AC/DC: Milwaukee 2010 (VG Aud) FLAC

Bradley Center
Milwaukee WI Thursday April 15, 2010
(rescheduled from Wednesday October 14, 2009)

audience 3rd row right side loge FOB>CSC with
battery box+bass filter>Edirol R09>WAV>FLAC via TLH

Rock N' Roll Train
Hell Ain't a Bad Place to Be
Back in Black
Big Jack
Dirty Deeds Done Dirt Cheap
Shot Down in Flames
Thunderstruck
Black Ice
The Jack
Hells Bells
Shoot to Thrill
War Machine
High Voltage
You Shook Me All Night Long
T.N.T.
Whole Lotta Rosie
Let There Be Rock

Encore:
Highway To Hell
For Those About To Rock

Malcolm Young (rhythm guitar)
Cliff Williams (bass)
Phil Rudd (drums)
Angus Young (lead guitar)
Brian Johnson (vocals)

opener = Black Frog (two song smaple included)
trade - no not sell !
same show as everywhere else. Gimmicks included:

The show opened with a train cartoon flashing over the big screens that ended with a huge live locomotive blasting through the set followed by the track Rock 'N Roll Train from 2008's Black Ice.
Brian Johnson took a running leap to ring the bell at the start of Hells Bells
inflated 'Rosie' burst out over and on the train engine during Whole Lotta Rosie
During "The Jack" Angus dismantled his famed uniform:
A tie, jacket, shorts, pasty white legs, white socks and black shoes.
But when he pulled down his shorts, he revealed only his AC/DC boxers, stopping short of mooning the audience as he's done in the past.
During "Let There Be Rock," at the end of AC/DC's main set, guitarist Angus Young sprinted down the catwalk to a small circular stage near the middle of the arena. As the stage rose, Young threw himself to the floor, playing his solo while frantically kicking his legs. He later moved to the back of the stage up, behind Phil to finish.
Angus breaking out the devil horns for Highway To Hell and For Those About To Rock.

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Pink Floyd: Hokkaido 1972 (VG+ Aud) FLAC

13 Mar. 1972, Nagazhima Sports Center, Sapporo, Hokkaido Island, Japan
HL - CD 011 (HeadLiner)
Matrix Disc: PFCF-2
Audience Recording
The recording is excellent, soundquality is very good and the band is in great shape.
Xref: Horizons, Think Pink, Cold Front, Live Volume 1, Dark Side Of The Ice

Tracks:
The Dark Side Of The Moon
1. Dark Side Of The Moon
-Speak To Me
-Breath In The Air
-On The Run
-The Great Gig In The Sky
-Money
-Us An Them
-Any Colour You Like
-Brain Damage
-Eclipse 46:33
2. One Of These Days 8:43
3. Careful With That Axe, Eugene 12:20
Total Time: 67:37

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Pink Floyd: Chapel Hill 1987 (RARE 2nd Night - VG-) FLAC

just recently made available!!

Dean Smith Center (aka "The Dean Dome")
Chapel Hill, NC
1987-October 26 (second night show)
RECORDER: KYLIEMINOGUE
UPLOADER: UNIVONC

OU: I offered to borrow these shows and convert them from analog to digital to preserve, protect, and store these shows. He has trusted me with these cassettes, and permit me to post these as uploads for all to hear. The shows come from personal recordings, FM broadcasts, and traded shows. May I present to you another recording from kylieminogue in digital format:

Original Recorded Cassette (REALISTIC 90 minutes)
Onkyo TA-RW255 Dual Stereo Cassette Tape Deck
Playback at normal speed and Dolby NR at setting "B"
Stereo Out Coaxial Cable merged into 1/8" breakout cable female adapter (3 Pin XLR for Preamp)

Digital Conversion: Mic2496 V2 Portable Mic Pre-amp/A-to-D Converter (coax out) into
Core Sound High Resolution Coaxial Cable (1') M-Audio's MicroTrack II Professional 2-Channel Mobile Digital Recorder (into SPDIF)

Recorded in 96khz/24 bit 2 channel stereo
All editing done with Adobe Audition 3.0.1 (patch for Vista)
EQ with multiband compression (snare chunk) and special 30 band EQ to bring out singer and synthsizer and to reduce crowd.
For 44K version a direct conversion done through Adobe Audition
WAV files converted to FLAC 6 via Traders Little Helper
Files torrented will be done thru traders little helper onto uTorrent.

COMMENTS: EQ to music is like plastic surgery to people.
If you try to keep the procedure simple, it looks good. BUT if you do too much, it will look like Michael Jackson.
So true as it petains to this recording. This was my 4th attempt trying to get this to you. I tried to "keep it simple", but the recording needed some work.
I assume that Kylie's seats were high up and away from the stack. This recording had quite a bit of crowd in between the band and his microphone. Also the master recording sounds like it was "tunnelled" due to his position.
The recording started out a little hot and some slight high end distortion. I tried to shave it slightly but also to bring in the lows (bass). The bass is incredible live. I felt the rumbling as I listened to it on my iPod. Therefore, I needed to bring out more David Gilmour's voice and more bass/keyboards. Thus I used snare chunk to keep percussion as crisp as possible.
I understand that EQ is in the ear of the holder. However, this is a good concert to let go to waste. The beginning of the show is okay in quality. As the crowd settles and the instrumentals keep them down, quiet, and seated, the recording becomes very good. I think the end of the show (last hour) is very very good. There is some minimal intial cassette fluxuation of sound secondary to usage over the years.
So without further delay, may I present to you Pink Floyd.......

SETLIST (02:18:48)
Shine On You Crazy Diamond (11:37)
Signs Of Life (3:56)
Learning To Fly (4:53)
Yet Another Movie (7:38)
A New Machine – part 1 (1:30)
Terminal Frost (6:05)
A New Machine – part 2 (0:42)
Sorrow (7:59)
The Dogs Of War (7:34)
On The Turning Away (9:26)
One Of These Days (6:16)
Time (5:48)
On The Run (4:38)
The Great Gig In The Sky (4:54)
Wish You Were Here (5:00)
Welcome To The Machine (8:37)
Us And Them (7:45)
Money (8:30)
Another Brick In The Wall – part 2 (6:16)
Comfortably Numb (10:10)

Encores:
One Slip (6:41)
Run Like Hell (7:37)

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Roger Waters: Rarities Vol I-III 1970-1988 (shn)

Volume 1
01 What God Wants, Part 1
02 The Bravery Of Being Out Of Range
03 5:01AM (The Pro's And Con's Of Hitch Hiking)
04 The Thin Ice
05 Radio Waves
06 Going To Live In LA
07 Get Back To Radio
08 The Hero's Return (part 2)
09 Accross the Universe
10 Me Or Him
11 Mollys Song
12 Sunset Strip
13 The Gunners Dream
14 Comfortably Numb
15 Outside The Wall

