Friday, October 8, 2010

Jimi Hendrix: Silver Blue To Bloody Red (Vols I and II) FLAC

FRONTFTO
Silver Blue To Bloody Red - Merges 1983 to 1970 (Collector's Disc / 04.12.2005 / 1CDR)
("Merge Experiments" of outtakes 1970; 56:46)
Tracklist:
"1983... (A Merman I Should Turn To Be)" ["Lifelines" & Bootleg source] /
"Bold As Love" ["Sotheby's" & "Barclay Box"] /
"Castles Made Of Sand" [Overlap of "Sotheby's" & "Barclay Box"] /
"Wait Until Tomorrow" ["Sotheby's" & "Barclay Box"] /
"Electric Ladyland" [3 different mixes] /
"Long Hot Summer Night" ["Making of Electric Ladyland" video & Polydor "Electric Ladyland"] /
"Izabella" I [4 bootleg sources] /
"Izabella" II [2 different right channels] /
"Villanova Junction"(Rainbow Bridge Vibratory Color /
Sound Experiment, Haleakala Volcano Crater, Maui, HI 30.07.70) [Sbd & Aud Source] /
"Drifter's Escape" ["Two vocal take" & Studio source] /
"Drifting" ["Low Vocal Mix" & "Electric Lady Mixing Sessions"] /
"Freedom" [3 different mixes & "Electric Lady Mixing Sessions"] /
"Hey Baby (New Rising Sun)" (KB Hallen, Copenhagen 03.09.70) [1st & 4th Source] /
"Straight Ahead" ["Low Vocal Mix" & Several studio mixes] /
"Izabella" III (Fillmore East, New York City, NY 31.12.69 [1st Show]) [Sbd & Aud Source]

Silver Blue To Bloody Red - Vol. 2
This is a roughly chronological collection of some very different mixes, merges and a few songs where Jimi Hendrix allegedly plays guitar as a guest.
1. Hey Joe
Focusing heavily on the Breakaways' harmony vocals and Jimi's lead guitar part.
You can hear for example a low 'E' string ringing from 1:33-1:40 which never sounded clearer.
2. Hey Joe
This rare track was only featured on a 'bonus' CD(Phonogram 5667) that came with the 1993 Johnny Halliday boxset called 'Johnny - Le Livre'.
It allegedly contains Jimi Hendrix on acoustic guitar recorded at London Olympic studios in November 1966.
3. Foxy Lady
This mix only contains Jimi and Noel's vocals, so you can hear them breathing and making noises quite clearly.
4. Are You Experienced
No vocals, and a different overall mix which exposes some guitar and the piano part better.
5. I Dont Live Today
Vocal and lead guitar only - some nice details included.
6. Fire
This has all the guitar to one side and the vocals on the other. Similar to the AYE stereo version, but quite different still.
7. You've Got Me Floating
Version with no vocals, mainly just the band, including Jimi's rhythm guitar part and some backward guitars buried in the mix.
8. Spanish Castle Magic
Focusing heavily on the piano playing (by Jimi!) in the right channel, and with no wild panning during and after the guitar solo.
9. Hear My Train a'Coming
The familiar BBC version with both vocal takes present.
10. Tax Free
The guitar part that sounds like an organ which was created by connecting it to a Leslie speaker is featured heavily in this mix.
11. Bold As Love
This mix features no lead guitar part but it does have both vocal takes plus the harpschicord upfront in the mix near the end.
12. Hey Baby (New Rising Sun)
The BOG version from early 1970, in the same edit later used for Midnight Lightning but without any overdubs.
13. Drifter's Escape
Heavy focus on the drums and lead guitar part.
14. White Nigger
Steve Stills track, outtake for the 'Steve Stills' LP. Allegedly recorded at Olympic Studios in London in march 1970 with guitar overdubs by Jimi Hendrix.
15.16.17 Hear My Train, Hey Baby/Villanova Junction and Freedom
LA Forum 25 april 1970. First date of the 1970 'Cry of Love' tour. Vinyl source on the left, 3rd source on the right.

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Thursday, October 7, 2010

Procol Harum: Hollywood Bowl 1973 (FM) FLAC

with The Los Angeles Philharmonic Orchestra
sten91002-front
Hollywood Bowl 1973-09-21 FM
OU: Here's a great show from Procol Harum recorded at The Hollywood Bowl in 1973. This special show was recorded for King Biscuit Flower Hour and features Procol Harum accompanied by The Los Angeles Philharmonic Orchestra (conducted by Isaiah Jackson), and not to be confused with Edmonton Symphony Orchestra release. This show is sourced from the pre-fm CD, the commercials, announcer, and the officially released track "Simple Sister" have been removed. All Praise go to the Original Seeder, and as always Your Comments Are Appreciated!!!

PROCOL HARUM (with The Los Angeles Philharmonic Orchestra & Roger Wagner Chorale)
The Hollywood Bowl, Hollywood, Ca
September 21, 1973

Gary Brooker - Piano, vocal
Alan Cartwright - Bass
Chris Copping - Organ
Mick Grabham - Guitar
B.J. Wilson - Drums

01) Broken Barricades (2:53)
02) A Christmas Camel (6:03)
03) Toujours l'Amour (3:42)
04) Grand Hotel (6:44)
05) Fires (Which Burnt Brightly) (6:19)
06) A Salty Dog (5:24)
07) Conquistador (4:13)
08) Grand Finale (part-five of In Held 'Twas I) (3:46)
09) TV Ceasar > (5:13)
10) Rule Britannia (1:16)

ORIGINAL SEEDER NOTES: Pre-FM CD > EAC > CDWave > SHN conversion > FLAC.
Most of us who have seen Procol Harum have a special memory or two (feel free to share yours). Mine was at the 1968 Oakland Pop Outdoor Festival where the complete "In Held 'Twas I" suite was played in pouring rain and lightning, or the first time I heard them play "A Salty Dog" live a year later. Both are just unforgettable for me!

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The Wh?: Fillmore East 1969 (Soundboard) FLAC

big011-front
Accept No Substitute
Fillmore East New York, NY 1969-October-22

Disc 1 - 50.54
1 Band Introduction .36
2 Heaven And Hell 4.06
3 I Can't Explain 2.41
4 Fortune Teller 2.47
5 Young Man Blues Intro 1.35
6 Young Man Blues 7.05
7 Tommy Intro 1.45
8 Overture > 5.28
9 It's A Boy > .41
10 1921 > 2.32
11 Amazing Journey > 2.56
12 Sparks 4.38
13 Eyesight To The Blind 1.59
14 Christmas .25 (Fades Out)
15 Listening To You 1.33 (Fades In)
16 Summertime Blues 3.24
17 Shakin' All Over 6.35

Soundboard
Lineage: "Accept No Substitute" (silver disc) > WAV (Exact Rip with xACT) > FLAC (Level 8, xACT) > WAV (FLAC Frontend) > SoundForge v8.0b (Speed Correction, Channel Swapping & Re-Tracking) > SHNTool (SBE's) > FLAC (FLAC Frontend Level 5) > CD-R > EAC > FLAC (8)

Notes that came with this recording:
Please Note: This version has been fixed. Speed Correction, Channel Swapping and Re-Tracking by hntgzr.
Speed Correction: Pitch Shifted by +64.5 Cents, High Accuracy with Anti-Alias Filter.
Channel Swapping: Simple reversal of left and right channels.
Re-Tracking:
* Intro to Young Man Blues separated from end of Fortune Teller.
* Tommy Intro separated from end of Young Man Blues.
* Sparks separated from Amazing Journey.
* Christmas and Listening To You separated from Eyesight To The Blind.
* Christmas faded out to remove an erroneous block of Amazing Journey present
in the track after Christmas and prior to Listening To You.
* Listening To You faded in due to removal of erroneous block of Amazing Journey.
Sector Boundary Errors: corrected where necessary using SHNTool.
No other remastering took place. Shakin' All Over appears to run slower, however
it was played this way intentionally.

