Sunday, October 16, 2011

The Kinks: Lynn 1985 (VG Aud) FLAC

67511the Kinks
Manning Bowl
Lynn, Mass.
September 8, 1985
Touring "Word Of Mouth" Album
Audience Recording

Ray Davies: guitar, keyboards, vocals
Dave Davies: guitar, backing vocals
Ian Gibbons: keyboards, backing vocals
Jim Rodford: bass, backing vocals
Bob Henrit: drums

1: Do It Again 4:18
2: State Of Confusion 4:46
3: The Hard Way 2:33
4: Better Things 3:21
5: Don't Forget To Dance 5:38
6: Lola Tease > Blues 1:38
7: Come Dancing 4:27
8: Return To Waterloo 4:23
9: Catch Me Now I'm Falling 3:53
10: Missing Persons 3:48
11: Destroyer 5:35
12: (Wish I Could Fly Like) Superman 7:58 (With Batman Tease)
13: Guilty 4:36
14: A Gallon Of Gas 6:53
15: Lola 5:51
16: All Day And All Night 4:55
17: Gotta Move 2:49
18: Low Budget 3:38
19: Living On A Thin Line 4:15
20: You Really Got Me 5:07
Runtime: 90:31

Lineage: Trade Cassette (Tdk-Sa 90 Min. Cassette > Played On Nak. 300 > Soundforge (wav) > flac (sb's aligned)
a this and that, kinky rocker production. Do not sell this recording. Share freely, losslessly and gaplessly.
OU comments: Mick Avory left the Kinks after the release of "word of mouth" in 1984.
the rest of the lineup is the same as heard on the studio album. Three songs from the previous album, "state of Confusion" are included in this concert, and a good collection from earlier ones. The Kinks can be bluesy and sometimes a little rockabilly country (Muswell Hillbillies era) but they are best known for rock and roll and they play a lot of that in this show. a couple of tracks are slightly cut as the taper edited a couple of times for encore breaks and the tape flip cuts in slightly, but most of the show is in the recording.

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The Time: Yokohama 1991 (Soundboard) FLAC

Copy of Project1
The Time - Japanese Chocolate 1CD
Soundboard recording of The Time in Yokohama, Japan on February 3rd, 1991

1. Get It Up
2. 777-9311
3. Cool
4. Gigolos, Get Lonely Too
5. The Walk
6. The Bird
7. Girl
8. My Drawers
9. Chocolate
10. Sometimes I Get Lonely
11. Jungle Love
12. Pandemonium
13. Jerk Out
14. Shake!

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Ringo Starr and His All Starr Band: Forth Worth 2001 (Soundboard) FLAC

Band: Ringo Starr, Greg Lake, Roger Hodgson, Howard Jones, Ian Hunter, Sheila E., Howard Jones
r2001 08 18 Ringo 2001 Tour Ft Worth Texas Front
Soundboard recording from the show at Billy Bob's Texas, Forth Worth, Texas
on Saturday 18 August 2001
Publisher: Unknown

Disc 1
01. Ringo Starr - Photograph
02. Ringo Starr - Act Naturally
03. Greg Lake - In The Court Of The Crimson King
04. Roger Hodgson - Logical Song
05. Howard Jones - No One Is Ever To Blame
06. Ian Hunter - Cleveland Rocks
07. Sheila E. - A Love Bizarre
08. Ringo Starr - Boys
09. Roger Hodgson - Give A Little Bit
10. Ringo Starr - You're Sixteen (You're Beautiful, And You're Mine)
11. Ringo Starr - Yellow Submarine
12. Greg Lake - Karn Evil 9 - 1st Impression, Part 2
13. Ringo Starr - I'm The Greatest

Disc 2
01. Ringo Starr - No No Song
02. Ringo Starr - Back Off Boogaloo
03. Howard Jones - Things Can Only Get Better
04. Ian Hunter - Irene Wilde
05. Sheila E. - Glamorous Life
06. Ringo Starr - I Wanna Be Your Man
07. Greg Lake - Lucky Man
08. Howard Jones - Everlasting Love
09. Roger Hodgson - Take The Long Way Home
10. Ian Hunter - All The Young Dudes
11. Ringo Starr - It Don't Come Easy
12. Ringo Starr - Don't Go Where The Road Don't Go
13. Ringo Starr - With A Little Help From My Friends

tested ok (files decodable without error).

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Saturday, October 15, 2011

Pink Floyd: Montreux 1970 (FM?/Ex Aud?) FLAC

FiremanIIIFront
1970-11-21 and 22
Altes Casino
Montreux, Switzerland

FM* > Reel > DAT > cDR > EAC > 2 untracked SHN files > wav > cdwave > Flac Frontend (level 7, align sector boundaries) > flac
*This recording is purported to come from an FM Reel Master. The sound quality is quite excellent, and this may very well be an appropriate lineage. The comparison to "Smoking Blues" reveals that this recording is brighter and cleaner, to my ears. You may find that its not an upgrade. caveat listener. danlynch 2004-08-17

November 21
01 Astronomy Domine [10:33]
02 Fat Old Sun [13:56]
03 Atom Heart Mother [18:19]
04 Cymbaline [11:43]
November 22
05 Embryo [13:00]
06 Blues [9:11]

Before the Fire: Montreux Casino - The Fireman's Tapes, Volume III
Notes: Fingals' Cave lists the last two tracks as November 22. I believe this is based on their exclusion from the audience recording of the 21st.
November 21 - Altes Casino, Montreux, Switzerland
Recording Includes: Astronomy Domine, Fat Old Sun, Cymbaline, Atom Heart Mother
Source: Soundboard
Comments: CD Reference: Montreux Casino, Casino Montreux Swiss, Smoking Blues, Montreux Casino 1970, Good Morning Folks, A Night At Montreux,
Before The Fire-The Fireman's Tapes Volume III
LP Reference:
Quality: Excellent

Recording Includes: Astronomy Domine, Fat Old Sun, Cymbaline, Atom Heart Mother, The Embryo, Green is the Colour, CWTAE, Set the Controls, Saucerful of Secrets, Interstellar Overdrive
Source: Audience
CD Reference: Set The Controls, Montreux Casino, Casino Montreux Swiss
Quality: Very Good
November 22 - Altes Casino, Montreux, Switzerland

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Steely Dan: 2 Shows Hollywood 2003 (VG+ Aud) FLAC

only recently circulated!
steely dan rikki
Lunch With Gina Lasts Forever
Universal Amphitheater Hollywood, CA
October 1 & 2, 2003
Complete Second Sets From Both Nights
Stereo Audience Recording
A Lurker Ray Recording
A Damnjim/WombBoy Production
Upped By buttmanos
SEC 23 Front Row DFC Both Nights
Quality: Excellent
PREVIOUSLY UNCIRCULATED - Date of First Circulation: 9-13-11

LINEAGE: TWIN SONY ECM-T6 MICS > RADIO SHACK L/R MONO IN STEREO OUT ADAPTER > SONY MZ-R3 MINIDISC RECORDER > PIONEER PDR-W739 CD RECORDER > CDR > STEINBERG WAVELAB 5 >
WAV > FLAC FRONTEND LEVEL 8 > TRADERS LITTLE HELPER
**** NOT FOR SALE **** PLEASE DO NOT DISTRIBUTE THESE FILES IN LOSSY FORMATS ****