Volume 2
Roger Waters1 When the Tigers Broke Free
02 Run Like Hell
03 Comfortably Numb
04 5:01AM (The Pro's And Con's Of Hitch Hiking)
05 Mother
06 What Shall We Do Now?
07 What God Wants, Part 1
08 In The Flesh
09 The Tide Is Turning (After Live Aid)
10 Another Brick In The Wall - part 2
11 Money
12 Three Wishes
13 Nobody Home
14 Outside The Wall

Volume 3
01 The Russian Missile
02 Towers Of Faith
03 Hey You
04 I Can Tell
05 Sea Shell and Soft Stone
06 Sea Shell and Stone
07 Give Birth to a Smile
08 Seabirds
09 Set The Controls For The Heart Of The Sun
10 Pigs On The Wing (part 1)
11 Money
12 Wish You Were Here
13 The Hit
14 Bring The Boys Back Home
15 Lost Boys Calling

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Pink Floyd: Linz 1989 (VG+ Aud) FLAC

1989-06-23
Linzer Stadion
Linz,

Name: One World Away
Format: flac
Discs: 2
Recorder: audience
Label: Blue Cafe 0A-B
Length: 155:07 Mins

Another Lapse Tour

Band Members
Jon Carin
David Gilmour
Nick Mason
Richard Wright
-------------------
Rachel Fury
Durga McBroom
Lorelei McBroom
Scott Page
Guy Pratt
Tim Renwick
Gary Wallis

set 1
01 soundcheck 18:30
02 Shine On You Crazy Diamond (parts I - V) 11:28
03 Signs Of Life 04:07
04 Learning To Fly 05:42
05 Yet Another Movie 07:21
06 Sorrow 10:51
07 The Dogs Of War 08:08
08 On The Turning Away 09:09
set 2
01 One Of These Days 07:13
02 Time 05:33
03 On The Run 03:30
04 The Great Gig In The Sky 04:51
05 Wish You Were Here 04:38
06 Welcome To The Machine 08:29
07 Us And Them 07:14
08 Money 11:09
09 Another Brick In The Wall - part 2 05:31
10 Comfortably Numb 10:45
encore
01 One Slip 06:20
02 Run Like Hell 04:38

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Pink Floyd: The Transitional Period 1968 (FLAC)

The Transitional Period-1968 era (Tarantura TCDPF-3-1-3)

Disc 1, The Committee Film soundtrack. Recorded at Sound Techniques Studios, Chelsea, London, early 1968: Instrumental #01, (Backwards Introduction), (Film scene), Instrumental #02, (Film scene), (Film scene), Instrumental #03, (Film scene), The Crazy World of Arthur Brown - 'Nightmare', (Film scene), Instrumental #04, Instrumental #05, Instrumental #06, Instrumental #07, (Film scene), Instrumental #08, (Keep Smiling People), (Film scene), Instrumental #09, Instrumental #10, (Backwards Introduction - Reversed). Bonus, Paul Jones, The Committee

Disc 2, Baton Rouge, ORTF 2 TV Studio, Paris, France – February 20, 1968: Astronomy Domine, Flaming. First European International Pop Festival, Piper Club, Rome, Italy – May 6, 1968: Astronomy Domine, interview with Roger Waters, Set The Controls For The Heart Of The Sun, Interstellar Overdrive. Top Gear, BBC Studios, 201 Piccadilly, London, England – June 25, 1968: The Murderotic Woman or Careful With That Axe Eugene, The Massed Gadgets Of Hercules, Let There Be More Light, Julia Dream, interview with Roger Waters. Omnibus All My Loving, BBC 1 TV, The Tabernacle, London – broadcast Sunday, November 3, 1968: Set The Controls For The Heart Of The Sun. Tous En Forme, ORTF 2 TV, Paris, France – Thursday, October 31, 1968: Let There Be More Light, Flaming. Top Gear, BBC Maida Vale Studio 4, London – Monday, December 2, 1968: Point Me To The Sky, Baby Blue Shuffle In D Minor, The Embryo, Interstellar Overdrive

Disc 3, Margiethal-Jaarbeurs, Utrecht, Holland – Saturday, December 28, 1968: Astronomy Domine, Careful With That Axe Eugene, Interstellar Overdrive, Set The Controls For The Heart Of The Sun, A Saucerful Of Secrets

The Transitional Period-1968 era on Tarantura collects documents in an attractive box all of the most important tapes from the year when Pink Floyd underwent tremendous amount of change. When the year began the band were actually a five piece, having recruited David Gilmour to play guitar to aid an ailing Syd Barrett. They played five or six gigs together before Waters and the others decided it would be best to carry on as a four piece without Syd and stopped picking him up for gigs. They were dropped by their management Blackhill Agency, who did continue to represent Barrett and even tried to persuade Wright to leave Pink Floyd and join Barrett. The band searched for a creative statement that would differentiate themselves from the first album and establish them as an important artistic power. The very first project they did as a four piece is the soundtrack for the movie The Committee. This film is beautifully shot in black and white and starts Paul Jones of Manfred Mann. The subject matter of the movie is a philosophic meditation upon one’s conformity with the group and the expectations of living according to one’s culture. It was supposed to be released to the theaters in May, 1968 but for reasons unknown was pulled and, except for rare showings, was not given general release until it was issued on commercial DVD in September, 2005 causing much celebration. The soundtrack itself has never been released and the only way to hear the music is to listen to the entire film which is what Tarantura does. It will be jarring for most, in listening to the first disc, to hear the long dialogue sections between the music. It sounds like Tarantura ripped the entire soundtrack from the DVD so it is in very good mono.

Most of the music Pink Floyd composed is as much soundtrack movie is, composed of short snippets of music meant to underscore the narrative onscreen. The first instrumental is a short, backwards discordant theme before the first dialogue, between the unnamed protagonist and the driver. “Instrumental #2” is a minute long, bouncy pop number. The “instrumental #3” is a psychedelic, organ driven number which underscores the random discussions of the people at the committee retreat. “Instrumental #4” is two minutes long and is played under the discussion between the protagonist and the committee chairman where the former discusses why he cut off and reattached the driver’s head. The music can be considered “experimental” with various noises on the guitar which resemble parts of “A Saucerful Of Secrets.” “Instrumental #5” is a tense organ theme lasting about ninety seconds. “Instrumental #6” is a two minute long David Gilmour exercise, picking on creepy sounding notes over a Roger Waters staccato rhythm. “Instrumental #7” is a thirty second long, slow Hammond organ clip. “Instrumental #8,” given the title “Keep Smiling People,” is two and a half minutes long and is the most recognizable piece of music on the soundtrack since it is the earliest incarnation of “Careful With That Axe, Eugene.” It already features Wright’s “Egyptian” organ and Waters’ familiar bass theme. It would be performed on stage as “Keep Smiling People” and recorded on the BBC as “The Murderotic Woman” before being released on the B-side to “Point Me To The Sky” and on the LP Relics. The most famous form however will be released the following year, the live version on Ummagumma. “Instrumental #9” is an upbeat piece driven by Gilmour on guitar. The soundtrack ends with backwards effects and Paul Jones singing dumb song called “The Committee” which summarized what we’ve learned in the movie (“ Laws by committee / wars by committee / is the most effective way.”)