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Miles Davis: Studio Sessions & Outtakes 1959 (FLAC)

Featuring John Coltrane, Bill Evans, Cannonball Adderley, Wynton Kelly, Freddie Loader, Paul Chambers & Jimmy Cobb
KOB Sessions - Art
The "Kind of Blue" Studio Sessions & Outtakes (including try-outs)

Tracks 1,2,3 > March 2, 1959 (2:30pm to 5:30pm and 7:00pm to 10:00pm)
Tracks 5,6 > April 22, 1959 (2:30pm to 5:30pm)
Columbia 30th Street Studio, New-York, USA

Traded CDR > EAC > WAV > FLAC

1. Freddie Freeloader Session (13'38)
2. So What Session (12'53)
3. Blue In Green Session (11'13)
4. Flamenco Sketches Session (24'10)
5. All Blues Session (11'53)

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The Wynton Marsalis Quintet: Newport Jazz Festival 2010 (FM) FLAC

with special guest Dave Brubeck
BrubeckWyntonPICT0030
Live at The Care Fusion Newport Jazz Festival
Fort Stage
Newport, Rhode Island USA
2010-08-08
As broadcast live by WBGO-FM, Newark, NJ USA.

Lineage: WBGO-FM > ADCOM GTP-450 Tuner > Edirol R-09HR (44.1/16) > Sony Soundforge 9 > FLAC level 6 aligned on SB
Capture and transfer by beatpop.

01 - Intro (0:32)
02 - Doing Our Thing (14:50)
03 - Blues For Newport (6:23)
04 - These Foolish Things (8:33)
05 - Thank You (5:05)
06 - Take The A Train (6:36)
07 - Happy Birthday to Dave (2:04)
08 - The Razor Rim (20:54)
Total Running Time: 65:00

The Wynton Marsalis Quintet:
Wynton Marsalis - trumpet
Dan Nimmer - piano
Carlos Henriquez - bass
Ali Jackson - drums
Walter Blanding - tenor and soprano saxophones
and
Dave Brubeck - piano

Excerpt of a review from the Providence Journal: The emotional center of the afternoon was the guest appearance of iconic pianist Dave Brubeck with Wynton Marsalis’ group. Marsalis brought Brubeck (who was given a hero’s welcome when he arrived at the Fort) to the stage, introducing him as “more than a legend.” Brubeck and the group then did a swinging version of Brubeck’s “Blues for Newport,” followed by a tender duet between the two stars on “These Foolish Things.” Then Brubeck
rolled back a few decades with a powerful, fleet reading of his Chopin-based “Thank You,” then finishing his appearance with “Take The A Train.”

NOTE: long file name - may need to be extracted to C: Drive then moved

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Tower of Power: Live at The Record Plant 1973 (FM) FLAC

towerofpower73
Sausalito, CA 73-06-03 FM

OU: There is no funkier horn band on the planet than Tower of Power, and this show recorded live at The Record Plant in 1973 is just a little proof. The members of T.O.P. have changed over 4 decades of the band, and that often involved their Lead Vocalist. This show features one of their best in Lenny Williams, along with Tower of Power co-founders Emilio Castillo & Stephen 'Doc' Kupka, Trumpeter Greg Adams, Saxman Lenny Picket, drummer David Garibaldi, and the baddest Organist on the west coast Ches-taa Thompson. I feel lucky to have seen them around the time of this recording, and the band was finally geting airplay in the summer of '73 with "So Very Hard To Go" and "What Is Hip?". This re-seed originates from an FM Broadcast and was cleaned up by the original seeder. Although the source has limitations, this show still sounds strong!

01) Squib Cakes (instrumental) (8:24)
02) What Is Hip? (6:15)
03) Both Sorry Over Nothin' > (4:47)
04) > Down To The Nightclub (Bump City) (2:30)
05) You're Still A Young Man (5:25)
06) Soul Vaccination (5:17)
07) Clean Slate (5:24)
08) So Very Hard To Go (4:15)
09) Tom Donahue Pacific Stereo Crew Intro (1:51)
10) Knock Yourself Out (12:21)
11) Tom Donahue Outro (0:38)

Original Notes: Noise reduction performed with Pristine Sounds 2000 Click/Pop removal performed with Adobe Audition.
KSAN FM 95.5 > ? > CDR > cdparanoia > FLAC

Jazamo September 2010 notes: Original FLAC > Check sector boundries / encoding > Flac > trader's little helper

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Wednesday, October 6, 2010

Pink Floyd: Cuyahoga Falls 1973 (VG- Aud) FLAC

1973-06-24 InBlossom_f
date/venue: 1973 June 24  - Blossom Music Center, Cuyahoga Falls, Ohio
source: audience /  cass[?]>wav>EQ/speedcorrection>shn
tot length: 31:06
overall: VG-

01. Obscured By Clouds / When You´re In [6:15]
02. Speak To Me [4:47]
03. Breathe [2:51]
04. On The Run [5:23]
05. Time / Breathe (Reprise) [6:33]
06. The Great Gig In The Sky [5:15]

OU notes: Incomplete recording, I compared this with all the others audience-english-speaking dates and does not coincide with any of them so this should be the genuine recording for this date. If checking it you find this to be not from this date but from another known one, just report it.
Sound quality is not very good unfortunately, VG- at most. This is a raw rip from unknown gen fan tape, I did re-equalized it a bit + speedcorrection / no NR or artifacts were applied.

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Muddy Waters: Greenvale 1977 (Soundboard) FLAC

scan0001
10/18/77
CW Post University
Greenvale, NY
Source: SBD>?>DAT

Conversion : DAT @ 48k -> HT OMega 7.1 Soundcard (Optical Inputs)>WAV (48)> Syntillium Cool Edit Downsample to 44.1 WAV>CD WAV (Track Split)>FLAC
Notes: The questioned intermediate source was probably a master cassette or a master reel

1 Junior Shuffle
2 Floyd's Guitar Blues
3 Instrumental
4 Chicken Shack > Muddy intro
5 Hoochie Coochie Man
6 Baby Please Don't Go
7 Kansas City
8 Caldonia
09 Everything Gonna Be Allright
10 Got My Mojo Working + Got My Mojo Working encore + Hold It

MUDDY WATERS, guitar & vocals
PINETOP PERKINS, piano & vocals on 8 and 9
JERRY PORTNOY, harmonica
LUTHER 'Guitar Jr.' JOHNSON, guitar
BOB MARGOLIN, guitar
CALVIN JONES, bass
WILLIE 'Big Eyes' SMITH, drums

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Merl Saunders: Bryn Mawr 1979 (Soundboard) FLAC

interview10
1979-11-13
The Main Point Bryn Mawr PA

Recording Info: SBD -> Teac A450 -> Master TDK cassettes ->Nak BX-300 (Dolby off) > Turtle Beach Santa Cruz > CoolEdit 2000 > Wav > Flac-> Michael Young's cds > EAC Secure Mode-> WAV > FLAC Level 8
Taper: Michael Young Transfered by: Jay Scarano

D1T01. Tellin My Friends About You
D1T02. Dear Prudence
D1T03. Band Intro > Dance With Me
D1T04. The Jealous Kind
D1T05. ? //
D1T06. Is The Grass Any Greener On The Other Side?
D1T07. ?
D1T08. Band Intro > Another Star
D2T01. It's Not Fair
D2T02. Expressway To Your Heart
D2T03. ?
D2T04. Harder They Come
D2T05. Love Game
D2T06. Problems
D2T07. Ain't Givin Up
D2T08. After Midnight
D2T09. Let's Go Get Stoned > Johnny B. Goode