CD 1 October 1, 2003
01 The Steely Dan Show
02 Janie Runaway >
03 Hey 19
04 Haitian Divorce
05 Lunch With Gina
06 Parkers Band
07 Josie
08 Kid Charlemagne
09 Don't Take Me Alive
10 My Old School * With Dean Parks
11 FM * With Dean Parks

CD 2 October 2, 2003
01 The Steely Dan Show
02 Janie Runaway >
03 Hey 19
04 Haitian Divorce
05 Everything Must Go
06 Parkers Band
07 Josie
08 Kid Charlemagne
09 Don't Take Me Alive
10 My Old School
11 FM * With John Beasley

Well we hope that you have enjoyed all of the Steely Dan/Donald Fagen shows in this summer's "Lurker Ray's Summer Sampler" and in honor of the start of the NYC Beacon run, here is the unreleased "Lunch With Gina Lasts Forever" from the 2003 tour and in a separate torrent, my last unreleased Fagen Solo tour show that also happens to be the last show of that tour. I am getting very busy again now that summer is over and I won't be posting any more of my shows until after the current tour, perhaps I will get some free time during Thanksgiving, but I make no promises. Much thanks goes to WombBoy & Buttmanos for their hard work in bringing you these shows.

STEELY DAN - LUNCH WITH GINA LASTS FOREVER
LIVE - UNIVERSAL AMPITHEATER HOLLYWOOD OCTOBER 1 & 2 2003
In the late summer of 2003 I started to date Gina. We met at Baja Fresh during our mutual lunch periods that my new corporate job at the time had luckily scheduled during the same times. These endless afternoons started on the day I met her. Gina was a very hot gal but she was always late. A real deal breaker for me, even with LA traffic and even if you are as hot as Gina. After 9/11 Universal had beefed up its security to nonsense levels where you got TSA-wanded before you entered or had to walk through a scanner, much like the Beacon in NYC still is today sadly. We figured that Gina's purse and the smallest device possible, the Sony MiniDisc was our best route. "So what time do you want to meet at Universal?", asked Gina. Oh no, I am not going to miss any of these shows especially after having the luxury of seeing 2 nights at Roseland sans Gina because she would have nothing to do with General Admission. Here are your tickets doll, meet me at the Steely Dan show, and PLEASE try and be on time, remember we are going to try and record these shows and YOU have the equipment. The first set (remember when they used to do that?) was just about over and I'm about to go postal when she waltzes in. "Sorry I'm late, traffic was a bitch". Yeah right. So we used the intermission to set up the mics and equipment. Second night? You guessed it, when will she get here? Maybe later, maybe never. Gina was late again. But hey after nearly 8 years of you not being able to hear these recordings of two kick ass shows, it was Gina after all who smuggled in the equipment for us.
Not many live recordings of Lunch With Gina out there and this one will kick your ass. The ULTRA rare dueling guitars of Dean Parks with Jon on one of my favorite versions of My Old School are just smokestack lightning. There were no special guests at Roseland and after nearly a month after the Roseland 2003 second leg gigs I think the band is much tighter and the shows were better executed at Universal. You can listen for yourselves. Because these recordings along with the soundboard from the complete 2nd night show (too bad we don't have the first night off the soundboard which for the first time is included here in its complete second set glory is just sick with Dean Parks!) are about as close as you are going to get to hearing what the two night stand at Roseland sounded like 8 years ago. The setlists for the two nights at Universal are exactly the same as Roseland. I had a blast at Roseland but there were too many drunken loud sing-a-longs for my money and that alone could be reason for the lack of Roseland shows recorded. Like I said the band had been out on this final leg for a while and were tight as shit. FM with Dean Parks is so frickin LA Cool again with another amazing back and forth with the "new" kid Jon Herington. And enjoy two crackling versions of Parker's Band and the two smoldering versions of the MIA this tour Don't Take Me Alive. That Jon Herington guy, yeah they might want to keep this guy.
If you can't come to NYC next week, then why not in the mean time enjoy my various recordings posted this summer of The Bear, Everything Must Go, Night By Night, Lunch With Gina, Your Gold Teeth, Parker's Band and Green Earrings and the final show of the Donald Fagen 2006 Solo Tour. Salud.
Enjoy!
-Lurker Ray, Off To NYC

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The Yardbirds: Agoura Hills 2011 (VG++ Aud) FLAC

Yardbirds_version_two
The Canyon Club,
Agoura Hills, CA
September 23, 2011

Source info: AT943 cards>CA-Ugly>Sony PCM-M10(24/96)>Adobe Audition (normalize, resample/dither to 16/44.1)>CDWaveEditor 1.96>TLH>Flac
Taper: David Sell
Location: 50' from stage, front of right stack
Sound Quality: Excellent

01. ~intro music~
02. I'm Not Talking
03. Tinker, Tailor, Soldier, Sailor
04. Drinking Muddy Water
05. Lost Woman
06. Heart Full of Soul
07. Train Kept A Rollin'
08. The Nazz are Blue
09. Shapes of Things
10. Five Long Years
11. Think About it
12. Over Under Sideways Down
13. Smokestack Lightning
14. Little Games
15. ~band intros~
16. For Your Love
17. Happenings Ten Years Time Ago
18. Dazed and Confused
19. ~encore break~
20. I'm a Man

78:40

I wasn't sure what to expect from this band that has been around for ages, and gone through numerous iterations. I was very pleasantly surprised to say the least. The lead singer is strong and does these classic rock songs justice, the band was tight. The recording came out nicely as well, most respectful crowd around us, and very little to detract from it's enjoyment. I would go and see them again for sure. Crank it up people. As always, NEVER for sale, trade freely, and always support the artist' commercial endeavors.

Band:
Jim McCarty - Drums
Ben King - Lead Guitar
Chris Dreja - Rhythm Guitar
Andy Mitchell - Lead Vocals/Harmonica
David Smale - Bass Guitar

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Friday, October 14, 2011

Pink Floyd Night: BBC Music Night 2011 (FLAC)

pink_floyd copy
The Pink Floyd took over the airwaves at BBC 6 Music from 7pm on 7th October 2011 until 3am the next morning in the aptly named "Pink Floyd Night".

8 programs will involve play-lists, analysis of albums, a new interview with David Gilmour and Nick Mason (on The Record Producers, see below), live recordings and documentary analysis and should keep most Pink Floyd fans out of trouble for a good few hours!I think the real nugget in all of this will be The Record Producers program at 9pm on 7th October as some of the other items are repeats and some fans may have listened to these already. Fun to listen again though I am sure you will agree?

This huge takeover of BBC 6 Music is all part of the Why Pink Floyd phase 1 event of course which saw the release of the rather excellent Dark Side of the Moon in a 2 CD Experience Edition as well as a 6 disc Immersion Edition box set with lots of additional goodies!

Pink Floyd Night Schedule:
7th Oct 11 - Evening
19:00–21:00 - Now Playing @6Music
Tom Robinson asks listeners to compile a Pink Floyd playlist. Tom Robinson reflects seven days of online music conversation, on air, and 6 Music listeners collaborate to build a Pink Floyd playlist. As 6 Music devotes an evening to the influential prog rockers, Tom gets the online conversation going, asking listeners what they think of Pink Floyd and their music.

