for additional torrenting...
checksum file included - if uploaded on other trackers or reseed (and you are welcome to do both), please include original infofile and also do not change FOLDER name. Also, if not satisfied with my offering, you are welcome to remaster/retrack/whatever and repost, but please always clearly state where/who did you have this material from and keep original infofile. IF YOU ARE THEN OFFERING THIS SET ON YOUR BLOG AS mp3's, PLEASE SPECIFY WHERE TO ALSO GET THE ORIGINAL LOSSLESS FILES

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Van Halen: Montréal 2012 (VG+ Aud) FLAC

6309963
Bell Centre,
Montréal, Québec, Canada - March 15, 2012.

Source: Sony Electret Condensor, Plug-In Type ECM-DS70P Mic. > Sony MD MZ-NH700 @ Hi-SP.
Transfer: MiniDisc Optical Out > Sonic Stage V2.1.02.09031 > Soundblaster Live > Sound Forge 7.0 > Wave > CD Wave Split > cd-r.
Location: Club Level, Section 201, Row C, Seat 3. About 50' Aligned with the Left Stack of Speakers.
Quality: Vg+/Exc.-, 8/10 Rating.
Taper & Transfer: PBelle.

Disc 1: 56:13 Minutes.
1.Unchained 4:45
2.Runnin' With the Devil 3:41
3.She's the Woman 2:51
4.Romeo Delight 5:19
5.Tattoo 4:38
6.Everybody Wants Some! 7:25
7.Somebody Get Me a Doctor 3:57
8.China Town 3:35
9.Hear About It Later 4:48
10.Oh, Pretty Woman [Roy Orbison Cover] 2:56
11.Alex's Drum Solo 2:58
12.You Really Got Me [The Kinks Cover] 4:11
13.The Trouble with Never 5:06

Disc 2: 56:20 Minutes.
1.Dance the Night Away 3:46
2.I'll Wait 5:08
3.Hot For Teacher 5:51
4.Women in Love 4:19
5.Outta Love Again 3:05
6.Beautiful Girls 3:35
7.Dave Talks [Sheep Dogs, Cattle Dogs & Pickup Trucks] 4:21
8.Ice Cream Man [John Brim Cover] 3:38
9.Panama 4:01
10.Eddie's Guitar Solo - Eruption 7:37
11.Ain't Talkin' 'Bout Love 5:43
12.Jump 5:11
112:33 Minutes.

Band Line Up:
David Lee Roth: Vocals.
Eddie Van Halen: Guitar, Back-Up Vocals.
Alex Van Halen: Drums.
Wolfgang Van Halen: Bass, Back-Up Vocals.

Concert Review:
Van Halen in concert at Centre Bell in Montreal on March 15, 2012. Eddie Van Halen at the guitar, Alex Van Halen at the drums, David Lee Roth , vocals and Wolfgang Van Halen at the bass.
Photograph by: Marie-France Coallier / THE GAZETTEMONTREAL - Well, yer semi-good-lookin’… Amazing how an old ho can look like Liz Taylor in the right light.
It doesn’t even take much make-up or hair extensions. Just the appreciation bred by the years, for the band that was Bigger-est and most carny, most SuperBowl, Most American of its crotch-grabbing yahooing era, the ’80s. And now, this time.
Don’t get me wrong – despite all that writing of a New Grace in a recent column, David Lee Roth remains a hooting Vaudevillian, his band a hard rock boom-bah parade candy coating a kind of genius center, but burnished by the fondling hands of time, Van Halen offered their own kind of truth to a crowd ready to celebrate.
Ah yes. The VH had been unlikely from the get-go, with a smart Jewish baton-twirler fronting hard rockers and the dominant instrumentalist of his period, a guy with a smile of bliss and an atomic talent he put to the service of songs about stocking lines running up the back of a chick’s legs. So there was nothing unlikely about opening act Kool & the Gang cheering a surprisingly full quotient of the 9,000 partyers expected with Jungle Boogie, Ladies Night, Get Down On It, and Celebration.
Then with zero fanfare, Alex Van Halen’s drums were bathed in nuclear yellow, DLR was stride-waddling in leatherish pants, and Eddie Van Halen was cranking into a slower version of the Unchained that used to open their shows at warp speed, on a borderless stage, with the entire back wall taken up by the b&w screen. Simple. Clean. Perfect.
Eddie stuck close to home – his pedals and mic – for most of the evening, allowing you to concentrate on the sounds and be reminded of the illicit thrill of his virtuosity and bag-o-tricks. The Horse whinnied in Runnin' With the Devil two songs in, the Elephant blared, all the stop-time whammy-bar dive-bombing, and the gargantuan riffs.
Dave didn’t have anything to say – kidding, he never shut his yap, about his sheepdogs and cattle dogs and pickup trucks and “Little Elvis” – that was actually pretty funny, joking about a sex tape “nobody wants to see” and 180-ing with “No, in 1982, I was f*****’ good – Little Elvis was in the House that whole tour!” Thereby solving the ancient psyche riddle: you can be self-deprecating and aggrandizing, in the very same minute. Beware the Prides of March. Vocally, he was in fine bray throughout. He was… loveable. But he didn’t have anything to say about the VH reformation. That was handled last go-round, in 2007-8.
And he needn’t have said anything about the Meaning of the VH. You were pointing your ears at it, at a band that has reconciled itself to what it is and must be. Yes, DLR and this Van Halen that couldn’t be more Van Halen with three VHs in it, belong together.
Tattoo drew a big cheer from the crowd. Everybody Wants Some drew a bigger one, bookended with Somebody Get Me a Doctor in the early highlight. After the crazy intro to China Town, Pretty Woman and You Really Got Me, you saw the new songs would slow nothing down. Not when The Trouble With Never was setting up Dance the Night Away. I’ll Wait for the girls, the sonic roman candle of Hot For Teacher for everyone. You realized you’d been pulling for Eddie, and needn’t have – he was in top form and complete control in those fretboard calisthenics, and seated on the steps for Eruption, and unleashing the riff to Ain’t Talkin' 'Bout Love.
Cue Dave solo with an acoustic guitar and his charming ranch tales. “Who likes dogs here?” Really? It’s been a long winter, with all its unexpected trials. You figured you were entitled to this. Panama let the dogs out, and Thursday night on the Ides was Saturday night in mid-July.

Read more: http://www.montrealgazette.com/entertainment/Review+Halen+Bell+Centre+Montreal/6312535/story.html#ixzz1pKJd11Oh

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