Andre Goosland - Guitar
Tony Saunders - Bass
Jay David - Drums
Pamela Rose - Vocals

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Miles Davis: San Francisco 1970 (Soundbaord) FLAC

Fillmorecvr
April 12, 1970
Fillmore West Auditorium
San Francisco, CA

Track List (74:20):
1. It's About That Time - 10:38
2. Directions - 11:58
3. I Fall in Love Too Easily - 1:46
4. Sanctuary - 3:46
5. Footprints - 10:23
6. Agitation - 1:46
7. No Blues - 7:40
8. Bitches Brew - 14:20
9. Spanish Key - 11:11
10. The Theme - 0:46

Source: Soundboard
Lineage: SBD >? >DAT @ 48 kHz >.wav via S/PDIF and M-Audio Audiophile 2496 digital soundcard >SoundForge 6.0 >CD Wave > FLAC Frontend (level 8, SBE OK)
Technical Note: During the transfer from DAT to hard drive the source DAT snapped. The portion remaining after the break was then copied to hard drive and 1:58 from the Miles Trees source was spliced in to complete the recording. Channels were swapped and pitch adjusted on the Miles Trees portion to minimize differences in acoustic character.

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Snooks Eaglin: New Orleans 1996 (FM) FLAC

with George Porter Jr.
SnooksEaglin2006
WWOZ-FM studio
Spring 1996 fund drive
New Orleans, La.
March 13, 1996

OU Notes: This is edited down from the original 3-hour broadcast. Commercial recordings and most fund-raising chatter were edited out. These are all of the songs that were performed live in the studio that were included on the original cassette recording (which may have been somewhat incomplete).
with George Porter Jr. on bass, tracks 15-25
Source: WWOZ-FM > boombox > PD's cassette (further recording details unknown)
Transfer to DAT (circa fall 1999): master cassette > Nakamichi CR-7A (playback head azimuth optimized, no Dolby on playback) > Tascam DA-P1 (44.1kHz, coax spdif) > Digidesign Audiomedia III card > Macintosh G3/300 > Bias Peak 2.5.2 (trimmed, see editing notes below) > Tascam DA-P1 > DAT
Transfer to flac (August 2010): DAT > Sony PCM-R500 > (coax spdif) > Metric Halo MIO-2882 firewire interface > Macintosh MacMini (2.53 GHz Intel Core 2 Duo) > MIO Console 5.2.00.153 (record panel) > (44.1kHz, 16-bit split stereo/dual mono files) > firewire hard drive > MacBook Pro (2.5 GHz Intel Core 2 Duo) > Bias Peak Pro 6.2.0.21692 (trimmed, normalized by 3 db) > aiff/wav > xACT v1.71 (sector boundaries checked and repaired) > flac
Notes (from '99 transfer): Only the left channel was recorded - on the master cassette, the right channel was blank. The left channel was cloned to create a 2-channel mono recording.
This recording played far too slowly. Speed was corrected, increased about 3.47%. (This was determined by taking a studio recording that was on the tape and comparing it to the same song that I had on CD and then calculating the correct speed.)
No Dolby use was indicated on the cassette, so it was not used on playback. No noise reduction was attempted, so there is some tape hiss.

1 intro 2:03
2 That Lucky Old Sun 4:08
3 Drive Her Home 7:09
4 Porter's pledge > song 5:13
5 Lipstick Traces 3:44
6 Apache 4:00
7 568-1234 1:18
8 You're So Fine 4:40
9 Happy Birthday, Terence Blanchard 0:51
10 talk 2:05
11 Funky Malaguena 5:05
12 Country Boy 3:08
13 My Babe 2:43
14 Ling Ting Tong 2:21
15 George Porter intro 1:43
16 Show Me the Way (cut in middle) 3:07
17 Shake Rattle & Roll 3:00
18 Drop the Bomb 2:22
19 568-1234 2:18
20 Talk to Me 5:01
21 Lillie Mae 3:26
22 Yours Truly 2:48
23 George talks about his favorite Snooks 1:16
24 St James Infirmary 3:47
25 Dizzy Miss Lizzy 2:07
79:34

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James Brown: Soul Train Sessions '73-'77 FLAC

5550grabbed-frame-3
Soul Train Sessions '73-'77
Liberated Boot
"On 360 Blackophonicsound"
Mastered From Video:
Crackling inherent to original master

01. J.B.'s Melody
02. Cold Sweat ( missing )
03. Papa's Got A Brand New Bag
04. The Payback
05. Hell (w/ Lynn Collins)
06. Try Me
07. Papa Don't Take No Mess
08. Get On The Good Foot
09. Cold Sweat
10. Try Me
11. James Intro
12. Hot Pants
13. Sex Machine
14. Please, Please, Please

This is just the Soultrain part of this boot.
I took out Cold Sweat pt. 1.
It was released by SoulTrain apperantly...
The Soultrain sessions was followed by Boston '68.
Not perfect sound quality... but all the same worthwhile!

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Tuesday, October 5, 2010

I Need Some Feedback

Help20key_0D6967349B20F
I am experiencing trouble with Rapidshare (a LOT of it). I can upload without problem but I cannot log into my accounts!
I have just about had it with them.

A need a vote here.
I will stick with Megaupload but I would appreciate your opinion as to which other host I should use. I have a leaning myself but I want to see if you confirm it with your comments.

The Faces: Providence 1975 (Dan Lampinski Aud Master) FLAC

now with rapidshare links too
The Faces 1975-02-25 Providence, RI-fr
Providence Civic Center
Providence, RI
25 February 1975
Master audience recording taped by Dan Lampinski

CD1
01 The Stripper/Memphis
02 It's All Over Now
03 Take A Look At The Guy
04 (I Know) I'm Losing You
05 Drum Solo
06 (I Know) I'm Losing You (conclusion)
07 Bring It On Home To Me/You Send Me
08 Sweet Little Rock And Roller
09 I'd Rather Go Blind
10 Too Bad
11 Every Picture Tells A Story

CD2
01 Angel
02 Stay With Me
03 Guitar Solo
04 Gasoline Alley
05 Stay With Me (ending)
06 I Can Feel The Fire
07 You Wear It Well
08 Maggie May
09 Twistin' The Night Away
10 E: Twistin' The Night Away (Reprise)

Dropouts in this recording are also in the master cassette.
Blue Oyster Cult and The Strawbs opened
Sony TC-152SD Tape Recorder
Sony ECM-99 Stereo Microphone
Maxell cassettes
Mastered and FLAC'ed by Carl Morstadt

Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger
No EQ'ing.

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Pink Floyd: Boston 1977 (VG Aud) FLAC

pinkfl-boredom
BOREDOM AND PAIN(2CD)
Live at Boston Gardens, Boston, Massachusetts, USA 27th June 1977

Another fine recent release from God Father Records

Disc 1
1. Sheep
2. Pigs On The Wing 1
3. Dogs
4. Pigs On The Wing 2
5. Pigs(Three Different Ones)

Disc 2
1. Shine On You Crazy Diamond Part 1-5
2. Welcome To The Machine
3. Have A Cigar
4. Wish You Were Here
5. Shine On You Crazy Diamond Part 6-9
6. Money
7. Us And Them

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Michael Been (The Call): Demos 1999 (Studio) FLAC

Michael Been - Demos 97 fr
Michael Been - Demos 1999 + Call live 1989
Demos

01 All You Hold On To
02 Compromise
03 I Musta Been Out Of My Mind
04 Think It Over
05 Torture
06 When I was Young
07 America
08 My Love
09 What Are You Made Of
10 New Man
11 I'm Alone But I'm Alive