21:00–22:30 - The Record Producers - Pink Floyd

Richard Allinson and Steve Levine look at the work of Pink Floyd in the latest edition of Record Producers. The programme concentrates on the early days of the band and the development of their sound from the late 60s through to the mid 70s
Amongst the contributors to the programme are Joe Boyd, Floyd's producer for their first single Arnold Layne; John Leckie, who engineered the band's album Meddle; and Clare Torry, whose vocal performance on The Great Gig In The Sky is one of the highlights of Dark Side Of The Moon.
There are new interviews with guitarist David Gilmour and percussionist Nick Mason, and Richard and Steve have access to the original multitrack recordings of some of Pink Floyd's best work from this period. These highlights include the four track tapes of Arnold Layne; their masterpiece Echoes (which began as an eight track recording - but later expanded to 16); the 16 track recordings of Money and Great Gig In The Sky from the seminal Dark Side. album, and 24 track recordings from their 1975 release Wish You Were Here, including the epic Shine On You Crazy Diamond.
Exclusive to the extended version of the programme for 6 Music is an in-depth look at the recording of the song Breathe, from Dark Side Of The Moon; as well as the discovery of an early recording which Steve Levine found by accident hidden on the Arnold Layne tape!
With a few extra surprises along the way, this edition of The Record Producers is not only an unmissable programme for Pink Floyd fans, but also a "must listen" for any lover of quality popular music.

22:30–23:00 - The Producers Playlist - Pink Floyd
Steve Levine presents a personal choice of Pink Floyd highlights including See Emily Play, San Tropez from the Meddle album and The Division Bell's High Hopes.

23:00–00:00 - Pink Floyd at the BBC
A selection of archive recordings from Pink Floyd.

8th Oct 11 - Late
00:00–01:00 - Stuart Maconie's Freakier Zone
A 60 minute compendium of audio gloop, hosted by King of Freaks, Stuart Maconie. This is the boiled-down peculiar little brother to Sunday's Freak Zone.
This week's show continues 6 Music's Pink Floyd Night, with Stuart looking at one of the band's stranger releases - the 1969 double album Ummagumma.

01:00–02:00 - Desert Island Discs on 6 Music - David Gilmour
David Gilmour is Sue Lawley's castaway. Among his selections are Bob Dylan, Joni Mitchell and Martha and the Vandellas. First broadcast in April 2003.

02:00–03:00 - Desert Island Discs on 6 Music - Roger Waters
Roger Waters is Kirsty Young's guest. His selections include Mahler and his luxury is a grand piano. First broadcast in May 2011.

03:00–05:00 - The Thing About Syd
Mark Radcliffe explores the life and legacy of Pink Floyd's Syd Barrett - one of the lost souls of British rock music.

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Enjoy!

I won't be around at all next week...

but the bootlegs will still flow (3 each day tomorrow and Sunday and 4 a day during the week).
I have to take care of my older brother who was involved in quite an accident near Nashville.
2011-10-09 15.06.33
Believe it or not he suffered only a broken pelvis, a 8" long 1" wide gash to his upper thigh and a severely damaged knee.
Above is a picture of the site looking up to the gaurdrail that he went over!
God was looking out for him for sure!!!!
-dave

Pink Floyd: Boblingen 1972 (VG+ Aud) FLAC

Rev A.K speed corrected by MOB
743920
The Great Gig In Boblingen
Boblingen, Sporthalle, 15Nov72

CD1:
01. Speak To Me
02. Breathe
03. On The Run
04. Time
05. The Great Gig In The Sky
06. Money
07. Us And Them
08. Any Colour You Like
09. Brain Damage
10. Eclipse

CD2:
01. Careful With That Axe, Eugene
02. Echoes
03. One Of These Days
04. Set The Controls For The Heart Of The Sun

Primary source: "The Great Gig In Boblingen" CDs (GANJA-011/2)
Rev A.K done in 2004 by kingjollytrouser:
- clip restoration
- channel balancing
- declicking
- restoration of missing intros, gaps and drop-outs using 1st gen RoIO
- repairing of bad edits
Speed corrected version of Rev A.K done in 2005 by MOB:
- 98.5% speed correction for the whole show
- correction of tracks transitions
- re-indexing
FLAC files from MOB master CDRs created in April 2011.
Tags, checksums and playlist by goa. April 2011

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Allman Brothers Band: Jacksonville Beach Armory 1969 (Soundboard) FLAC

Copy of Front Back
Jacksonville Beach Armory, Florida
03/30/1969
First Flight (1969)

This is regarded as the first live show of the Allman Brothers Band, and was recorded just four days after their official foundation. Besides some oscillation and abrupt cuts and fades the sound is pretty wonderful stuff!
Sound Quality: VG Soundboard

CD 1:
1. Don't Want You No More
2. Rock Me Baby
3. Crossroads
4. Born In Chicago
5. Willie Jean Jam
6. Born Under A Bad Sign

CD 2:
1. She Has Funny Cars
2. Hey Joe
3. New Shoes Blues
4. Travellin' Music Jam

Members
Gregg Allman - organ, piano, guitar, vocals
Duane Allman - guitar, slide guitar
Dickey Betts - guitar, slide guitar, vocals
Berry Oakley - bass, vocals
Butch Trucks - drums, tympani
Jai Johanny "Jaimoe" Johanson - drums, percussion

all tracks look like CDDA with probability 100%. No errors occured.
all files tested ok (files decodable without error). No errors occured. -dave@qb

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Grand Funk Railroad: U of Hawaii 1972 (Soundboard) FLAC

I believe that I may have posted this previously but it was lossy sourced.
Note: taking your shirt off before downloading is OPTIONAL!
oaaa_grandfunk1
July 12, 1971
U of HI - West Oahu, Hawaii

1. Are You Ready
2. Paranoid
3. In Need
4. Mean Mistreater
5. I'm Your Captain
6. Hooked On Love
7. Get It Together
Total Time = 37:07

SBD Unknown Lineage (I think it is a solid A- to A (some distortion, not sure if speed is correct) and sounds pretty good for its age.)
OU Notes: Sorry there's no other info. I got this from my friend Jeff Block's CD that he got in trade from who knows whom. I transferred my CD to the files included here. This is the only Grand Funk boot that I have ever seen, but I'm sure that there must be more out there. Enjoy...tracks look like CDDA with probability 100%. No errors occured.

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Peter Gabriel: Paris 2002 (Pre-FM) FLAC

Copy of PG-104-inlay
: Maison de Radio France
Studio 104
Paris France
10-24-2002
Source: Pre-FM
Contributor: Anonymous
Lineage: DAT -> CDR

Darkness 7:36
Red Rain 7:00
Growing Up 7:50
Mercy Street 6:10
My Head Sounds Like That 6:50
The Barry Williams Show 7:34
More Than This 6:30
Sledgehammer 5:05
In Your Eyes 10:38
Total Running Time: 72:47

This excellent Pre-FM recording was passed on by an anonymous contributor and thanks to the good and generous folks from the Meeksgenesis group. Artwork is included.
Thanks again to all Meekster's involved... Long live Meeksgenesis!! As always... Enjoy, play nice and above all, KEEP THOSE WINDOWS OPEN!! Peace! HOGWEED
tested ok (files decodable without error).