The second disc contains six radio and television appearances between February and December, 1968 revealing the amount of promotion they were doing during this time. The first two tracks on this disc, “Astronomy Domine” and “Flaming,” come from the “Bouton Rouge” television broadcast. This is a mono recording straight from the television soundtrack, recorded on February 20 and broadcast on February 24. This was unearthed several years ago and is an important find. A third track, “Set The Controls For The Heart Of The Sun” also exists but Tarantura didn’t include it in this collection. The second part of this disc contains the professionally recorded First European International Pop Festival in Rome on May 6. This is excellent stereo soundboard quality and this version is sourced from a VPRO radio broadcast in Holland except for “Interstellar Overdrive,” which comes from a broadcast of the set from ARD TV in West Germany. Most sources state this event occurred at the Piper Club in Rome, but others claim it was at the Palazzo dello Sport. The second track is two minute long interview with Roger Waters, translated into Dutch, where he says, “I would say that Rome is an absurd place to organize a pop festival you know. If it would've been me I would never have picked Rome you know. Ah... Anyway you know it's not you know, it's not a sort of pop-pop festival, if you see what I mean you know. If I was organizing a pop festival in England and wanted to make money and draw big crowds you know, I'd have on ah... well all the people have sold alot of records in England this you know is Engelbert Humperdink and old people like that you know, and those are the people who should really be playing in a pop festival. If the cat wants to fill the place, now if he doesn't. If he wants to catered to a minority audience then, well I'm certainly in Rome, this evenings a lot of groups anyway where I don't know about the Italian groups or their association, but anyway the groups in the first half, really a minority, well The Move possibly not, but The Nice and us are certainly a minority appeal you know, and we should be playing in much smaller clubs where there aren't these bloody television lights shining you know. We couldn't use our lightshow at all, it was obvious as soon as we arrived. We decided not to use it because we were gonna have a real hassle within.”

The performance of “Interstellar Overdrive” is unique, starting with drumming and Gilmour making avian clicking noises on the guitar before mutating into a freeform jam. This track alone has appeared on older releases including Stranger Than Fiction (VFM 430318) and Fountains Of Roma (Black Panther BPCD 033), which claims to be the complete show but actually has tracks from shows in 1967. This is followed by an appearance on John Peel’s “Top Gear.” This was recorded on June 25 and first broadcast on radio August 11 and is right before their famous Hyde Park concert on June 29th. This contains four tracks. Two are from the new album, the new track “The Murderotic Woman” aka “Careful With That Axe, Eugene,” and the B-side of the latest single “It Would Be So Nice,” a Roger Waters song “Julia Dream.” The single was not played since the band hated it so much, but the B-side is pleasant and catchy tune, and Peel sounds very enthusiastic for their set. The sound quality is a very good to excellent mono tape probably from the radio. Of all the material in this box set this has been the most frequently released in the past. The Embryo (The Swingin’ Pig TSP-CD-020) has “Let There Be More Light,” “Murderotic Woman” and “Julia “Dream.” Loose Connection (Double DTD 007 ) has “Let There Be More Light” and “Murderotic Woman.” Tracks from this session can also be found on Phenomena (Manic Depression CD 013/14), Cymbaline (Alegra CD 9014), From Underground To Moon (Digital Phono Records Digit 3101), My Uncle Is Sick Because The Highway Is Green (Oil Well) has “Julia Dream,” Rainbows, Clouds And The Moon (Alien Records ALIEN 010) has “Let There Be More Light,” Re-Actor (Big Music BIG 097), Transcendental Medication (Turtle Records TR-223), Ultra Rare Trax Vol. 1 (The Genuine Pig TGP-CD-114), and Ultra Rare Trax Vol. 3 (The Genuine Pig TGP-CD-116).

The following interview with Roger Waters conducted by Brian Matthew was rebroadcast on BBC Radio 1 “Story Of POP” in 1994 and is in excellent stereo quality. The following track “Set The Controls For The Heart Of The Sun” comes from a television program “All My Loving.” The recording date is unknown but was first broadcast on November 3 and the Floyd part was rebroadcast on BBC TV “Sounds Of The Sixties” in 1991. This show is a “film about pop music” according to director Tony Palmer, and featured the Beatles, The Who, Jimi Hendrix and Frank Zappa. Floyd’s set is filmed in a church and again is in excellent quality, although it is much preferable to have this on DVD to see the color visuals.

The following two tracks are from the second appearance on French television to be included in this Tarantura box set. This is from the “Tous En Forme” television show, recorded live at L’Antenne de Chapiteau du Kremlin-Bicêtre, Paris. The set is part of a festival that also featured Yes and the Moody Blues, and occurs in a circus tent (de chapiteau) in the square and metro station in Parish (Kremlin-Bicêtre). The actual date of filming is unclear. Tarantura list the traditional date of October 31st, which agrees with Povey, but Vernon Fitch claims this show was on September 7th. The show was first broadcast on November 26th. “Let There Be More Light” sounds much more raw and aggressive than the “Top Gear” version from the summer, and “Flaming” lacks Roger Waters’ slide whistle introduction. The sound quality of these two tracks is an excellent stereo, some of the best recordings in this set. The final four tracks come from the second appearance on John Peel’s “Top Gear” in 1968. This was taped on December 2nd to coincide with their latest single, and what would be their last until 1979’s “Another Brick In The Wall Part 2,” “Point Me To The Sky.” John Peel introduces “Baby Blue Shuffle In D Major” as “a real departure, an acoustic guitar duet.” This song is a real rarity and might be an early version of “Grantchester Meadows” from Ummagumma, but at a faster tempo. “The Embryo” is a three and a half minute, acoustic guitar lead version of the well known and controversial stage piece. This is one of Gilmour’s finest creations and even this early version displays some of the song's beauty. “Interstellar Overdrive” lasts for more than eight minutes and is a fantastic version. The sound quality of these four tracks is in mono and is much better than the summer BBC session. Silver releases of this material are scarce but The Embryo (The Swingin’ Pig TSP-CD-020) has “Point Me To The Sky.”