Guitars- Bruce Cockburn
Drums- Jim Keltner
Vocals/guitars/bass- Michael Been

The Call
Some live tracks from the soundboard from their 1989 tour, date and locations unknown
12 I Don't Wanna
13 You Were There
14 Even Now
15 What's Happened To You
16 Oklahoma
17 You Run

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Coldplay: Chicago 2002 (FM) FLAC

coldplay-a-rush-of-blood-to-the-head_1024x768 copy
DirecTV FreeView, Vic Theater, Chicago, IL
August 2nd, 2002
DirecTV->SB Live->HD->CD-R

01. Politik
02. God Put A Smile On Your Face
03. Trouble
04. Daylight
05. Clocks
06. Spies
07. Yellow
08. In My Place
09. Shiver
10. The Scientist

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Neil Young with Crazy Horse: Hoffman Estates 1987 (VG+ Aud) FLAC

cover
Poplar Music Theater, Hoffman Estates, Illinois, USA,
August 18,1987
OU: This show was just uploaded 9on another torrent site), but this version come from a different source and far best sound quality (DT master) wich I have transfered from analog 1st generation on DAT 3 years ago with my old equipment (DAT PIONEER that was sent to repair and never returned again). Enclosed the art covers by AV
Enjoy

01. My My, Hey Hey (Out Of The Blue)
02. Revolution Blues
03. The Old Laughing Lady
04. Nowadays Clancy Can't Even Sing
05. For The Turnstiles
06. Someday
07. The Needle And The Damage Done
08. Sugar Mountain
09. Don't Take Your Love Away From Me
10. Welcome To The Big Room
11. Mr. Soul
12. Cinnamon Girl
13. Prisoners Of Rock 'n' Roll
14. Down By The River
15. Name Of Love
16. Mideast Vacation
17. Long Walk Home
18. Powderfinger
19. Like A Hurricane
20. Tonight's The Night

Band
Neil Young - vocals, guitar, piano, guitjo, harmonica
Frank Sampedro - guitar, keyboards
Billy Talbot - bass, vocals
Ralph Molina - drums, vocals
Ben Keith - alto saxophone
Larry Cragg - baritone saxophone

Transfered by A.V.
Date of Transfer = 2007
Lineage: A1-D
Master: D.T.
Transfer : DAT PIONEER>Optical cable>EXTIGY External soundcard>USB>PC>COOL EDIT (16 bit 44.1 khz), Equalization - Pitch Adjusted - Volume level of both channel -
Fade in & out - CD WAVE (tracks split)> >FLAC (Level 6) aligned at sector boundaries + Fingerprint & Md5

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Anderson Bruford Wakeman and Howe: Koln 1989 (VG++ Aud) FLAC

ABWHMilanFront
Koln, Sporthalle
November 11, 1989

01 Young Persons Guide To The Orchestra
02 Time And A Word/Owner Of A Lonely Heart/Teakbois
03 Clap
04 Mood For A Day
05 Rick Wakeman Solo
06 Long Distance Runaround / Bill Bruford Solo
07 Birthright
08 And You And I
09 I've Seen All Good People
10 Close To The Edge
11 Themes
12 Tony Levin / Bill Bruford Duet
13 Brother Of Mine
14 The Meeting
15 Heart Of The Sunrise
16 Order Of The Universe
17 Roundabout
18 Starship Trooper
19 Sweet Dreams
TT 164:41

LDB Special Series #242
Lineage: Unknown Recording Device > 1st generation tape > Aiwa Tape Deck TC-WE475 > Creative Audigy SE > HD >
SoundForge 7.0 > CD Wave > FLAC Frontend (level 6)

Jon Anderson (Vocals, Guitar)
Bill Bruford (Drums)
Steve Howe (Guitars)
Rick Wakeman (Keyboards)
Julian Colbeck (Keyboards)
Tony Levin (Bass, Chapman Stick)
Milton Mcdonald (Guitars)

OU: I have lots of shows from the European ABWH tour and most of them are from 1st generation and sound really good. No surprise: I traded them in the months following the tour and they mostly came from tapers themselves. I taped the band in Milano as well.
This is one of them, somewhere in the middle of tour tour. The band by then has reached its peak. Extra-long set including Sweet Dreams as encore and an extremely pleasant choise of songs. A great Yes tour.
Enjoy that one for the moment. -ldb

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Monday, October 4, 2010

Blue Öyster Cult: Providence 1975 (Dan Lampinski Aud Master) FLAC

BOC 1975-02-25-fr
Providence Civic Center
Providence, RI
25 February 1975
Master audience recording taped by Dan Lampinski

01 Stairway to the Stars
02 Harvester Of Eyes
03 Flaming Telepaths
04 Astronomy
05 Hot Rails To Hell
06 Cities On Flame
07 Buck's Boogie
08 drums
09 Buck's Boogie
10 Me262 (5 guitars)

Opening for The Faces
Dropouts in this recording are also in the master cassette.

Sony TC-152SD Tape Recorder
Sony ECM-99 Stereo Microphone
Maxell cassettes
Mastered and FLAC'ed by Carl Morstadt

Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger
No EQ'ing.

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The Faces (Lampinski) will be up tomorrow!

Mark Knopfler: London 1996 (Ex- Aud) FLAC

Front
1996-05-24 - Royal Albert Hall, London, U.K., 1996-05-24*
* note: please see the letters at the foot of the setlist for some other added venue, dates and extra's
Quality 5+ , scale (1-6)

CD 1
01 Darling pretty
02 Walk of life
03 Imelda
04 The bug
05 Rüdiger
06 Je suis désolé
07 Calling Elvis
08 I'm the fool
09 Last exit to Brooklyn
10 Romeo and Juliet
11 Sultans of swing

CD 2
01 Done with Bonaparte
02 Water of love ( the "'96 new version")
03 A love idea
04 Vic and Ray
05 Father and son
06 Golden heart
07 Cannibals
08 Telegraph road
09 Brothers in arms
10 Money for nothing

CD 3
01 No can do [A]
02 Are we in trouble now
03 Going home
BONUS:
04 You really got me [B]
05 Hawaiian lullaby [B]
06 Hawaiian lullaby 1 [C]
07 Hawaiian lullaby 2 [C]
[A] Shepherd's Bush Empire - London UK - 25th May 1996
BONUS:
[B] Circus Krone - Munich Germany - 26th June 1996
[C] Circus Krone - Munich Germany - 24th June 1996

**Notice: the bonus tracks are having a less sound quality, but still very nice to have!!(Enlight)

J.V.Tol additional Comments: Excellent audience recording; the best of the London 1996 RAH "Golden Heart" concerts. Great versions of a lot of songs!! some rare songs like "Vic and Ray" and "Are we in trouble now".
Electra Strings joining the band on some songs
special guest Gillian Welch and Dave Rawlings on "Water of love". ( the "'96 new version")
Also included a bonus song from other concerts; "No can do" from the day after this concert, "You really got me" played by Jim Cox on accordion from Münich same year, and three different versions of "Hawaiian lullaby".
One live version and two different pre-recorded tape versions that was played also in Münich.

Tripod (ds-trade) Comments:
Absolutely perfect audience recording! This is without any doubt the best audience recording I've ever heard. The sound quality is so good that you might think it's a soundboard recording.
The concert is great as well (as always), with some rather rare songs like Vic and Ray and Are We In Trouble Now.
The extra tracks from Munich and London are very nice too, with three versions of Hawaiian Lullaby and a short piece of You Really Got Me, played by Jim Cox on his "Rock Accordion".
This is a must have recording.

Knopflerlive-comment: Great show, great guitarplaying, great quality!!!
Excellent Darling Pretty, ImeldaThe Bug, Sultans of Swing. David Rawlings and an unkown woman (which was a support of this MK show) joined the band on Water of Love (anyway, wonderful performance of this song, she sings as a backing vocal)
.............. WOW I cannot tell what i feel when I listen to this recording. I have just nothing to say more. It's perfect.
Rare songs, EXTREMELY GREAT PERFORMANCES.
Just clear perfection.
It's the best bootleg from Golden Heart tour and one of my best bootlegs ever.