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Ringo Starr and His All Starr Band: Montreux 1992 (Soundboard) FLAC

Band: Burton Cummings, Dave Edmunds, Joe Walsh, Timothy B. Schmit, Nils Lofgren, Todd Rundgren, Tim Capello
r1992 07 13 European Tour Stars Shine At Night Front
Live at Montreux Jazz Festival, on the shores of Lake Geneva, Montreux,
Switzerland - July 13, 1992
Incomplete soundboard recording of the show.
Publisher: Red Phantom
Reference: RPCD 1103
Date: 1992

01. Ringo Starr - No No Song
02. Burton Cummings - No Time
03. Dave Edmunds - Girls Talk
04. Joe Walsh - Rocky Mountain Way
05. Timothy B. Schmit - I Can't Tell You Why
06. Nils Lofgren - Shine Silently
07. Todd Rundgren - Bang The Drum All Day
08. Ringo Starr - Don't Go Where The Road Don't Go
09. Ringo Starr - Yellow Submarine
10. Joe Walsh - Desperado
11. Todd Rundgren - Lysistrata - One World
12. Timothy B. Schmit - Keep On Tryin'
13. Tim Capello - Wiggle
14. Todd Rundgren - Black Maria
15. Joe Walsh - In The City
16. Ringo Starr - You're Sixteen (You're Beautiful And You're Mine)
17. Ringo Starr - Weight Of The World

tested ok (files decodable without error).

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Thursday, October 13, 2011

Genesis: Providence 1974 (Aud -Hogweed Remaster) FLAC

Copy of HW14_cover
HW14 Palace Theatre, Providence, Rhode Island
8th December 1974 Remastering notes from Andrew Skeoch

here is a setlist from online. click the photo above to read what is on the download.
1.The Lamb Lies Down on Broadway
2.Fly on a Windshield
3.Broadway Melody of 1974
4.Cuckoo Cocoon
5.In the Cage
6.The Grand Parade of Lifeless Packaging
The Story of Rael Part 1
7.Back in N.Y.C.
8.Hairless Heart
9.Counting Out Time
10.The Carpet Crawlers
11.The Chamber of 32 Doors
The Story of Rael Part 2
12.Lilywhite Lilith
13.The Waiting Room
14.Anyway
15.Here Comes the Supernatural Anaesthetist
16.The Lamia
17.Silent Sorrow in Empty Boats
18.The Colony of Slippermen
19.Ravine
20.The Light Dies Down on Broadway
21.Riding the Scree
22.In the Rapids
23.It

The Show
This wonderful stereo recording is one of the best from the audience of any Lamb Lies Down on Broadway show, and documents almost the entire gig. The concert comes from the first US Lamb tour in 1974, and shows a few teething troubles still cropping up on stage. Tony's keyboards in particular cause problems, and loud crackles from his rig can be heard at various points throughout the set. I'm not sure, but it sounds as though at one point during Back in N.Y.C. Tony's 7/8 synth riff drops out altogether, and Hackett carries it alone with Tony filling chords on electric piano. There are also very prominent hums and buzzes from the PA that would have dismayed the band. Nevertheless, they put on a powerful performance, and during most of the concert, the music is as good as it gets. It is interesting to hear Phil's harmony vocals present throughout, its as though he is just singing along with the whole concert. One doesn't usually think of Genesis songs as two part counterpoint, but its there. And Phil experiments continually, for instance the usual descending harmony line in Counting Out Time is absent, with Phil weaving lines around Peter's main melody instead. The famous problems with the Slipperman costume and Peter's inability to get the microphone close enough are also present. Whilst Peter is mostly loud and clear during this song, there are times he drops out almost completely, and Phil carries the vocal alone. One can understand why the band were frustrated with this situation occurring consistently, and of course it is one of the reasons Peter re-recorded the vocal for the Lamb discs on the Archive box set. The audience makes a few notable appearances as well; listen to the exuberant whistles during the interlude prior to The Lamia. It is also amusing with hindsight to hear the audience's amazed reactions to Gabriel's unexpected appearance as the Slipperman.

The Source
This recording is outstanding, and has long been recognised as such. All the set up conditions for a great audience recording are present; good equipment, no obnoxiously loud audience members nearby, and it sounds as though the show was taped from near enough to the stage that it doesn't sound distant. The levels are good, with little hiss or overload distortion, and notably, there is not a single microphone bump during the whole recording! All the instruments are clear and there is a great sense of ambience from the hall and audience. The recording was reputedly originally made on reel-to-reel, although the difficulties of stealth recording with large open reel gear, and that consistent cuts occur at the 45 min flips on different cassette copies of this recording, all point to a common cassette source. Whether that is the master or just a 1st gen duplicating tape is unknown, but going on the audio quality of this recording I think the former is more likely. The recording documents nearly the entire concert with the exception of two omissions; firstly a small section (possibly only a few seconds) between the audience applause at the end of Carpet Crawlers, and the first chord of Chamber of 32 Doors (which fades in quickly), and secondly the middle minute and a half of Ravine. These missing sequences are almost certainly absent from the master recording. While they both occur at end of cassette tape sides, I think it is unlikely that they would originate in a cassette copy somewhere along the line. This recording is mainly known from the 'Rael Imperial Aerosol Kid' bootleg, although because of its good sound quality, bits of it appear on other releases, notably the Waiting Room/Anyway section which is used on several boots (Lamb Lives, Suppers Ready with a Little Lost Lamb, From One Fan to All Others) to bridge the missing sections of the West Palm Beach and Lakeland soundboard recordings of January 1975.