The final disc contains Pink Floyd’s final live appearance of the year, the Flight To Lowlands Paradise II on December 28th at Jaarbeurs-Margriethal, Utrecht, Netherlands. Pink Floyd appeared at this show with The Bonzo Dog Doo Dah Band, Tyrannosaurus Rex, Eire Apparent, The Pretty Things and The McKebba Medelssohn Main Line. This tape has been circulating for a while in a second-generation copy from the cassette but the master surfaced a couple years ago which contains five minutes of tune ups before the first song “Astronomy Domine.” A fan produced roio called Ode To Syd Barrett exists but this is the first silver release of the tape. Although Tarantura uses the master cassette, they omit the five-minute introduction and the tape begins right when the first song starts. This is the most complete audience recording from this year and is musically complete. The sound quality is poor to fair but improves as the show progresses. Waters’ introductions are faint and the audience sounds indifferent to the band. It is valuable for having such an early version of “Careful With That Axe, Eugene” which sounds much more compact in this environment. “Interstellar Overdrive” has Wright playing fascinating keyboard lines and the set closer “A Saucerful Of Secrets” sounds magnificent. The Transitional Period is packaged in a box with each individual disc in a thick cardboard sleeve with paper insert with track listing and the title stamped on the cover, replicating the old vinyl releases. The label also include mini reproductions of two magazine articles with reviews of The Committee which are interesting although contain no Floyd content. This is limited to one hundred numbered copies and is already almost sold out. This is a fun set to listen to covering an important period in Pink Floyd’s early career and is worth having.

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Return To Forever: Wallingford 1975 (FM) FLAC

Lineage: FM> Master tape> sony cassette> SBAudigy2> PC> Soundforge> CDarchitech> CDR> EAC> Soundforge> TLH
venue: Trod Nossel Studios, Wallingford, CT
Date: 1975/04/XX

Setlist:
Space Circus
The Shadow of Lo
Vulcan Worlds
Lopsy Lu
Celebration Suite

Chick Corea (keyboard)
Al DiMeola (guitar)
Stanley Clarke (bass)
Larry White (drums)

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Deftones: Hollywood 2000 (Pre-FM) FLAC

Absolutely Live - High Voltage
01-08
This is from an original copy of the radio show I own. It has not been altered. It includes national commercials and the songs are grouped as they were in the broadcast. Nothing has been changed.
2CD radio show hosted by Tawn Mystery and recorded live at the Palace Hollywood, California on November 1st 1997 and the Leeds Festival in England on 26 August 2000. First broadcast 24/25th February 2001.

Disc One:
1. My Own Summer (Shove It)
2. Root
3. Bored
4. Minus Blindfold
5. Mascara
6. Dai The Flu
7. Around The Fur
8. Be Quiet And Drive (Far Away)

Disc Two:
1. Headup
2. Feiticeira
3. Change (In The House Of Flies)
4. Korea
5. Digital Ba. but I cannot confirm that or the setlist as I do not have the cue sheets.

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Deep Purple: Amsterdam 1970 (Broadcast?) FLAC

1970-01-15 Amsterdam, Holland
BOOTLEG TITLE : Miss Molly At University (Bondage Music)
BON165/166
SiverCD -> EAC -> Flac

01-Speed King
02-Mandrake Root
03-Wring That Neck
04-Into The Fire

Mark II LINE UP
Blackmore-Load-Paice-Gillan-Glover
ARTWORK included

A short set sounds like it may have been recorded from TV. In memory of Perfect Purple.

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Judie Tzuke: London 1979 (Pre-FM) FLAC

Hammersmith Odeon, London
16th November 1979
Transfer from BBC Transcription Disc

01 Intro
02 Welcome To The Cruise
03 Nightline
04 Southern Smiles
05 Stay With Me Till Dawn
06 Ladies Night
07 Understanding
08 Sportscar
09 Outro

Lineage : Vinyl --> unknown --> CD in Trade --> EAC --> TLH

Support slot for Gallagher and Lyle, just as Judie Tzuke was breaking through with the hit single"Stay With Me Till Dawn" from the now classic debut album "Welcome To The Cruise".
This set not to be confused with the either the BBC In Concert broadcast from around the same time, recorded at Paris Theatre, or the officially released (but now unavailable) BBC In Concert from 1981, both originally broadcast on BBC Radio 1, which this was not.
The Transcription Disc is dated 1980, and the delay between recording the concert and the disc being cut is reflected in the intro, as by this time her second LP "Sportscar" is referencable.
Judie Tzuke continues to write and record, 30 years on, best head over to www.tzuke.com for more information and to buy nearly all of her released music direct.

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Various Artists: Camp Winnarainbow Benefit 1983 (FLAC)

1983-03-18 Camp Winnarainbow Benefit, Wheeler Auditorium, Berkeley, CA

Wavy Gravy (Hugh Romney) founded Camp Winnarainbow, a summer camp for kids, in Mendocino County in 1974. See www.campwinnarainbow.org

OU: This was one of what seems to be an ongoing series of benefits for Wavy Gravy's Camp Winnarainbow. I was there; my D5 was used to record the show. I borrowed the masters afterwards and made this 1st gen recording.
Wooga Wooga. Hippies.

Source: Master Tape -> Tandberg TD-20A -> Maxell UD 35-180B open reel tape (3 3/4 ips)
Lineage: My Master Reel -> Tandberg TD-20A -> E-MU 0404|USB -> Audacity 1.3.9 @ 44.1KHz/16b -> CD Wave -> FLAC 7
Sound quality of NB's set starts off great then degrades. Some warbling and speed issues here and there through Amagamalin Street.

Set 1:
Norton Buffalo - harmonica, vocals
Michael Hinton - acoustic guitar
Johnny "V" Vernazza - acoustic guitar
Bob Russell - vocals (last song only)
Johnny Brooks -

1. 5:13 Summit Boogie
2. 2:35 The Jamboree
3. 7:16 Come On In To My Kitchen
4. 4:37 Leave My Broken Heart Behind (?)
5. 2:41
6. 4:38 Chello(?)
7. 6:34 Whadaya do when your world starts fallin' in on you?
8. 4:29
9. 3:07 Jacked-up Drunk
10. 3:15 I'm Takin' Chances

Set 2:
Robert Hunter - (generally out of tune despite his best efforts) Acoustic Guitar, vocals, harmonica
11. 2:46 ...Amagamalin Street
12. 4:11 Candyman
13. 4:18 One Thing to Try
14. 5:48 Slack String Quartet
15. 9:09 Terrapin Station
16. 2:37 Passing Through ->
17. 3:45 Ripple

18. 0:50 "The 80s are the 60s 20 years later" - Wavy Gravy
19. 1:46 Boys in the Barroom (encore, a capella)


Note - the set below is up at archive.org at http://www.archive.org/details/cipollina1983-03-18.flac16, but this is a much lower generation recording and sounds MUCH better; I'll post it up there as well

Set 3:
Nick Gravenites & John Cipollina (and Norton Buffalo - RIP - for first 3 songs)
Nick - acoustic guitar, vocals
John - electric guitar, vocals
Norton - harmonica (first 3 songs only)

20. 2:03 Intro
21. 5:17 Trouble In Mind
22. 5:13 Why-O
23. 3:01 8 Day Clock
24. 1:04 "I died in Sweden, 4 or 5 years ago....John died too"
25. 4:04 Mama Lion
26. 1:57 "The Sweatbox Lounge" aka the Fresno Saloon, San Francisco
27. 4:00 Herpes Blues
28. 5:25 Run out of West
29. 5:01 Six Weeks in Reno
30. 0:52 "We played for 2 hours backstage. Boy were we good then!"
31. 5:47 Down in the Bottom
32. 1:57 "OK You Hippies, Clean Up and Clear Out"

Some really great tunes in these sets, many songs that have somehow stayed with me all these decades way back in the distant, swiss-cheese recesses of my mind. Enjoy!