Art , flaclog . and MD5 included
Take Care and Enjoy

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Captain Beefheart: Kansas City 1974 (Soundboard) shn

captain beefheart dbl cover
Cowtown Ballroom, Kansas City
4/22/74
Soundboard

01 Mirror Man
02 Upon the My Oh My
03 Crazy Little Thing
04 Full Moon, Hot Sun
05 Sugar Bowl
06 This Is The Day
07 Keep On Rubbing/It's Mighty Crazy (Lightnin' Slim)
08 Be Your Dog
09 Sweet Georgia Brown
10 Abba Zaba
11 Peaches 1
12 Peaches 2

From Home Page Replica Website - www.shiningsilence.com
Cover says "Source: Recorded at Cowtown, Kansas City, April 22 1974 - A rare early FM broadcast" - this was a QUAD broadcast of the Missouri concert. Sound is pretty good stereo. Performance, like all the 1974 tour with the Buckwheat backing band, is not great but Beefheart's singing and apparent good mood compensate for that. Features a blues jam with "Keep On Rubbing" and "Be Your Dog". Over an hour long at 64:53.
From Captain Beefheart Timeline - http://www.beefheart.de/index.html
Magic Band #29: Tragic Live Band
Unconditionally Guaranteed Promo Tour

Don Van Vliet: Five days before the tour - a tour all over the world, starting in America - they just dropped me. It was terrible, awful; I learned them the music note by note at the time, and just before such a big tour they cut the collaboration because they think they are essential. I like this new band very much. these guys already could play from the start, that's important.
[Bert Jansen: THE CAPTAIN! Captain Beefheart: Magie Voor Eenzamen Of Voor Het Volk? OOR, June 19, 1974]
Barry Alfonso: Scrambling to put a group together in time for a tour only a few weeks away, DiMartino hired a lounge-circuit rock combo down in Hollywood to be an ersatz Magic Band. Among these musicians was keyboardist Michael Smotherman, who, like his bandmates, had little or no idea who Captain Beefheart was. "Talk about worlds colliding," he remembers. "We started practicing these songs of Don's, things like Big Eyed Beans From Venus, and they seemed totally alien, totally foreign to our ways of thinking. At the time, we were all guys in leather jackets and tight jeans, and we treated Don with this slightly patronizing attitude. He was, like, this old kook to us. We truly didn't know shit."
Somehow, Beefheart managed to teach these musicians his songs, and they toured together in Europe and the U.S. into the fall of '74.
[The Dust Blows Forward booklet]

Magic Band #29: "Tragic Live Band"
* Captain Beefheart Don Van Vliet vocals, harmonica, saxophone, clarinet
* Fuzzy Fuscaldo guitar
* Ty Grimes drums
* Del Simmons tenor saxophone, flute
* Dean Smith guitar
* Michael Smotherman keyboards
* Paul Uhrig bass

Roger Ames: So there's a New Magic Band with a keyboard player from Buckwheat, a drummer from Ricky Nelson's band (Ty Grimes), a bass player from Bobbie Gentry's old band (Paul Uhrig), and a throwback sax player who led his own band in Dixieland days. Dean Smith is on lead, Fuzzy Fuscaldo on rhythm.
[Roger Ames: CaptainBeefheart. People Weekly. September 1974]
Steve Lake: These people being 54-year-old ex-Charlie Parker clarinet and-all-other-reeds-man Del Simmons, guitarist Dean Smith and Fuzzy Fuscaldo (the latter recently with Curtis Mayfield), keyboard player Michael Smotherman from the now defunct Buckweat, bassist Paul Uhrig from Bobbie Gentry's group (!), and drummer Ty Grimes, fresh from Rick Nelson's Stone Canyon Band. Impeccable enough credentials for the average Los Angeles session, one imagines, but hardly the boys to get to grips with Big Eyed Beans From Venus or Ah Feel Like Ahcid.
[Steve Lake: Music is A Poor Second Every Time. Melody Maker. June 1974]

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Toto: Ringe 1991 (Soundboard) FLAC

up1024
Venue: Midtfyns Festival, Ringe, Denmark
Date: 27 Jun 1991
Taper: Unknown
Source: Soundboard
Transfer: CD-R from trade > EAC > FLAC Level 8 > you
Sound Quality: A-
Disc 1
1 On The Run
2 Stop Loving You
3 I’ll Be Over You
4 Child’s Anthem
5 Africa
6 Kingdom Of Desire
7 Jake To The Bone

Disc 2
1 Red House (fade in)
2 Girl Goodbye
3 Band Introduction
4 Rosanna
5 audience
6 Hold The Line
7 I Want To Take You Higher

Steve Lukather - Guitars & Vocals
David Paich - Keyboards & Vocals
Mike Porcaro - Bass
Jeff Porcaro - Drums (RIP, you was the best)
Chris Trujillo - Percussion
John Jessel - Keyboards & Vocals
Fred White - Vocals
Jenny Douglas - Vocals
Jackie McGhee - Vocals

OU Notes: Great soundboard from Music Festival Tour. Since I got this in a trade I dont have any info about lineage, taping equipment etc.
Enjoy the music!!

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Boomtown Rats: Newcastle City Hall 1979 (FM) FLAC

with a three piece Brass section.
3860692442_6e611ce827_o
Oct 2/3/1979
Newcastle City Hall UK
F.M.Radio Broadcast.
56 Minutes.
Quality A

Bob Geldof – vocals.
Pete Briquette – bass, vocals
Gerry Cott – guitar
Johnnie Fingers – keyboards, vocals
Simon Crowe – drums, vocals
Garry Roberts – guitar, vocals

Tracks (help me out Rat fans)
1.Close As You'll Ever Be
2.Like Clockwork
3,Charmed Lives
4.House On Fire
5.Nothing Happened Today
6.I Don't Like Mondays
7.Joey's On The Street Again
8.Having My Picture Taken
9.Ratrap
10.Someone's Looking At You
11.Once Or Twice

Lineage>Radio Broadcast>Master Cassette TDK SA-C90>
Sony C.D.Recorder RCD-W100>EAC>WAV>FLAC

OU: I wouldn't say i'm a big Rats fan,my mate was.We saw them at the very same venue.It may have been the previous year,a great live band though. And around this
time they were at the top of their game. Appearing on television and radio every other week. Apologies for any mistakes on the setlist.

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Jethro Tull: Münster 1973 (VG+ Aud) FLAC

contains the entire album Thick As a Brick
Munster Front
1973-03-08 Münster (Trap 06) "Tull Felsen der Munsters" - Master aud - Münster, Germany

This is a very impressive, energetic full-length Thick-as-a-Brick performance of Tull and the whole rest of the show, part of the second german leg of the TAAB tour after Jethro Tull had already toured with A Passion Play in the States before . There are a few other complete and very good to excellent recordings of full TAAB this being one of them.

Type: audience mono
Venue: Halle Münsterland, Münster, Germany

Lineage of recording: magnetic micro > BASF-Tape-Recorder CC-9200 > Karstadt-Cassette C-90 “HiFi Low Noise”
Master tapes > NAD Deck 602 > azimuth alignement (each side > Soundcard /Audacity 1.3 Beta (stereo, 32 bit, 44100 Hz) > wav > flac8 (dBpoweramp)
SQ: Very good, a bit far from the stage, full dynamics in the music, a little bit hiss in the quiet parts

OU: I was lucky to see and record this great show, when I was 17 year old, and it was one of my first recordings of not so many live shows. I can't contribute any details of the show - all forgotten. But these tapes have always been a treasure for me, never played for most of the years and first digitized in 2003 - but without azimuth! Azimuth alignement done for every side of the tapes.

