Friday, March 25, 2011

Weather Report: Boston 1983 (VG+ Aud) FLAC

Lestat Remaster
01 BOOKLET OUTSIDE
DATE: 20 March 1983
LOCATION: Boston, Massachusetts, USA
VENUE: Orpheum Theater

LINEUP:
Victor Bailey - bass
Omar Hakim - drums
Jose Rossy - percussion
Wayne Shorter - saxophones
Joe Zawinul - keyboards

Disc 1
01 - Procession
02 - Fast City
03 - The Peasant
04 - dB Waltz
05 - Blue Sound Note 3
06 - Molasses Run

Disc 2
07 - Two Lines
08 - Plaza Real
09 - Where the Moon Goes
10 - Zawinul/Shorter Duet
11 - Medley: Night Passage/Black Market/Badia/
A Remark You Made/Rockin’ in Rhythm/Birdland

Accurate to the best of our knowledge, but errors/omissions may yet be identified by listeners.
RECORDING TYPE: Audience ["AR"]
TAPER: Barry Rogoff (Balrog)
ORIGINAL ART: Gromek
Three concert photos in the package have appeared before, in at least one case associated with an entirely different tour. Not only are they genuine PROCESSION tour stage shots, they were taken the very night previous to this one [New York City, 19 March].

SOURCE AND LINEAGE: 1983 - Nakamichi CM-300/CP1 > Sony WM-D6C (Dolby B in) > Maxell XLII-S
2010 - Maxell XLII-S > Nakamichi Dragon (Dolby B out) > RDL FP-UBC6 > MOTU 896 > Sound Forge Audio Studio 9.0 > Wave [96kHz/24 bit] > Izotope RX, CEP 2.0 with Izotope Ozone [mastering and downsample/conversion to 44.1KHz/16 bit] > Wave > FLAC
REMASTER SUMMARY: EQ and other work to reveal - not mix - extant AR detail, to every extent possible as the audience heard and felt it. No attempts to alter band-crowd-venue sound balance, or to suppress crowd sound as it does not overwhelm either record mikes or band PA output.
No compression or noise reduction applied. Tape hiss is noticeable, especially during the extremely quite Zawinul-Shorter duet, but even there the signal to noise ratio remains favorable enough to avoid risky NR.

More details are included in the download. Suffice it to say that the result is very favorable! -dave@qb

rar files packed with a (winrar) recovery record -
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Comments welcome.

1 comment:

Anonymous said...

This one sounds fantastic for those who like 1980's WR! (i prefer the '70's myself--but i doubt an aud. recording of WR could ever sound as good as this!)