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Good Rats: University of Rhode Island 1978 (Dan Lampinski Aud Master) FLAC

Edwards Auditorium
University of Rhode Island
Kingston, RI
12 March 1978

Master audience recording taped by Dan Lampinski
Well, as promised, here is something obscure from the vaults.....this is a band I have always heard of, but never heard until now (like many of you Lampinski regulars...."never heard 'em before, but hey it's a Lampinski!")....I was quite surprised to hear so many cool influences in the music, and it is easy to see why Dan dug these guys.....it never ceases to amaze me how much music there is out there to be heard - no surprise that we all collect it with such a feverish passion....
Many thanks for the Joe Walsh recollections on yesterday's torrent, sounds like those of you who were there enjoyed it immensely. I am still surprised that REO would have been the headliner, didn't realize how popular they were in the mid 70's. Dan didn't tape their set, sorry to disappoint.....
Now to the main attraction.....I suspect their will be some very happy folks out there, feel free to share your recollections of The Good Rats, we will be back next week with another thrilling episode.....

CD1
01 Intro
02 Taking It To Detroit
03 Does It Make You Feel Good?
04 Don't Hate The Ones
05 Tasty
06 Yellow Flower
07 Let Me
08 Rat City In Blue
09 Beat Up Rambler
10 Coo Coo Coo Blues
11 Change My Songs For You
12 Mr. Mechanic
13 Ladies Of The Universe
14 Reason To Kill
15 Stick Together Now

CD2
01 E1: Advertisement In The Voice
02 Klash Ka Bob
03 drums
04 Klash Ka Bob
05 E2: Fireball Express
06 Hourglass

Nakamichi 550 Tape Recorder
Two Nakamichi CM-300 Microphones
Maxell cassettes

Mastered and FLAC'ed by Carl Morstadt
Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) ->
CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger
No EQ'ing.

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Crosby Stills Nash and Young: Halverson Tapes 1970 (Soundboard) FLAC

Fillmore East
New York, NY
1970-06-04
Artwork Included
Trade cdr > eac >wav > tlh > flac > TD > you

Disc 1
01. Suite: Judy Blue Eyes
02. On The Way Home
03. Teach Your Children
04. Tell Me Why
05. Triad
06. Guinnevere
07. Simple Man
08. Man In The Mirror
09. Cinnamon Girl
10. Down By The River
11. Only Love Can Break Your Heart
12. Black Queen
13. 49 Bye-Byes
14. America's Children
15. Love The One You're With

Disc 2
01. Pre-Road Downs
02. Long Time Gone
03. Helplessly Hoping
04. Ohio
05. As I Come Of Age
06. Southern Man
07. Carry On
08. Find The Cost Of Freedom

Fillmore East
New York, NY
1970-06-05
Artwork Included
Trade cdr > eac >wav > tlh > flac > TD > you

Missing from disc 1
Suite: Judy Blue Eyes
Blackbird
On The Way Home
Teach Your Children

Disc 1
01. Tell Me Why
02. Laughing
03. The Lee Shore
04. Simple Man
05. Man In The Mirror
06. Cinnamon Girl
07. Down By The River
08. Only Love Can Break Your Heart
09. Black Queen
10. 49 Byebyes
11. America's Children
12. Love The One You're With

Disc 2
01. Pre-road Downs
02. Long Time Gone
03. Helplessly Hoping
04. Ohio
05. As I Come Of Age
06. Southern Man
07. Carry On
08. Woodstock
09. Find The Cost Of Freedom

Trade and Share Freely, Never Sell!

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Crosby Stills Nash and Young: Another 4 Way Street 1970 (Soundboard) FLAC

1970-06-07 Fillmore East New York City, NY
1970-06-26 LA Forum Inglewood, Los Angeles, CA
1970-06-28 LA Forum Inglewood, Los Angeles, CA

Disc 1
01 - Suite:Judy Blue Eyes
02 - Blackbird
03 - On The Way Home
04 - Teach Your Children
05 - Tell Me Why
(1970-06-28 LA Forum Inglewood, CA)
06 - The Loner / Cinnamon Girl / Down By The River
07 - Black Queen
08 - 49 Bye-byes / America's Children
09 - Love The One You're With
(1970-06-07 Fillmore East New York City, NY)

Disc 2
01 - Pre-Road Downs
02 - Long Time Gone
03 - Helplessly Hoping
04 - Southern Man
05 - As I Come Of Age
06 - Ohio
07 - Carry On
08 - Woodstock
09 - Find The Cost Of Freedom
(1970-06-26 LA Forum Inglewood, CA)

Comment: CSNY 1970 - The Halverson Tapes
The Halverson Tapes are concert recording of CSNY in June 1970 taken from several different performances, They were compiled by engineer Bill Halverson from the mixing deck tapes which formed the basis of the "4 Way Street" album. You can clearly Neil referring to the fact that "halverson is recording downstairs", same banter you may find on the LA forum boot.

Primary Musicians:
David Crosby: Vocals, Guitar
Stephen Stills: Vocals, Guitar
Graham Nash: Vocals, Guitar
Neil Young: Vocals, Guitar

Johnny Barbata: Drums
Calvin Samuels: Bass

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Crosby Stills Nash and Young: New York 1970 (Soundboard) FLAC

CROSBY, STILLS, NASH & YOUNG
1969-70 Archives No. 17
Fillmore East, New York, June 6, 1970
Mono soundboard recording.
Includes Artwork

Disc 1:
1. Suite: Judy Blue Eyes
2. Blackbird
3. On The Way Home
4. Teach Your Children
5. Tell Me Why
6. Triad
7. Guinnevere
8. Simple Man
9. King Midas In Reverse
10. The Loner / Cinnamon Girl / Down By The River
11. Black Queen
12. 4+20

Disc two:
1. 49 Bye-Byes
2. Love The One You're With
3. Pre-Road Dawns
4. Long Time Gone
5. Helplessly Hoping
6. Ohio
7. As I Come Of Age
8. Southern Man
9. Carry On
10. Woodstock
11. Find The Cost Of Freedom

Trade and Share Freely, Never Sell!