DISC 1: Total Time: 76:19 - complete "Thick As A Brick" (totally netto 73:35)
1 Thick As A Brick pt.1 4:47
2 Thick As A Brick pt.2 2:44
3 Thick As A Brick pt.3 6:53
4 Thick As A Brick pt.4 2:03
5 Organ Solo 5:26
6 Thick As A Brick pt.5 2:59
7 Flute Solo (incl. Quartet/God Rest Ye Merry Gentlemen/Bourée) 9:09
8 Thick As A Brick pt.5 contd. 1:37
9 Thick As A Brick pt.6 9:07 (tape flip 1 @ 8:53)
10 Six O' Clock News 6:02
11 Thick As A Brick pt.7 2:19
12 Drum Solo 13:24
13 Thick As A Brick pt.8 2:17
14 218 Babies And A Cat 0:50
15 Thick As A Brick pt.9 3:58
16 Thick As A Brick pt.10 2:36

DISC 2: Total Time: 52:10
1 intro cross-eyed mary 1:18
2 Cross-Eyed Mary 3:20
3 Left/Right 3:25
4 Audition 2:31
5 Aqualung 7:16 (tape flip 2 @ 0:05 - patched)
6 encore 1:11
7 intro wind-up 1:03
8 Wind-Up 2:18
9 Rehearsal 6:15
10 No Rehearsal 2:36
11 Guitar Solo 8:46
12 Locomotive Breath 6:10
13 Hard-Headed English General 3:23
14 Wind-Up Reprise 2:27
total running time: 2:08:29

Line-Up:
IAN ANDERSON: vocals, flute, guitar
MARTIN BARRE: Guitar
JEFFREY HAMMOND-HAMMOND: bass
JOHN EVANS: keyboards, organ
BARRIEMORE BARLOW: drums

Trade/share freely, do not sell -enjoy!!!

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Sunday, October 3, 2010

Siouxsie and the Banshees: Lausanne 1988 (FM) FLAC

siouxsie1
Venue: ???
City: Lausanne/Switzerland
Name of Festival: Hot-Point Festival
Date: 3rd September 1988

Lineage: Analog Cable Radio: Couleur 3 (Swiss National Radio, French Speaking)
Tape: Master, Maxell UD I/Type 1/normal
Tape deck: Technics RS-B505 (noise reduction/dolby: off)
Cable: Profigold (Bandridge)
Audacity 1.2.6, No adjustments made (44'100 Hz, 16-bit, Stereo, CDDA 75 fps, Snap to: on) WAV - Flac Level 8 (Traders Little Helper)
- Attendance: 12'000 Persons
- The female DJ is talking in between songs and also during the beginning of songs!
Total Running Time: 46:15

- Green fingers (missing)
- The killing jar (missing)
- A promise (missing)
- Turn to stone (missing)
01. Wheels on fire (beginning missing) 3:58
02. Something blue 3:36
03. Scarecrow 4:58
04. Rawhead and bloodybones 2:17
05. Carousel 3:59
06. Nightshift 6:37
07. Red light 4:11
08. Peek a boo 3:26
09. Christine 3:13
10. Cities in dust 4:52
11. Burn up 4:25
12. Skin (only the beginning) 0:43
- Rhapsody (missing)
- Dear prudence (missing)
- Trust in me (missing)
- Spellbound (missing)

This is intended for free trade only. Do not buy or sell !

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Dixie Dregs: Tucson 1978 (Pre-FM) FLAC

Dregs-Booklet Front
Lee Furr's Recording Studio
May 30, 1978
Tucson, AZ.
Live on KWFM 92.9

Lineage: Partial track 1 & Track 9 = FM > unknown cassette generation > WAV > Flac
Partial track 1 & all others = 7-1/2 IPS, 2 Track Pre-FM Master > Beta II Hi-Fi Stereo > WAV > Flac

Disc 1
1. DJ Intro > Free Fall
2. Moe Down
3. Refried Funky Chicken
4. Night Meets Light
5. The Wabash
6. Travel Tunes
7. Wages of Weirdness
8. Northern Lights

Disc 2
1. Punk Sandwich
2. The Odyssey
3. DJ Intro > Take It Off the Top
4. Country House Shuffle
5. Ice Cakes
6. What If
7. Gina Lola Breakdown
8. Cruise Control
9. DJ Outro & Interview

Includes Artwork

Line Up:
Steve Morse - Guitar
Andy West - Bass
Rod Morgenstern - Drums
Allen Sloan - Violin
Mark Parrish - Keyboards

OU: Many Dregs collectors have had this show for years of mostly unknown lineage. I was always frustrated with the quality I would run across in the tape trading circles back in the day.
Living in Tucson and knowing folks in the recording industry, I went on a hunt. I knew someone had to have a master cassette from the FM broadcast or maybe a pre-FM master.
I contacted some folks who worked for KWFM, Lee Furr, the owner of the studio and various engineers who worked there, spending months making phone calls and following up on any lead I could find. Many were dead ends.
When one day, making a phone call to an engineer who worked at Lee's studio and was now working for the local PBS affiliate I explained what I was looking for and if he might have a lead. Wow he said, I have the tape right here!
I offered to buy him lunch at a restaurant of his choice if he would let me borrow the tape for a few days.
I dropped by his office and picked up the reel and quickly transferred it to the only decks I had available at the time which was two Sony beta Hi-Fi VCR's and one VHS Hi-Fi VCR.
The first song on the master reel was cut and did not contain the interview that as I recall was played in the middle of the live FM performance. I used the first 33 seconds from my best FM cassette source and spliced it into the master reel version. I also used the FM Cassette source for the interview.
So sit back and enjoy this absolutly stunningly clear version of the Dixie Dregs first Tucson Show!

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Saturday, October 2, 2010

Bob Dylan: BBC 1965 (Broadcast) FLAC

bob_dylan

BBC Broadcasts June 1st 1965 (New Uncirculated Tape - Incomplete) Excellent Quality

Bob Dylan
BBC Studios
London England
June 1st 1965

OU: This is the best recording I have heard of this show. All Details of Lineage are below as sent to me. All I have done is separate the FLAC files into tracks with Soundforge PRO 10b

First Broadcast: June 26th 1965
01. Ballad Of Hollis Brown
02. Mr Tambourine Man
missing
03. If You Gotta Go, Go Now
missing
04. It Ain't Me Babe

Second Broadcast: June 19th 1965
05. Love Minus Zero/No Limit
06. One Too Many Mornings
07. Boots Of Spanish Leather
08. It's Alright Ma (I'm Only Bleeding)
09. She Belongs To Me
10. It's All Over Now, Baby Blue

Supplier's Comments: taped with a Mic in front of the TV set onto a Grundig TK20 at three and three-quarters (half track). Programme Two is at a slightly lower audio level than Programme One, but the tape has not been processed in any way by the cool edit that digitised the recording.
I did copy the tape on to an Mini-Disc at one point, but I am fairly sure that the files I am passing to you today were made direct from the spool.
I've always found the sound of this tape more suited to my ear than any of the other recordings I've heard, but maybe that's because I've played the tape a million times.
Now the bad news:
Back in the late sixties I never thought of history, posterity or that radio and tv was anything but ephemeral.
In my time I have made a few errors of judgment and in retrospect allowing a razor happy youth to take an editing blade to this tape to remove "hattie carroll" and "gates of eden" was not a one of my better moves. However, for what it's worth you can hear the tape at Megaload.
http://www.megaupload.com/?d=0A6YV9VY
http://www.megaupload.com/?d=QB6QHY2B
http://www.megaupload.com/?d=GJAOGRKP
There is no splicing tape on the tape I have kept over the years and I suspect this is evidence of the crime having been compounded. Maybe the splices kept breaking so perhaps the tape was copied at three and three quarters on to a new tape. I have no idea what happened to the original; but if you see a five inch reel in a blue philips box ....
Do with these files as you will. If you do decide to pass it on, then do by all by all means call me the uneducated fool with no appreciation of history, but if you could give some anonimity, that would be nice.