The Remaster
This remaster has been initiated from first generation cassettes, generously contributed by a Hogweed member who knew the taper of this show in the 70s. The 2 tapes were TDK and Maxell 90s, with the show on 3 sides. While the cuts on these tapes are similar to those found on the Rael Imperial boot (indicating these cuts are on the master tape), there is a short section of crowd noise at the beginning (where Peter goes "Shhhhh"), which is on the boot but not this tape. Hence these tapes are definitely not the source for the boot. Also, the Rael Imperial boot inexplicably omits one of the best parts of the recording - the second encore of Watcher of the Skies, which is present on these tapes (hooray!), and (as far as I know) makes its public debut on this remaster. The main difference in sound quality between the Rael Imperial boot and these raw tapes is in the midrange. Rael Imperial has a hard and brittle edge resulting from overload distortion of some kind. These tapes are bright but undistorted and smooth. Rael Imperial also has a treble cut above about 8KHz, possibly to minimise hiss, and of course the top end has gone with it. Lastly it is also weak in the bass as the original recording seems to be, there having been no attempt to balance this up. So, plenty of room for improvement.... I have as usual begun with a new transcription of the source tapes, checking pitch, which rises slightly with each tape and has been corrected. I have also passed the analogue audio through an exciter to add harmonics to both the bass and treble, so extending the frequency range. Next I have denoised the recording *slightly* - by slightly I mean 4Db down to 4KHz, with a top end (above 7KHz) boost of 3 Db. This is really quite minimal, but enough to sharpen the tops and minimise what was a fairly minimal amount of cassette tape hiss anyway. The stereo on this recording is a little off-centre, as though the microphone was not pointed directly at the PA. I know what this is like from my own experience, there is a great temptation to point the mic at the stage, but a central stereo image is best obtained by pointing it at the PA itself. Whether that has happened here I don't know, it could be a tape head alignment issue in copying that has caused the imbalance. What can be heard is that the frequency response is slightly different between channels, and that there seems to be more of a hall ambience echo in one channel (left on this remaster). In balancing the equalisation, I have tried to correct this stereo imbalance, but it still didn't create anywhere near to a central stereo image. After a little playing around I found that the phasing of the two channels was the main cause of the problem. This would be consistent with either mic/venue or head alignment explanations. Anyway, after a little jiggling of the timing of left channel against right, the stereo image comes close to the centre, and the eq balance fine-tunes things along a bit more. So while the stereo is not perfectly balanced, it really sounds as though you are there in the auditorium, and that is what we want to hear. I have balanced the equalisation as best I can. The microphone used for this recording has a presence band peak around 4KHz, giving a bright sound, but was a little deficient in the bass. So I have pushed the bass a little, softened the low mids, and left the top end pretty much as it came out after the analogue exciting and denoise boost. It sounds at times as though the top end is quite bright, but I have played around with it, and found that attenuating anything just led to either a thin or dull sound. I think a part of it is that the cymbals, particularly Phil's rides, are quite loud in the mix. At least they dominate the music well down into the midrange, so it's not a case of just equalising them back a bit. What you hear probably represents the way it sounded in the hall. After the bass was enhanced, some low frequency (around 60Hz) hums became noticeable. Where the music has been quiet enough that they are audible, I have removed them, and in the process cleaned up any 'rumble' on the floor of the recording. Lastly I have edited in sections from other concerts to fill the missing gaps in this one. The first few chords of Chamber of 32 Doors come from the West Palm Beach 75 soundboard, which I chose because it matched the sound quality well, and as it was a short fill that would have sounded much the same each night, I felt that WPB was a suitable source. Ravine comes from the stereo audience recording of the 12th December 74 show from Waterbury, CT. This is also a good recording, and although the source I had access to is probably not the best available, it seems to balance in well. It is interesting to note the lack of buzzes from the PA on this Waterbury concert. Lastly a short section of the intro crowd noises (Peter's "Shhhhh", less than 10secs or so) from the 'Rael Imperial' boot was used to fill the missing splice in the source tape I used. The final process was to balance volumes between the 3 parts of the show, and maximise the levels. There is no reverb on this remaster. Turn it up loud!

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Tori Amos: Helsinki 2011 (VG+ Aud) FLAC

03l
September 28, 2011
Jäähalli
Helsinki, FINLAND

Source - AUDIENCE:
Edirol RH-09HR & Core Sound Stealth Cardioids
Lineage: 44.1 kHz, 16-bit stereo WAV => CDWAVE => FLAC

01 Intro
02 Shattering Sea
03 Graveyard (solo)
04 Suede
05 Tori speaks
06 Baker Baker
07 Fearlessness
08 Mrs. Jesus (solo)
09 Marianne (solo)
10 Tuning Song (improv)
11 Girl Disappearing
12 Cloud On My Tongue
13 Star Whisperer
14 Running to Stand Still (solo - U2 cover)
15 Sister Janet (solo)
16 Caught a Lite Sneeze (solo)
17 Cruel
18 Nautical Twilight
19 Snow Cherries From France
20 Winter
21 Encore Break 1
22 A Multitude of Shades (Apollon Musagète Quartett composition)
23 Your Ghost
24 Encore Break 2
25 Mr. Zebra (solo)
26 Tear in Your Hand (solo)
27 Silent All These Years (solo)
28 Carry

Tori Amos - vocals, Bösendorfer, Kurzweil
Apollon Musagète Quartett
Piotr Skweres – cello
Piotr Szumiel – viola
Pawel Zalejski – violin
Bartosz Zachlod – violin

OU Notes: Opening concert of the "Night Of Hunters" world tour. Incredible performance by Tori and Apollon Musagète Quartett. Excellent recording as well (A/A-).

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Stevie Wonder: Rio de Janeiro 2011 (Broadcast Rip) FLAC

1
Rock in Rio 4 - World Stage
Rio de Janeiro, Brazil
30/09/2011

Note: Brazilian local UTC-03:00 time, show started after midnight. That's why I put September 30, on the brochure it's marked for September 29 ..but I will keep as the air date in local time.

CD 1
1 - How Sweet is to be loved by you
2 - My eyes don't cry
3 - Master blaster
4 - The way you make me feel (Michael Jackson's cover)
5 - Higher ground
6 - Visions
7 - Living for the city
8 - Don't you worry 'bout a thing / Garota de Ipanema (Vinícius de Moraes e Jobim w/ Norman Gimbel lyrics)

CD 2
1 - Send one your love
2 - Overjoyed / Jam
3 - My cherie amour
4 - Signed, sealed, delivered
5 - Sir Duke
6 - I wish
7 - Isn't She Lovely
8 - You're the sunshine of my life
9 - I just called to say I love you
10 - Superstition / introducing the musicians
11 - As
12 - Encore
13 - Another star
Total runtime: 1 hour 54 minutes

Lineage: Analog Cable coaxial -> TV Line Out 1/8" jack RCA -> Zoom H2 Line In 1/8" (48k/24bits wav) -> down to Red Book 44.1k/16bits Stereo -> Audition 3.0 > FLAC(8)

Quality is not excellent, but very listenable - awesome setlist and great show. Enjoy! - Guelfo

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Katy Perry: Rio de Janeiro 2011 (Web Rip) FLAC

not true lossless but a very good listen nonetheless.
Copy of untitled
2011-09-23 - Rock in Rio
Venue: Cidade do Rock, Palco Mundo - Rio de Janeiro, Brazil

Lineage: SBD> Webstream > Goldwave > Wav > FLAC
Taper: eniorocks
tested ok (files decodable without error). No errors occured.

01. Teenage Dream
02. Waking Up in Vegas
03. Peacock
04. I Kissed a Girl (jazz intro)
05. I Kissed a Girl
06. Circle the Drain
07. E.T.
08. Thinking of You
09. MJ - Dance Break - I Want Candy (snippet) / Milkshake (snippet) / Magalenha (snippet)
10. Hot N Cold
11. Last Friday Night
12. Firework
13. California Gurls

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Lots of hi-res photos from the gig included.