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Crosby Stills Nash & Young: Buffalo 1974 (VG+ Aud)

After request here to you an incomplete but nice recording of:
RICH STADIUM,BUFFALO,NEW YORK
August 11, 1974

01 Wooden Ships (part)
02 Immigration man
03 Helpless
04 Grave Concern
05 Black Queen
06 Love Art blues
07 Almost cut my Hair
08 Teach your children
09 Only love can break your heart
10 The Lee Shore
11 For Free
12 Our House
13 Long May You Run
14 Change Partners
15 Myth of Sysiphus
16 You can't catch me / Word game
17 Don't be Denied
18 First thing First
19 Deja vu
20 My Angel (cut)

Master: Joe Ray Skrha>D>D
AV = Here the notes on my DAT BOX
- note : "My master tape ripped and I lost the first song and the last 2 songs of tape one.
Tape 2 is missing....I hope to rebuilt whole show from a copy I made of the entire show in 1974 and gave to a friend.
Great tape of great show.
Sat on right side of stage about 50's back.
Went with Patty Mertus. Also on the bill was Jesse Colin Young and Santana".
Total time = 01:41:17"

Transfered from the DAT by A.V. (direct transfer from DAT - not CD rip)
MASH SV DA10>Edirol R09HR (16bit - 48 Khz)>WAVE on card>PC>GOLDWAVE (editing for cuts - no equalization - this is a RAW version)
>Resampled at 16 bit 44.1 Khz - Tracks split >FLAC level 6 - Md5 Signature - Fingerprint.
I really hope that JOE will be able to upload one day the entire version of his fantastic master.
No art work sorry.
Enjoy the show

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Crosby Nash and Young: San Francisco 1972 (FM) FLAC

Date: 1972.03.26
Day: Sunday
Title: "Water Brothers Revisited"
Label: (Super Sonic)
Time: (71:52)
Venue: Winterland Ballroom (Prison Benefit Concert)
Location: San Francisco,CA
Source: Soundboard Recording
SQ: Very good/excellent Soundboard from FM stereo broadcast Reel to Reel Master Tape in the best quality around.
Lineage: ? > Edits with Macintosh Pro Tools > AIFF > xAct (Flac level 8 files with all sector boundaries verified)

Setlist:
01 Wooden Ships (5:38)
02 I Used To Be A king (5:10)
03 The Lee Shore (5:37)
04 Harvest * (3:15)
05 Only Love Can Break Your Heart * (3:39)
<< talk about prison benefit (1:10)
06 Southbound Train * (4:31)
<< talk:intro to Crosby solo segment (1:07)
07 Almost Cut My Hair (5:51)
08 Page 43 (3:42)
<< talk:intro to Nash solo segment (0:35)
09 And So It Goes (3:27)
10 Immigration Man (4:08)
11 Heart Of Gold * (3:45)
12 The Needle And The Damage Done * (2:44)
13 KSAN announcer + talk about Prison Benefit (2:07)
14 Teach Your Children * (3:58)
15 Military Madness > No More War * (4:56)
Encore:
16 Chicago (2:45) > Crowd (3:33) > Outro by Bill Graham (0:23)
(*) with Neil Young

Note: This is the longest version of this concert in wide stereo, The original Water Brothers and the most of other torrent versions in circulation were mono.

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Peter Gabriel: London 2010 (VG++ Aud) FLAC

Live at the O2 Arena, London, England
March 27, 2010
audience recording
OU: Okay! Here's the deal. Downloaded this RoIO from GENESIS MOVEMENT without art. So, I knocked up some artwork and decided to re-share on to 'Y'. I gave this RoIO a name by reason of laying out the art, that name being 'NEW BLOOD AT THE LONDON O2' which is essentially the name of the new tour anyway.
Don't forget, our man Peter is a current, working, touring and fully functional musical artist. He has a long established back catalogue so go check him out at the petergabriel.com website and go buy some CD's and DVDs. I can personally strongly recommend the 'Growing UP' DVD's and really, in my opinion, he's not made a bad record. Ever. But I might just be a little biased :)
And that is a wrap!!!


A Digital Brother & RDWM collaboration
Peter Gabriel
Live at the O2 Arena, London, England
March 27, 2010
audience recording
lineage: DPA-4061 mics > Edirol R-09HR > HarBal 2.3/Wavelab 6.1 > TLH

cd 1
01 Heroes (David Bowie cover)
02 The Boy in the Bubble (Paul Simon cover)
03 Mirrorball (Elbow cover)
04 Flume (Bon Iver cover)
05 Listening Wind (Talking Heads cover)
06 The Power of the Heart (Lou Reed cover)
07 My Body Is a Cage (Arcade Fire cover)
08 The Book of Love (The Magnetic Fields cover)
09 I Think It's Going to Rain Today (Randy Newman cover)
10 Après moi (Regina Spektor cover)
11 Philadelphia (Neil Young cover)
12 Street Spirit (Fade Out) (Radiohead cover)
13 Band introduction

cd 2
01 San Jacinto
02 Digging In The Dirt
03 Downside Up
04 Signal To Noise
05 Mercy Street
06 The Rhythm of the Heat
07 The Drop
08 Darkness
09 Solsbury Hill
10 In Your Eyes
11 Band Introduction
12 Don't Give Up
13 The Nest That Sailed the Sky

enjoy

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Marillion: Sindelfingen 1984 (VG+ Aud) FLAC

Sindelfingen, Stadthalle
July 2, 1984

01.Assassing
02.Punch And Judy
03.Jigsaw
04.Script For A Jester's Tear
05.Emerald Lies
06.Cinderella Search
07.Incubus
08.Charting the Single
09.He Knows You Know
10.Fugazi
11.Forgotten Sons
12.Garden Party
13.Market Square Heroes
14.Stuttgart, SWF3 Radio Interview (Fish) - July 2, 1984
TT 119:07

Lineage: Unknown recording device > 2nd generation tape > Aiwa Tape Deck TC-WE475 > Audiophile 2496 Soundblaster > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6)

Fish - vocals, percussions
Steve Rothery - guitars
Pete Trewawas - bass, backing vocals
Ian Mosley - drums
Mark Kelly - keyboards

OU: Marillion always bring sweet memories, especially in the early tours. The Fugazi one was the first one I saw and was probably one of the best. Almost 26 years ago! After the UK and a short US tour, the band tried to break Europe for the first time with a few dates in Germany + Zurich. Sindelfingen must have been the first or the second one of the short tour. Setlist great with the inclusion of an unusual Charting the Single which lasted only for these dates. Since then, it was never played again. This is a nice 2nd generation copy I traded a bit after (late 90's) but it sounds quite clean. As an addition I took an alternative source of this show where there was a Fish interview done the day of the show in Stuttgart. Overall, a great listening experience.
Enjoy! -ldb

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Ted Nugent: San Antonio 1976 (FM) FLAC

Joe Freeman Coliseum,
San Antonio, Texas - July 6, 1976.
Source: FM Broadcast.
Quality: Excellent-, 9/10 rating.

Set List:
1.Stranglehold 9:35
2.Just What the Doctor Ordered 4:44
3.Free For All 5:05
4.Snakeskin Cowboys 4:48
5.Ted Rants 0:26
6.Wang Dang Sweet Poontang 5:39
7.Motor City Madhouse 8:37
8.Motor City Madhouse (Continued) 1:41
40:38 Minutes.