hollis brown
mr tambourine man
if you gotta go

love minus zero
one too mornings
spanish leather

she belongs to me
baby blue

it's alright ma

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Frank Zappa: Stockholm 1967 (VG+ Aud) FLAC

fran
Lineage: CDR > EAC > Soundforge 10 pro , waves L316 multimaximizer, iZotope RX Advanced noise reduction >Traders Little Helper Flac level 8

1967 09 30 Konserthuset, Stockholm, Sweden

intro,
You Didn't Try To Call Me,
Petrushka,
Bristol Stomp,
Baby Love,
Big Leg Emma,
No Matter What You Do (incl. Tchaikovsky's 6th),
Blue Suede Shoes,
Hound Dog,
Gee,
King Kong,
It Can't Happen Here

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Friday, October 1, 2010

Pink Floyd: Berlin 1972 (Ex- Aud) shn

(REC 2 - Master - rev A)
1972-05-18 - Master Rec2 - Rev A front
Date & Place Deustchlandhalle, Berlin, Germany, May 18th 1972
Sound Quality EX/EX-
Source Audience (recorder 2 + recorder 1 for fills)
Generation cass[Master] > CDR(4) > SHN > WAV > Cool Edit Pro (remaster + 2nd source fills) > SHN

Disc 1 (48:46m)
1. Speak To Me
2. Breathe
3. On The Run (jam)
4. Time / Breathe (reprise) / The Mortality Sequence
5. Money
6. Us & Them / Any Colour You Like
7. Any Colour You Like (continued)
8. Brain Damage
9. Eclipse

Disc 2 (62:26m)
1. One Of These Days (Missing 1st Part)
2. Careful With That Axe, Eugene
3. Careful With That Axe, Eugene (Continued)
4. Tunings
5. Echoes
6. Tunings
7. Set The Controls For The Heart Of The Sun (Cut)

OU: I came across this killer Dark Side concert recording, labeled simply (MASTER rec2) as an alternate to another lower quality source I already had (Lord of the Universe.) What an upgrade! Nice clear EQ, and mostly intact with few faults overall (rated at Ex/Ex-, and I think I'd agree.) However, this source did have a few annoying issues which tended to detract from the overall enjoyment of such a fiery show. Some of this faults included odd indexing, a few missing pieces, a number...a very, very _large_ number, actually...of mic taps, the odd electrical/digital crackle and spots of distortion here and there.
The quality of the recording nonetheless inspired me to put some time into whatever restoration plans I could muster. Here are some notes on the changes I've made:
- "MASTER rec2" source used for the main body, with "The Lord of the Universe" (rec 1) source serving to fill in gaps
- properly re-indexed the entire Dark Side show
- shifted the lead-in to the partial recording of One of These Days from the end of disc 1 to the beginning of disc 2, where it belongs
- joined the two parts of Any Colour You Like and two parts of Careful... seamlessly, deleting and smoothing out any gaps
- combined and re-indexed the 2nd disc titles, so as to include the intros with the title tracks for smoother flow
- used rec 1 source to fill missing sections of Us and Them, Echoes (small gaps), Set the Controls... and One of These Days (big gaps); concert now complete
- deleted several repetitions of the last minute or so of what was recorded during Set the Controls... on rec 2 source, hence the final time is not much longer than the original, but most of the end from rec 2 was just repeated filler, anyway
- attenuated and filtered a huge number mic taps/bumps, crackle, and odd noise incidents
- patched a fair number of drop-outs by amplification or cross-channel filling
- performed heavy EQ on filler source to brighten the sound for smoother transitions
- filtered rec 2 source very, very lightly for hiss
- faded in and out the start and end of disc 2 instead of abrupt cuts (disc 1 already had acceptable fades)

A few words about the show itself. Awesome pre-LP Dark Side gig. Early versions of the "Eclipse" suite, but well-rehearsed at this point, after having played the set for several months. On the Run being the guitar "jam" thing, and the Mortality Sequence the funeral dirge style bridge. Nice, long, relaxed and funky Any Colour... here. Then, on to the next CD, I’ve brought in the tune-ups and opening of One of These Days from rec 1. The rec 2 taper missed the opening first few minutes, but with some EQ and exact timing, you get to hear the whole track now, alternating between head-banging intensity and spacey-tripped out excursions. You can hear the fade-in just after the 5:10 mark, but the better source stays in play for most of this half. Next, one of the finest Careful... versions ever put down on recorder. Rick's strained, haunting, mellotron-like strings fade up like a ghostly veil over Nick's gentle cymbal-tapping, Dave's Arabesque guitar drones filling in as Roger whispers, groans, and clicks into an echo-soaked microphone. Absolutely chilling. The track swells with Dave's eerie non-Western scale chants and blistering axe-work, and Rog hadn't even started thinking about screaming yet. One of the finest incarnations I've ever heard, and probably why I was convinced to put all the restoration work in to the whole show. They follow with an equally-stunning Echoes, tightly performed and another gem track. Their last number, Set the Controls... was cut several minutes short on the original tape, which is too bad since it was another fine rendition. The ending came courtesy of the "Lord of the Universe" source, as I feel it is always better to tolerate a drop in quality over complete discontinuity.
A lot of work went into all the mods, precisely-timed fills, and especially for the removal of those taps and crackles. A majority of the bumps to the mic undoubtedly came from the taper's deliberate activities, tapping or air-drumming away to the show. I might have found myself doing that if I had been in another place and time to see what must have been a phenomenal concert experience. However, those booms certainly didn't make for an enjoyable listening experience! You can still hear the defects, but the original was really so much worse in those few spots. I hope to have done the sources used here some justice, as well as the tapers kind enough to be there with mics at the ready, and the seeders and traders as well. Sit back, relax as you may choose to do so, and enjoy the complete version of a fantastic show.
JMK

original version notes (primary source):
Nice nice... great upgrade, the sound is damn good!!! this recorder 2 sounds very good. There's an inner cut in U&T and Echoes, the first part of OoTD is missing, and Set The Controls cuts out at 11 minutes. Performance is very good too, some mistakes but lots of jams, really good. recommended, i guess this one will became one of my favourites 1972 shows...
from YGBC Web Site:
I can't believe it yet, this is a superupgrade to the versions I had before and is from a different recorder.
both recorders hit/move the mic several times during the recording sometimes in the same point (see the begining of CWTAE) but they are actually different 'bumps' and chatting around the taper is different of course (here there's a lady talking here and there).
it has more stuff too that are missing in the other recorder: STM(!); the end of Eclipse; more tune ups here and there but it's unfortunately missing the beginning of OOTD and the end of STC.

original version notes (filler source):
title: LORD OF THE UNIVERSE
disc/s: 2
release: DFA-027 - Digital Floyd Archives
date/venue: 1972 May 18 - Deutschlandhalle, Berlin, Germany
source: audience / recorder 1 / cass[low]>cdr[?] >EAC>WAV>archived in shn
tot length: 111:22
overall: VG-

CD1
01. Breathe [2:38]
02. On The Run [5:34]
03. Time [5:35]
04. Breathe (reprise) [1:06]
05. The Mortality Sequence [4:09]
06. Money [6:33]
07. Us And Them [7:15]
08. Any Colour You Like [6:23]
09. Brain Damage [3:55]
10. Eclipse [2:09]
11. One Of These Days [9:18]

CD2
01. Careful With That Axe, Eugene [13:13]
02. Echoes [30:16]
03. Set The Controls For The Heart Of The Sun [13:14]

more OU notes: more or less like the 1st Gen. (even same index/length of track on CD2). the performance is really enjoyable and the sound is bright even, but there's a constant rustle all along the first part of the Dark Side Set that's really annoying... what's strange is that it's more pleasurable to listen to with headphones, the rustle seems concentrated in the left channel.
Stand up to it … then all goes very good.
Speak To Me is missing.
Money has a skip near to the end.
Us & Them has an inside cut.