Wilco: Central Park 2011 (VG Aud) FLAC

cover
2011-09-22
Rumsey Playfield
Central Park Summerstage
New York, NY USA

Four-Track Digital Master Recording
Recorded from rear of the Main Floor
Neumann KM-150s + DPA 4021's > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Please support this outstanding band: http://wilcoworld.net
Recorded and Produced by nyctaper 2011-09-23
Premiere Download offered at http://www.nyctaper.com (thx for the links!)-dave

01 Art Of Almost
02 I Might
03 Ashes Of American Flags
04 I Am Trying To Break Your Heart
05 One Wing
06 Bull Black Nova
07 At Least Thats What You Said
08 One Sunday Morning
09 Shouldnt Be Ashamed
10 [banter]
11 Born Alone
12 She's A Jar
13 Handshake Drugs
14 Standing O
15 Rising Red Lung
16 Impossible Germany
17 Dawned On Me
18 A Shot In The Arm
19 Hummingbird
20 [encore break]
21 Via Chicago
22 Whole Love
23 [banter - Town Hall Sept 2001]
24 War On War
25 Jesus Etc
26 Im The Man Who Loves You
27 Monday
28 Outtasite
[Total Time 2:09:41]

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Chicago Symphony Orchestra perform Schumann, Mozart, Brahms and Haydn 2011 (FM) FLAC

by request
72510316_62921240d0_o
Bernard Haitink: conductor
Orchestra Hall
Chicago, IL US
Broadcast date: 2011-08-14
Performance date: 2011-05-xx

Lineage: fm (Onkyo TX8511)>SoundBlaster (Live! 24 bit External)>wav(CD Wave Editor)>flac

Announcer 0:53
Schumann: Manfred Overture 12:47

Announcer 1:12
Mozart: Piano Concerto No. 17 in G Major, K. 453 (Emanuel Ax, piano)
Allegro 12:28
Andante 9:56
Finale: Allegretto 8:05

Announcer 2:14
Brahms: Symphony No. 4 in E Minor, op. 98
Allegro non troppo 12:53
Andante moderato 10:48
Allegro giocoso; Poco meno presto 6:19
Allegro energico e passionato; Piu allegro 10:13

Announcer 1:02
Haydn: Sinfonia Concertante in B-flat Major, Hob. I:105 (Nov., 2009)
Allegro 9:36
Andante 4:45
Finale: Allegro con spirito 6:40

Total Time: 109:58

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Wednesday, October 12, 2011

Pink Floyd: Tampa 1973 (VG- Aud) FLAC

front
Format: 2CD
HL276/277 Highland
Misc: Audience
Produced: 1999
Source: 29 Jun 1973, Tampa Stadium, Tampa, Florida

Disc: 1
1. Obscured By Clouds
2. When You're In
3. Set The Controls For The Heart Of The Sun
4. Careful With That Axe, Eugene
5. Echoes

Disc: 2
1. Speak to Me
2. Breathe
3. On the Run
4. Time
5. Great Gig in the Sky
6. Money
7. Us and Them
8. Any Colour You Like
9. Brain Damage
10. Eclipse
11. One of These Days

Band:
Roger Waters
David Gilmour
Nick Mason
Rick Wright

Comments: This is a good, complete recording of a great show, however there is a LOT of crowd noise throughout the recording, which makes it very painful to listen to, at least for me. Typical Florida stadium crowd. -MARK

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April Wine: Cedar Rapids 1982 (FM) FLAC

AprilWine82SqBluMedia
Power Play In Cedar Rapids 24th September 1982
Cedar Rapids, Iowa, USA

FM BROADCAST
BROADCAST-CASS- COOL EDIT PRO-TLH
THIS IS A OLD MASTER AND HAS SOMEDROP OUTS

01. Anything You Want
02. Future Tense
03. Before The Dawn
04. Waiting On A Miracle
05. Enough Is Enough
06. If You See Kay
07. Just Between You And Me
08. Sign Of The Gypsy Queen
09. 21st Century Schizoid Man
10. I Like To Rock
11. Roller

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Cheap Trick: Cleveland 1979 (VG Aud) FLAC

il_fullxfull.250046822
Date: 1979-04-23
Location: Cleveland, OH
Venue: Palace Theatre
Source: Audience
Lineage: ANA(M)>WAV [96kHz/24bit]>WAV [44.1kHz/16bit]>FLAC [Level 8]
Transfer: Nakamichi CR-7A>PreSonus FireStudio Project>Adobe Audition 3.0>Cdwave editor>FLAC frontend 1.7.1
Taping Gear: Teac M-100>Sony TCM-600
Taped By: JEMS
Transferred By: Mike Ziegler

Band Members
Robin Zander - lead vocals, rhythm guitar
Rick Nielson - lead guitars, backing vocals
Tom Petersson - bass, backing vocals
Bun E. Carlos - drums, percussion

01. Intro
02. Hello There
03. Come On, Come On
04. Stiff Competition
05. On Top Of The World
06. Guitar Solo
07. Big Eyes
08. Ain't That A Shame
09. Surrender
10. Need Your Love (slight cut in middle due to tape flip)
11. I Know What I Want
12. I Want You To Want Me
13. California Man
14. Clock Strikes Ten
15. Heaven Tonight
16. Auf Wiedfersehen
17. ELO Kiddies
Length: 81:18

OU Notes: JEMS master recording. This one captures Cheap Trick on a tour between the Budakon and Dream Police albums. They previous a handful of songs here from the upcoming Dream Police album. Typical show by the band for this time period, high energy balls to the wall all out live performance in front of an equally high energy raucous crowd.

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Warren Zevon: Cleveland 1992 (FM) FLAC

by request
Warren Zevon The Wind 1-749992
Great sound from an FM broadcast.

I'll Sleep When I'm Dead
Play It All Night Long
Poor Poor Pitiful Me
[band intros]
Mr. Bad Example
Things To Do In Denver When You're Dead
Roland Chorale/
Roland the Headless Thompson Gunner
First We Take Manhattan [Cohen]
Detox Mansion
Boom Boom Mancini
Excitable Boy
Model Citizen
The Envoy
Jungle Work
Searching for a Heart
That's Amore [Brooks/Warren]
Werewolves of London
Into the Mystic [Morrison]
Lawyers, Guns and Money
Mohammed's Radio

tested ok (files decodable without error).

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Queens of the Stone Age: Denver 2002 (VG++ Aud) FLAC

Photo0383
October 01, 2002
Ogden Theatre
Denver, CO

Source: MBHO KA200n > JK Labs dvc v-12 > Sony PCM-M1
Lineage: DAT(M) > CDR1 > CDR2 > FLAC
Taper: taperBT
Notes: Excellent recording.

Disc I
01 Intro
02 Regular John
03 Quick and to the Pointless
04 You Would Know
05 Sky is Fallin'
06 -banter-
07 Tension Head
08 Tension Head (con't)
09 Monsters in the Parasol
10 Gonna Leave You
11 Hangin' Tree
12 Auto Pilot
13 Song for the Dead
14 Better Living Through Chemistry

Disc II
01 Intro
02 No One Knows
03 Millionaire
04 Millionaire (con't)
05 Go with the Flow
06 Another Love Song
07 Song for the Deaf
08 The Lost Art of Keeping a Secret
09 Feel Good Hit of the Summer
10 Avon
Total Time: 84:07

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Tuesday, October 11, 2011

Faces: London 1970 (FM) FLAC

Publication1
composite of photos found on net - possibly the same gig -by dave@qb
November 19, 1970
Paris Theatre
London, England

Source: FM Broadcast
Lineage: Analog Cassette Master>Cassette>DAT>WAV>FLAC
Mastering Information: DAT converted to Wave optically via a Prodiff 96 digital soundcard into Wavelab. Downsampled from 48kHz to 44.1kHz in Wavelab. Individual Wave tracks created in Wavelab. Wave files converted to FLAC (level 8) using FLAC Frontend.