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Journey: Infinity Demos 1978 (Studio) FLAC

Journey - Infinity Demos 1978
Lineage: UNK > CD-R > EAC > WAV > FLAC

01. Lights
02. Feeling That Way
03. Anytime
04. La Do Da (live)
05. Wheel in the Sky
06. Something to Hide
07. Winds of March
08. Can Do
09. Patiently (live)
10. Opened the Door (live)

Studio demo tracks from the Infinity album sessions. The three live concert tracks are soundboard recordings from the bootleg album titled “The Industrial Evolution"
(August 9, 1979 - Chicago IL USA)

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Jimmy Page & Roy Harper: London (VG+ Aud) FLAC

Battersea Park
London UK
1984-07-29
Silvers: "Hat Off To Jimmy Page" Fire Power label > EAC > flac > you

1.Short & sweet 7:00
2.Referendum 4:48
3.Highway blues 6:58
4.True story 6:51
5.The game 13:55
Nomis Studio, London 1/21/84:
6. Jimmy Page Studio Jam 36:12

sound: 9/10 aud
OU: This boot was located in a closeout bin on the sidewalk in Tokyo six years ago.
The lyrical interlude in "Game" is especially good. The studio jam contains some ideas for what would become The Firm, with some Paul Rogers (?) vocals. Includes embryonic versions of Fortune Hunter and Midnight Moonlight, and blues.
md5 checksum file included
Artwork included

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Toto: San Francisco 1979 (VG+ Aud) FLAC

Live at the Old Waldorf
San Francisco, California
1979 xx-xx
Quality: B

Recorded By Scooter123
Sony Mikes > Sony TC126 > Cassette > Nakamichi > GoldWave > Media Monkey

OU: In early 1979, a buddy shoved a joint in my mouth and a beer in my hand and said, come on, Tom, we're going up to San Francisco and seeing this brand new group called 'Toto.'" WTF? A group named from that sappy Judy Garland movie? You gotta be kidding me. Well, I was blown away.
Five years ago, when I first upped this on The Dime, I got into a raging argument with a Toto fan that this concert could not have existed because it wasn't on some Toto Website, and therefore I could not have driven 5 hours up to the City, plopped down a huge amount of bread and saw both sets of one of Toto's first gigs. The fact that Bobby Kimball said "Hello San Francisco, We're 'Toto' didn't matter, this gig doesn't exist and neither did I. Well, after many days of self doubt that perhaps I didn't exist either, and after several counseling sessions, I am pleased to report that I do exist and so does one of Toto's very first gigs. It's been off the tracker for some time, so its time to let some of the newer members d/l this gem.
I made up a Jewel Case cover which is included.
Warning: There was rampant drug use before, during, and after this gig and my friends even talk about it during the recording and you can hear my friends doing it. So if that bothers you, better pass on this one. However, I am pleased to report that no animals were harmed during the recording of this show.

Set List:
1. Georgy Porgey
2. Guitar Star Blues
3. Power of Love
4. Rough Maker
5. Hold the Line
6. Unknown
7. Goodbye Girl
8. Unknown
9. Unknown
10. Hey Little Girl
11. Hold the Line
12. Hey Little Girl
13. Guitar Star Shuffle

Track List is in random order and is incomplete. I may try to a re-transfer of the tape at some point, but this is what I got for now.

Personnel:
Steve Lukather - guitar, vocals
Bobby Kimball - vocals
David Hungate - bass
Jeff Porcaro - drums
Steve Porcaro - keyboards
David Paich - keyboards, vocals

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Joe Walsh: Providence 1975 (Dan Lampinski Aud Master) FLAC

Palace Theater
Providence, RI
3 February 1975
Master audience recording taped by Dan Lampinski

01 Introduction
02 Meadows
03 Tend My Garden
04 The Bomber
05 Pavanne
06 Dreams
07 The Ashes, The Rain, And I
08 Welcome To The Club
09 Time Out
10 Rocky Mountain Way
11 Turn To Stone
12 E: Funk #49 >
13 Get Back

Opening for REO Speedwagon

Sony TC-152SD Tape Recorder
Sony ECM-99 Stereo Microphone
Maxell cassettes
Mastered and FLAC'ed by Carl Morstadt

Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger
No EQ'ing.

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Ministry: Rarities 1982-2006

artwork by yours truly
This is a compilation of Ministry rarities that have been made available for download as Songs Of The Week from the unofficial Ministry site - prongs.org/ministry, now updated for August 2006. These are the highlights from live performances, unreleased songs, and demo versions from the past 25+ years. All are the original, uncompressed versions taken from the best sources I have been able to locate. Some have been reedited from the versions originally available for download, and in some cases from the original torrented version, and all are superior due to being non-lossy. Due to numerous requests, these are being made available here.

01) Same Old Madness - Studio Verson
02) I'm Falling - Recorded live at the 5/2/82 Philadelphia show
03) Never Asked For Nothing - Recorded live at the 5/2/82 Philadelphia show
04) Primental - Recorded live at the 5/18/82 Chicago show
05) Overkill - Recorded live at the 5/18/82 Chicago show
06) Love Change - Recorded live at the 7/10/82 Detroit show
07) America - Recorded live at the 7/10/82 Detroit show
08) Revenge - Demo Version
09) I Wanted To Tell Her - Demo Version
10) Chipped Beef (The Blackouts) - Recorded live at the 7/14/83 Philadelphia show
11) So So Life - Recorded live at the 7/14/83 Philadelphia show
12) What Is The Reason - Recorded live at the 7/14/83 Philadelphia show
13) What He Say - Recorded live at the 7/20/83 Minneapolis show
14) Nature Of Love - Recorded live at the 10/24/84 Minneapolis show
15) Work For Love - Recorded live at the 10/24/84 Minneapolis show
16) Ricky's Hand - Recorded live at the 10/24/84 Minneapolis show
17) Do You Even Like It - Recorded live at the 10/24/84 Minneapolis show
18) I'll Do Anything For You - Recorded live at the 12/14/84 Minneapolis show
19) Hizbollah - Recorded live at the 12/14/84 LaGrange show
20) I See Red - Practice Take 1
21) I See Red - Practice Take 2

all files archived with winzip
a trial of winzip14 and the artwork here:
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22) Attack Ships On Fire (Revolting Cocks) - Practice Take 1
23) Every Day Is Halloween - Recorded live at the 4/10/86 Toronto show
24) My Possession - Recorded live at the 4/10/86 Toronto show
25) We Believe - Recorded live at the 4/10/86 Toronto show
26) All Day - Recorded live at the 4/10/86 Toronto show
27) Just Like You - Recorded live at the 4/10/86 Toronto show
28) Over The Shoulder - Recorded live at the 4/10/86 Toronto show
29) Isle Of Man/Where You At Now - Recorded live at the 4/10/86 Toronto show
30) The Eyes of Christ - Recorded live at the 6/6/86 Chicago show
31) Thrill Kill Kult - Recorded live at the 6/6/86 Chicago show
32) No Devotion (Revolting Cocks) - Recorded live at the 6/6/86 Chicago show
33) Ricky's Hand - Recorded live at the 6/6/86 Chicago show
34) Tonight We Murder - Demo Version
35) Hatred (Lead Into Gold) - Recorded live at the 5/1/87 Houston show
36) All Day - Recorded live at the 5/1/87 Houston show
37) Abortive - Recorded live at the 5/1/87 Houston show
38) Cattle Grind (Revolting Cocks) - Demo Version
39) Hellfudge (Lard) - Recorded live at the 10/31/88 San Francisco show
40) Time To Melt (Lard) - Recorded live at the 10/31/88 San Francisco show
41) You Know What You Are - Recorded live at the 12/12/88 Toronto show
42) The Light Pours Out Of Me - Recorded live at the 12/12/88 Toronto show