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Fleetwood Mac: Seattle 1970 (FM) FLAC

MparisFr
what's wrong with this photo?
Eagle Auditorium, Seattle, Washington, January 17th 1970, FM SBD ?, reel to reel source, longer version, better sound.

Disc One:
1. If You Let Me Love You 8:26
2. Whole Lot Of Loving 4:34
3. Only You 4:14
4. Madison Blues 3:06
5. Baby Please Set A Date 3:40
6. Home Work 3:39
7. Stranger Blues 4:46
8. The Sun Is Shining 3:03
9. World In Harmony 3:44
10. Great Balls Of Fire 2:58
11. Rattlesnake Shake > (1 drop between tracks 10 & 11) * 4:10
12. Underway > Rattlesnake Shake (fades out) 22:07
Total 68:33

Disc Two:
1. Jenny Jenny 8:16
2. Teenage Darling 4:37
3. I'm Ready 9:49
Total 22:43

*The first minute of track 12 is the same of the last minute of track 11, cause track 12 start on the side 2 of the reel to reel, so i left it like that, don't want to mess up with the cut.
Ok guys, here are the differences between this version and all the previous ones in circulation :
1. this tape has around 7 minutes more compare to all the others tapes in circulation.
2. the fades in at the beginning of some songs are the same of all the previous ones in circulation, i did not specified track by track in the text file, you'll just hear it.
3. the sound is better compare to all the previous ones in circulation, much brighter.
4. i guess this is an FM Broadcast, on my reel box i've FM Soundboard, so i just reported that.

First generation reel to reel (revox) > behringer ultra curve pro deq 2496 audio equalizer > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac.
Transfered, remastered & uploaded by 38f

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Yes: Tulsa 1980 (VG+ Aud) FLAC

useful2
Tulsa Assembly Center
Tulsa, OK
September 26, 1980
Audience recording from CDR

Disc 1
01 - Britten Intro
02 - Does It Really Happen
03 - Yours Is No Disgrace
04 - Into The Lens
05 - The Clap
06 - And You And I
07 - Go Through This
08 - Man In A White Car - Video Killed The Radio Star
09 - Parallels
10 - We Can Fly From Here

Disc 2
01 - Tempus Fugit
02 - Amazing Grace - The Fish - Amazing Grace
03 - Machine Messiah
04 - Starship Trooper
05 - Roundabout

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Eric Clapton: San Francisco 1994 (Soundboard) FLAC

blues_concert_full_front
"The Blues Concert"
The Fillmore
San Francisco, California
November 8 and 9, 1994

KTS - 457-58 - SB 6 (Scale 1-6)

Disc 1:
1) Blues Leave Me Alone
2) Standing Around Crying
3) .44
4) It Hurts Me Too
5) Five Long Years
6) Crossroads
7) Malted Milk
8) Motherless Child
9) How Long Blues
10) Reconsider Baby
11) Sinner's Prayer
12) Everyday I Have the Blues

Disc 2:
1) Someday After a While
2) Crosscut Saw
3) Have You Ever Loved a Woman
4) Tore Down
5) Groaning the Blues
6) Ain't Nobody's Bizness if I Do
7) Early In the Morning
8) Driftin'
9) Hoochie Coochie Man
10) Born Under a Bad Sign

Band Lineup:
Eric Clapton Guitar, Vocals
Andy Fairweather Low Rhythm Guitar
Jerry Portnoy Harmonica
Chris Stainton Keyboards
Dave Bronze Bass
Andy Newmark Drums
Roddy Lorimer Trumpet
Tim Sanders Tenor Sax
Simon Clarke Baritone Sax

Geetarz (OU) Comments: Culled from the same two dates as the performances used for the unreleased "Nothing But the Blues", this is instead sourced from the MediaAmerica radio show.
Excellent sound quality, and features a stunning version of "Driftin'".

Lineage: Silvers > CD-R (trade) > EAC v. 0.99 Prebeta 5 (Secure, Offset Correct) > FLAC
Artwork, checksums, info file, and EAC logs included.
Enjoy!

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Bride: Cornerstone 1993 (VG+ Aud) FLAC

bride_04_highres
Lineage: Tape > Cool edit pro > Cdwav > dbpoweramp
Location: Cornerstone festival 1993
Source: Audience
Sound: B

1. Intro
2. Rattlesnakes
3. Would you die for me
4. Psychedelic super Jesus
5. Hired gun
6. Troubled times
7. Under the influence
8. Knockin' on heaven's door
9. Everybody knows my name
10. Hell no
11. talking
12. Picture perfect
13. Same ol' sinner

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Arena: Krakow 1996 (FM) FLAC

Untitled-1
art by yourstruly
Krakow, Kinoteatr Zwiazkowiec
October 5, 1996

01.He Knows You Know
02.Crying For Help IV / Grendel (closing section)
TT 13:17

Keith More - guitar
Clive Nolan - keyboards
Mick Pointer - drums
John Jowitt - bass, vocals
Paul Wrightson - vocals

Dear old prog! This one was hidden at the end of a Porcupine Tree show I was transferring for my own enjoyment and listening to the end of the tape I found this little ditty. Arena brings good memories to me, especially in the early days. A few years after this tour I lost touch with the band so I barely know what they are doing. But back then they were really good. This comes from a small braoadcast from polish radio of an extract from the Krakow show.
A few days later the band would play in my hometown with your truly acting for the first (and probably the last) time as the concert promoter. It was a great day wondering around the city, interview them during two radio shows (where the band also
played two great acoustic sets, one featuring Mr.Nolan on grand acoustic piano!) and having a great time in a mexican restaurant.
Back to this broadcast, it features two Marillion oldies and the finest track from the first album. Probably the best line-up ever, featuring ex-Asia guitarist Keith More and the IQ man John Jowitt. Paul Wrightson was also a great fitting vocalist.
Again, a blast in the past...

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Darker My Love: Santa Monica 2010 (FM) FLAC

darkermylove_maliajames_6059_edit
Live In Session On MBE - KCRW FM - 2010
Santa Monica, California.
Source: FM Broadcast
Live In Studio Session @ Time Of Broadcast
AIRED: Wednesday September 15, 2010
STEREO CAPTURE

Lineage: FM > Onkyo HT-R520 > Analog Out > HHB-CDR 800 > CDR.WAV > TSSTcorpCDDVDW SH-S202N > EAC > CD WAVE Tracking > Flac.8)

Darker My Love's new sonic direction leans toward the psychedelic and channels early Grateful Dead jams. Tune in for this standout local band's performance on Morning Becomes Eclectic

01.(=Intro=)
02.Back Seat
03.(-instrument switch-)
04.Split Minute
05.(-song-intro-)
06.New America
07.(-song-intro-)
08.Maple Day Get Away
09.Trail The Line
10.(=Interview=)
11.Dear Author
12.(-talking-)
13.Cry On Me Woman
14.(-talking-)
15.(-tuning-)
16.Rain Down South
17.(-talking-)
18.Tis A Great Art To Saunter.
19.(=Outro=)
20.June Bloom
21.June Bloom(-outro-overlap-)

The Band:
Tim Presley - Vox, Guitar,
Rob Barbato - Vox, Bass,
Will Canzoneri - Keys,
Jared Everett - Rythytm Guitar,
Dan Allaire - Drums

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