1. You're My Girl (I Don't Want To Discuss It)
2. Wicked Messenger
3. Devotion
4. It's All Over Now
5. I Feel So Good
34:02

Torrent uploaded to www.thetradersden.org on 4/29/06. Please do not manipulate this recording in any way. Please do not dub to analog tape or convert to MP3 and circulate. If you are to trade this show, or do a blank CDR+postage offer, please list the lineage to keep the generational waters clean! If you would like to re-seed this torrent in the future, please use the exact files contained in the torrent with no file manipulation. This will insure that the FLAC fingerprints and MD5 hashes verify, keeping the integrity of the torrent intact. "A Spider-Web Torrent"

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Jeff Buckley: New York 1993 (FM) + 1990-91 Studio Sessions (FLAC

jeff_buckley
June 6 (Sunday), 1993
New York, Sin-E, 'The Music Faucet', WFMU, New York, USA
Lineage: SBD > FM > ?? > CD(x) > EAC > WAV > Flac (Level 8)

01 Intro 3:59
02 Lilac Wine (Nina Simone) 5:01
03 Lover, You Should’ve Come Over 10:11
Total running time: 19:11

Gentle rolloff to under -70dB by 12kHz, with a spike at 15.7kHz. Taken from 'Radio Days & Demos 1 - Fan-created compilation' Compiled & copy-edited by lovesick alien 2005

OU NOTES: Jeff's solo performance from Sin-E is broadcast live in WFMU's live 'Music Faucet'. The vibe is full of laughter and good mood and Jeff gives two inspired and unique versions of 'Lilac Wine' and 'Lover, You Should’ve Come Over'. The latter turned out to be a pretty much heartfelt nine-minute long version of the song featuring alternate lyrics to the released version - dropping some verses just to refill them with completely new improvisations made up on the scene.

Information from the 'Flowers in Time' database - http://www.flowersintime.org
- Lover, You Should’ve Come Over - (alt. lyrics as performed on June 6, 1993,
New York, Sin-E, 'The Music Faucet', WFMU, NY, USA)

Looking out the door i see the rain fall upon the crowded mornings
Parading in a wake of sad relations as their shoes fill up with water
Maybe i'm too young to keep good love from going wrong
I ain't that lucky
never sleep alone.

It's never over

Every inch of me is full of pain,
Oh, you should've come over
And my broken bones can smeell the rain and I'm aching to be covered
And the rain I want to come down fast like her kisses on my eyes
But it pass me by
And left me try
I'm so dry

Oh lover, you should've come over

Looking down and hungry for her love with no way to feed it
She tonight, child you know how much I need it
Too young to hold on and too old to just break free and run
Too old to run

Oh lover, you should've come over
Oh, and I'll wait, how long will I burn
Oh lover, you should've come over
You should've come...

Lonely is the room, the bed is made, the open window lets the rain in
Burning in the corner is the one who only dreams he had you with him
My body turns and yearns for a sleep that will never come

It's never over, my kingdom for a kiss upon her shoulder
It's never over, all my riches for her smiles when i slept so soft against her
It's never over, all my blood for my laughter...
It's never over, she's the tear that hangs inside my soul forever

Maybe i'm too young to keep some good love from going wrong

Oh, and I'll wait, how long will I burn
Oh lover, you know that you should've come over
Oh, and I'll wait with your return
Oh lover, you should've come over


+++
September, 1990
Los Angeles, Babylon Dungeon Sessions, California, USA

01 Unforgiven (1st mix) 3:17
Unforgiven (2nd mix)
02 Radio 3:29
03 Eternal Life (backing track only) 3:26
04 Strawberry St. (without vocals) 4:40
Total running time: 14:52

SOURCE Lineage: SBD > ? > Tape(x) > CD(x) > EAC > Flac
Hard rolloff at 20kHz to under -90dB. Missing the second mix of 'Unforgiven'.
Taken from a compilation where it was included with the St. Annes Church performances (1991) and the Trash Can Tape demos (1993).
Ripped and FLAC'd by eclect - http://db.etree.org/eclect

NOTES: Jeff Buckley's first studio session.
'Unforgiven' is the initial working title for 'Last Goodbye'. The instruments, lyrics and vocal melody of the song are a bit different.
'Strawberry Street' previously unreleased, originally written in 1988 - happens to be one of the first songs penned by Jeff & the earliest version dates back to his very first recording session 'The Babylon Dungeon Sessions' from Sept '90. Only two known versions exist of this song. The version without vocals from the Babylon Dungeon sessions and the one which was later revisited and recorded in a rehearsal at The Knitting Factory, NY, in May of 1993, with an early try-out combo of bassist Tom Goodkind (of The Washington Squares) and drummer John McNally. That version is included only on the UK release Grace: 10th Anniversary Legacy Edition. It was also released as the flip side to Forget Her on the blue vinyl 7" freebie that came with the last issue of the Grace LP.


+++
August 17 (Saturday), 1991
New York, Krypton Studio, New York, USA

01 Mojo Pin 4:40
02 Grace 4:15
03 Bluebird Blues 9:29
Total running time: 18:24

OU NOTES: Recorded at Krypton Studios. These are Demo's done by a young Jeff Buckley and Gary Lucas. Sometimes dated to September, 1991. Also known as Gods and Monster Demos. Grace has been official released.

SOURCE version 1a
Lineage: SBD > ? > TAPE(x) > ? > CD(x) > EAC > Flac
Gentle rolloff to -75dB by 10kHz, with stepdowns at 17, 17.5, 18.5,19.5kHz, ending below -95dB. No visible broadcast spikes.

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Motorhead: Osaka 1997 (Soundboard?) FLAC

Motorhead 28-5-97 Osaka, Japan 'Titty Twister' front
Soundboard or very good audience record from "The Overnight Sensation Tour"
Venue: Umeda Heat Beat - Osaka, Japan
Date 05.28.1997
Original silver disc/EAC/FLAC

1. Iron Fist
2. Stay Clean
3. Sex And Death
4. Over Your Shoulder
5. Civil War
6. Metropolis
7. I'm So Bad (Baby I Don't Care)
8. The Chase Is Better Than The Catch
9. Burner
10. Overnight Sensation
11. No Class
12. Sacrifice
13. Orgasmatron
14. (We Are) The Road Crew
15. Going To Brazil
16. Ace Of Spades
17. Broken
18. Band Introduction
19. Overkill

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Black Sabbath: Neumarkt 1989 (VG+ Aud) FLAC

Black Sabbath
art by yours truly
1989-09-23
Jurahalle, Neumarkt, Germany
"Phobos Complete Edition": Combined version of 2 incomplete, identical-sounding CDR versions with different tracklistings (both unknown gen audience-sourced)
Excellent sound
Duration: 85:44 min

OU: Maybe some of you remember that I once uploaded here an incomplete, but excellent-sounding CDR-sourced version of this show from Bolandos's collection. Well, recently I found another, identical-sounding version, also incomplete, but actually including the songs that were missing in Bolandos's version. Many thanks to Steve, who I got this from! So I asked my friend Phobos to create a complete version by combining Bolandos's and Steve's versions. And Phobos did it! Many, many thanks to him for creating what I want to call the "Phobos Edition"! Though the audience is a bit loud, this is in my opinion one of the best Sabbath recordings of 1989!
Another small thing: when you listen to the transition between track 201 and 202, it is slightly noticeably that a (very) small part of the recording (no music! - just in-between-song chatter) is missing before Tony Martin shouts "Mob Rules" to introduce the song. However, this was NOT done by Phobos (whose merging together of the show is not noticeable anywhere, as far as my ears can tell). Actually, these few secongs were already missing in both Bolandos's and Steve's incomplete version. The same is true for the fade-out after War Pigs (end of disk 1) and the fade-in before The Shining (start of disk 2): this edit was already present in Bolandos's version (while Steve's version doesn't include War Pigs). Anyway, in my opinion this is very far from disturbing the pleasure of listening to this great recording. ENJOY!