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43) Where You At Now - Recorded live at the 12/15/88 Boston show
44) No Bunny (Pailhead) - Recorded live at the 12/15/88 Boston show
45) You Know What You Are - Recorded live at the 12/15/88 Boston show
46) Golden Dawn - Recorded live at the 12/16/88 New York show
47) No Devotion (Revolting Cocks) - Recorded live at the 12/16/88 New York show
48) Test - Recorded live at the 1/11/90 New York show
49) Smothered Hope - Recorded live at the 1/13/90 Boston show
50) Man Should Surrender (Pailhead) - Recorded live at the 1/13/90 Boston show
51) Man Should Surrender (Pailhead) - Recorded live at the 2/22/90 Merriville show
52) No Bunny (Pailhead) - Recorded live at the 2/22/90 Merriville show
53) Smothered Hope - Recorded live at the 2/22/90 Merriville show
54) Country Interlude - Recorded live at the 2/22/90 Merriville show
55) Message from our Sponsor - Recorded live at the 2/22/90 Merriville show
56) Power Of Lard (Lard) - Recorded live at the 2/22/90 Merriville show
57) Hellfudge (Lard) - Recorded live at the 2/22/90 Merriville show
58) Get Down (Revolting Cocks) - Recorded live at the 8/9/90 New York show
59) Supernaut (Revolting Cocks) - Recorded live at the 8/9/90 New York show
60) Beers Steers & Queers (Revolting Cocks) - Recorded live at the 1/17/91 Breman show
61) Razor's Edge (Revolting Cocks) - Recorded live at the 1/17/91 Breman show
62) Chickenshit (Revolting Cocks) - Recorded live at the 1/17/91 Breman show
63) Burning Inside - Recorded live at the 11/1/92 Hamburg show

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64) Just One Fix - Recorded live at the 12/1/92 Toronto show
65) The Fall - Recorded live at the 5/12/96 Las Vegas show
66) Scarecrow - Recorded live at the 6/29/96 Amsterdam show
67) Jesus Built My Hotrod - Recorded live at the 7/6/99 Tilburg show
68) Whip Or Chain - Recorded live at the 6/17/99 Grand Rapids show
69) Eureka Pile - Recorded live at the 8/24/99 Las Vegas show
70) Bad Blood - Recorded live at the 8/27/99 Dallas show
71) Filth Pig - Recorded live at the 8/27/99 Dallas show
72) Psalm 69 - Recorded live at the 8/27/99 Dallas show
73) Crumbs - Recorded live at the 8/27/99 Dallas show
74) Dead Guy - Recorded live at the 2/24/03 Amsterdam show
75) Hero/Thieves - Recorded live at the 2/28/03 Paris show
76) We Believe - Recorded live at the 3/30/03 Las Vegas show
77) Light Pours out of Me - Recorded live at the 5/6/03 Philadelphia show
78) Supernaut (1000 Homo DJs) - Recorded live at the 5/6/03 Philadelphia show
79) Animosity - Recorded live at the 5/15/03 Tampa show
80) Jesus Built My Hotrod - Recorded live at the 9/17/04 Denver show
81) Wrong - Recorded live at the 10/7/04 Minneapolis show
82) No W - Recorded live at the 10/20/04 New York show
83) WTV - Recorded live at the 10/30/04 St Petersburg show
84) Do You Think I'm Sexy (Revolting Cocks) - Recorded live at the 6/9/06 Ottawa show

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The Faces: Ooh La La Outtakes/Rehearsals 1973 (FLAC)

Ooh La La Outtakes/Rehearsals 1973

art available here: http://www.bigozine2.com/cdcvrs/artwork2.html

1.My Fault
2.Flags & Banners (Instr.)
3.Ooh La La (instr.)
4.Glad & Sorry
5.Silicone Grown
6.Cindy Incidentally
7.If I'm On The Late Side
8.Borstal Boys
9.Just Another Honky

rar files packed with a recovery record -
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Comments welcome.

Argent: Fillmore East 1970 (VG+ Aud) FLAC

March 1970 NY. Fillmore East
Lineage: aud cassette/eac/pc/coo; edit 2000/cd-r/flac

To compliment the recent Fillmore West offering, I present Argent's Fillmore East gig in all it's resplendent audience glory. It's actually a vg rating from my perspective but certainly worth hearing IMHO. Research points to a date of either March 19th or 20th 1970 with Argent and Lee Michaels opening for The Moody Blues. On with the show, good health to you! Enjoy.

Set List:
1. Stepping Stone
2. Liar
3. Time of the Season
4. The Fakir
5. Proud
Bonus Track: 1973 Pop Gala Dutch TV (slight glitch at aprox 1:01 mn. is flawed on cassette master)
6. Hold Your Head Up

Band:
Rod Argent: keys, vocals
Russ Ballard: guitar, vocals
Jim Rodford: bass
Bob Henrit: drums

Trivia Time: Name the band Russ Ballard was in prior to joining Argent.

rar files packed with a recovery record -
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Jeff Beck: Boston 1975 (Dan Lampinski Aud Master) FLAC

Boston Music Hall
Boston, MA
3 May 1975
Master audience recording taped by Dan Lampinski

01 Constipated Duck
02 She's A Woman
03 Freeway Jam
04 Definitely Maybe
05 Superstitious
06 Keyboard Solo
07 Cause We've Ended As Lovers
08 Power
09 Got The Feeling
10 You Know What I Mean

Jeff Beck - Guitar
Wilbur Bascomb - Bass
Bernard Purdie - Drums
Max Middleton - Keyboards

Late show; Mahavishnu Orchestra opened.

Some recordings may claim Stanley Clarke guesting on Power, but while he wrote the song, he was not in attendance that night.
Sony TC-152SD Tape Recorder
Sony ECM-99 Stereo Microphone
Maxell cassettes
Mastered and FLAC'ed by Carl Morstadt

Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) ->
CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment)
FLAC files tagged with Foobar2000 Live Show Tagger
No EQ'ing.

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Joe Walsh (Lampinski) this week.