101 Intro
102 Headless Cross
103 Neon Knights
104 Children Of The Sea
105 Guitar Solo
106 Die Young
107 When Death Calls
108 War Pigs
201 The Shining
202 The Mob Rules
203 Black Sabbath
204 Iron Man
205 Children Of The Grave
206 Heaven And Hell
207 Paranoid

Line-up:
Tony Iommi - guitars
Tony Martin - vocals
Neil Murray - bass
Cozy Powell - drums
Geoff Nicholls - keyboards

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I spent a few minutes putting together some art for you -dave@qb.

Big Star: New York 1995 (VG+ Aud) FLAC

L1200143
Tramp's, New York City, November 8, 1995

Source: Sony Stereo Recording Walkman > My hard drive > Cool Edit Pro > WAV > 3 db amplification > FLAC Frontend via Trader's Litttle Helper > FLAC

OU: Big Star's first New York City show in 24 years and I was there! While I did not purposely sit on this show for nearly the past 15 years I have never traded or uploaded it in CDR format before. One of my first recordings, it isn't that bad considering the equipment I used. Standing front and center against the chest high metal barrier between the stage and the crowd I couldn't have found a better spot. The crowd was lively and appreciative despite standing through two other bands, and Alex and the band were in excellent, energetic form. Other than a cut at the on Big Black Car the rest of the show is complete.

Band Lineup:
Alex Chilton
Jody Stephens
John Auer
Ken Stringfellow

In the Street
Patti Girl
Don't Lie to Me
When My Baby's Beside Me
Way Out West
Till The End of the Day
The Ballad of El Goodo
Back of a Car
Big Black car (cuts in)
My Baby just Cares For Me
Feel
September Gurls
Daisy Glaze
For You
Baby Strange
Thank You Friends
Slut
Encore:
Kansas City
Pennsylvania 6-5000

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Monday, October 10, 2011

The Time: Unreleased Album 1989 (Studio) FLAC

The_Time_promo
The Time - Corporate World (A New Approach) 1CD (4DaFunk)
Unreleased The Time album from 1989
OU Notes: Minor flaws and glitches on the already circulating version have been eliminated. My Summertime Thang Part 1 and 2 (or extended portion) have been melted into one track just for the sheer pleasure of envisioning what a 'full item' might have sounded like. With apologies to 'purists', this is out 'new approach' - 4DaFunk
Quality: Soundboard recording

1. Murph Drag
2. Nine Lives
3. Donald Trump (Black Version)
4. Love Machine
5. Data Bank
6. Shake!
7. Corporate World
8. The Latest Fashion
9. Release It
10. My Summertime Thang

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Jimi Hendrix: Berkeley 1970 (X2) Soundboard (FLAC)

2 different bootleg offerings in one download
cover
Jimi Hendrix - Mitch Mitchell - Billy Cox
Saturday, May 30, 1970
Berkeley Community Theatre, Berkeley, CA

Stereo SB > Reel > DAT
Conversion by Casey Bohl: DA-20 > ZA2

Early Show:
01 Intro
02 Fire
XX Johnny B. Goode (removed, on JHE boxed set d4)
04 Hear My Train A Coming
05 Foxy Lady
06 Machine Gun
07 Freedom
08 Red House
09 Message Of Love
10 Ezy Ryder
11 Voodoo Child (Slight Return)*
Total Time = 71:33

Received from an etree ftp server circa 1999 .shn > .wav > CD-R > EAC (Log Files Included) > .flac
for post to http://zombtracker.the-zomb.com by Jw603
per request of ognetty

Part of this text file was from the '99 tree, transcribed by Jw from a print out of the .txt file
It seems the SB tapes were edited and rearranged a bit.
These discs almost matches with
http://db.etree.org/lookup_show.php?shows_key=66139 and
http://db.etree.org/lookup_show.php?shows_key=201740
some tracks missing or out of order.

+++
Venue: Berkeley Community Centre
Date: May 30th 1970 (Early show)
Title: Live At Berkeley
Label: Rock Of Ages
Matrix: ROA 1006

Personnel:
Jimi Hendrix: Guitar/Vocals
Billy Cox: Bass
Mitch Mitchell: Drums

Setlist:
1. Fire
2. Johnny B. Goode
3. Hear My Train A'comin'
4. Foxy Lady
5. Machine Gun
6. Freedom
7. Red House
8. Message to Love
9. Ezy Rider
10. Voodoo Chile (Slight Return)

Review of 2005 release on Radioactive label courtesy of http://hendrix.guide.pagesperso-orange.fr/hendrix2.htm
When MCA put out the 2nd set at Berkeley in 2003, it left us asking "what about the 1st set?" It didn't happen, so Radioactive adopted a bold stance with this release. These recordings have been circulating among traders for some time with top soundboard quality and that is the case here. This is the same mix as the three track CD that was free with the old videocassette "Jimi Plays Berkeley".
Jimi came out that evening looking tough in leather pants and a multicoloured waistcoat to delivered a great set apart from the usual little difficulties with the newer songs. Freedom isn't too bad but seems to suffer from tuning problems and drags in parts as Jimi tries to put across what he was busy putting together in the studio. "Message To Love" gets off to a shakey start but soon pulls together well. "Ezy Ryder" suffers a little from a couple of moments of uncertainty, but it's great to hear it live. Mitch puts in a little drum solo on that one.
On the opening "Fire", we hear Billy Cox sing what used to be Noel's backing vocals. He also tends to overplay his bass lines a little but it comes over well, as does that other Experience showstopper "Foxy Lady".
There are of course the terrific and now legendary versions of "Johnny B. Goode" and "Hear My Train a Comin". Jimi's playing is perhaps his best ever here and this is I feel the best sounding recording there is of him in action. A special effort had been made for the recording, destined for an eventual live album. The two sets were filmed of course and the footage eventually became "Jimi Plays Berkeley".
The set also features excellent performances of "Voodoo Child", "Machine Gun" and "Red House" ("that we've been playing for about 99 000 years" says Jimi).
To make this a single CD release, the superb "Star Spangled Banner"/"Purple Haze" has been left off (if the details I have here are correct). Whatever, this is a great release and it captures Jimi at his best on the last American tour.

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America: Boston 1972 (FM) FLAC

dme01
WBCN-FM Studios
Boston,Mass.
2-12-72

Lineage: Master off air reel (Outboard Dolby) -> Maxell Reel UD35-90 7 1/2" reel (Revox) 7 1/2ips 1/4 track] --> Tascam CD-RW2000 --> EAC --> CDWAV --> FLAC

1. Riverside
2. Sandman
3. Three Roses
4. Living isn't Really Giving

As with all Digital releases, this is for free trade or blank media trade only. Not to be bought or sold. Keep the spirit of trading alive and well. Nothing has been edited out or EQ'd!

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